Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Best International Film (260)

Saturday
Dec182021

Best International Film: Luxembourg, Paraguay, Switzerland

by Cláudio Alves


Instead of thinking about continental closeness, feminine authorship, or similar Oscar records, today's Best international Film submissions are bonded by a thematic link. The pictures selected to represent Luxembourg, Paraguay, and Switzerland all explore matters of displacement, whether through immigration or forced uprooting. They run the gamut, from fiction to documentary, from stories of economic precarity and political oppression to tales of colonial trauma. Though they're championing their countries in the Oscar race, these films consider the nations through complicated lenses and layers of otherness…

Click to read more ...

Friday
Dec172021

Oscar Finalist List Predictions! 

by Nathaniel R

On Monday (December 21st) we'll be hearing the Oscar finalists list in the 10 categories that use that process to winnow down the vast array of possibilities before nomination balloting. There were 9 previously but Oscar has added Sound into the mix this year. That category has had quite a rollercoaster of late, given that it was two categories just two years ago, it was conjoined for 2020, and now it joins the "bakeoff" groups; in short it's getting smaller and smaller each year! After Monday's massive reveal we can really dig in to each Oscar race (and closely revamp each Oscar chart) individually. Isn't it strange that the finalist lists in these 10 categories are coming so much earlier than the actual nomination ballots (which don't go out for another 5 and a 1/2 weeks.

Anyway, let's quickly predict the finalist lists, shall we? You can use this cheat sheet to laugh at me or praise me later, depending on my success rate. If there's a link we've previously written about the picture...

Click to read more ...

Thursday
Dec162021

Best International Film: China, India, Indonesia

by Cláudio Alves

This journey through the Best International Film Oscar submissions has taken us to Europe and Latin America thus far, leaving some continents sorely underrepresented. In hopes of remedying that, this entry shall focus exclusively on Asian contenders. They are the latest work from a respected auteur who has represented China seven times before. From India, an award-winning feature debut shot on a tiny budget and severe minimalism. Finally, Indonesia brings us a beautiful character study in a hundred shades of purple…

Click to read more ...

Monday
Dec132021

Best International Film: Belgium, Kosovo, Russia

by Cláudio Alves

Our odyssey through the Best International Film submissions continues, this time focused on women behind the camera. As Juan Carlos' series Through Her Lens reminds us, there's a wealth of women directors every year whose work gets forgotten in lieu of their male counterparts. Of course, that's true in the Best Director Oscar race, but it also applies to every other category, including this one. From schoolyard bullying shot as psychological warfare to the physical aftermaths of an unspoken massacre, the submissions from Belgium, Kosovo, and Russia showcase the talent of female artists who explore many shades of brutality through a woman's point-of-view…

Click to read more ...

Monday
Dec132021

Interview: Aly Muritiba on Brazil's queer Oscar submission "Private Desert"

by Nathaniel R

Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity.  In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person. 

We had the pleasure of talking to the director Aly Muritiba about the film, the careful casting of his second lead, and Brazil's contentious history of Oscar selections...

Click to read more ...