Vintage '87 (and what would have been nominated in an expanded Best Picture list?)

The Supporting Actress Smackdown of 1987 is two weeks away so get your votes in! We've already had a lot of fun revisiting 1987 films but before we get to the main event let's get some general context of that year in showbiz history. Ready? 

Great Big Box Office Hits:
The comedy Three Men and a Baby, the erotic thriller Fatal Attraction, and the Eddie Murphy action comedy sequel Beverly Hills Cop II, and the Robin Williams vehicle Good Morning Vietnam were easily the four biggest hits of the year, box-office wise. The enduringly popular Moonstruck wasn't quite in their league in tickets sold back then but still very popular, rounding out the top five. The other top ten hits of that year were the acclaimed mobs vs feds costume drama The Untouchables, the now arguably forgotten comedies The Secret of My Success and Stakeout, and the buddy action movie Lethal Weapon (which spawned a franchise). 

The competition for #10 was down to just a $320,000 dollar difference with best-seller all-star adaptation The Witches of Eastwick just barely beating out teen favourite Dirty Dancing. But back in the 1980s adults actually went to the movies a lot rather than only obsessing over "peak TV"...

Oscar's Best Picture Nominees: Of those 11 box office smashes of '87, Oscar cherry picked Moonstruck (6 nominations) and Fatal Attraction (6 nominations) as the cream of the crop and included them in the Best Picture race (correct choices).The beloved Broadcast News (7 nominations) and the costume drama historical epic The Last Emperor (9 nominations) were also popular with Oscar voters (and ticket buyers, too, it should be noted)...

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1987: Vanessa Redgrave in "Prick Up Your Ears"

Each month before the Smackdown, Nick Taylor looks at alternates to Oscar's ballot...

As Cláudio wrote sometime last year (that's how long ago Sunday was, right?), the 1987 Supporting Actress vintage boasts a truly unique set of contenders. Their specific careers, overall narratives, and individual performances and the films they were in could hardly have been more different. Add in the fact that all five were one-and-done nominees and the whole list takes on a genuinely ephemeral, one-of-a-kind quality, even if three of them have the same first name.

The presence of brand names just for A-list star power, would, in most years, dilute this quality. Still, it’s strange to see some of Oscar’s favorite names on the outside looking in during 1987. Top theorists have speculated for decades how Anjelica Huston failed to get cited for her sad, moving performance in The Dead. And what about Vanessa Redgrave in Prick Up Your Ears, who won NYFCC and was the only Golden Globe nominee who didn’t translate to Oscar’s ballot...

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Almost There: It's time to vote!

by Cláudio Alves

Every week since December 30th, 2019, we've had a new Almost There episode to enjoy, Apologies, dear readers, but the series' taking a break this week. However, this mini interruption is a good opportunity to, once again, have you chose what you want to read about via these reader polls. While two Almost There slots have already been decided for November, there are still two vacant spots in need of filling. That's where you come in.

For next week, the 1987 theme shall persist in anticipation of the Supporting Actress Smackdown. With that in mind, here are ten performances which vied for nominations at the 60th Academy Awards, but ended up empty-handed.

bike trail guide

After those '87 related matters, it's time to focus on some new to streaming titles. Looking at the varied selection from the main platforms, I've come up with this list of potential contenders:

online survey

If you choose wisely (or unwisely), we might even have the first negative Almost There piece ever. As much as it's fun to write endless praise, it can also be a challenge to do a vitriolic pan. In any case, the choice is yours.

You have until next Saturday, November 7th, to make your choice. You can vote once a day, if so inclined.

Over & Over: 1987's "Baby Boom"

by Eric Blume

Baby Boom, directed by Charles Shyer with a script by him and his then-wife Nancy Meyers, encapsulates 1987 beautifully.  From young James Spader's Wham!-like hair to Keaton's fashions to the dated woman-in-the-workplace-can-she-have-it-all plot, it could be a time capsule film for the year and its essence.  While we're celebrating 1987, this film couldn't be a better example of exactly where we were.

And yes, Baby Boom is a mercilessly commercial enterprise, engineered with cliche characters and "adorable" cutaway shots to the child inherited by the "Tiger Lady", J.C. Wiatt, played by Diane Keaton.  I can't defend this movie as a work of fine cinema, but I've returned to it over a dozen times for the sheer joy in Keaton's peerless performance...

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1987: The Living Daylights and “Strong Female Characters”

1987 is our year of the month. Here's Deborah Lipp...

One of the unusual things about 1987 is that three of the ten top-grossing films of the year are female-centric. Perhaps two of those films—Moonstruck (about which I’ve written here ) and The Witches of Eastwick—are more correctly called “Cher-centric.” Perhaps the force of nature that is Cher is what made the difference here? (More on her later in a different article). Regardless, 1986 and 1988 are both more typically Hollywood, which is to say, more male.

And speaking of male-centric movies, let’s talk about James Bond. 1987 is the year of The Living Daylights, the first Timothy Dalton Bond movie, and the mid-point of a nadir for Bond box office. (At some point, a Bond box office article will be forthcoming.) Specifically, though, let’s talk about the “Bond girl” of The Living Daylights, Kara Milovy, played by Maryam d’Abo...

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