Review: "The Holdovers" Makes For a Successful Payne/Giamatti Reunion

By Christopher James

A student, teacher and cafeteria manager are stuck together for Christmas in Alexander Payne's new film, "The Holdovers."

Alexander Payne has added another lovable misanthrope to his Avengers collection of curmudgeons. The Holdovers packages a lot of familiar tropes, both from Payne’s filmography and broader genre conventions. Luckily that doesn’t stifle the film’s wit and charm. After having an ambitious flop with Downsizing, Payne has returned to form with his eighth feature.

Mixing Goodbye Mr. Chips with Rushmore, The Holdovers is, like its protagonist, gruff yet sweet. For those looking for a Holiday coming-of-age comedy with a spike of melancholy, it'll be the feel-good, feel-bad movie of the fall season...

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TIFF '23: A Dozen of Festival Highlights

by Cláudio Alves

The 48th Toronto International Film Festival ended last Sunday, but this coverage continues. Even so, it's time to bring things to a close, so here's the last batch of reviews, all capsules because we're running out of time. They span five continents and a dozen nationalities, comprising a trip around the world through the vehicle borderless vehicle of cinema. Directorial approaches are as distinct as the cultures depicted, from meta-cinematic musings to modern noir, from magical realism with a spring on its step to the slowest of slow cinema. Still, all the works deserve your attention. They are shining gems that prove how, despite assertions to the contrary, cinema isn't dying. At TIFF, it's alive and thriving…

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TIFF '23: Getting into the Christmas Spirit with ‘El Sabor de la Navidad’

By Abe Friedtanzer

It always feels a little strange to watch a Christmas movie long before the holiday season, but that just means getting into that wintry mindset ahead of time! El Sabor de la Navidad, a Spanish-language comedy from Mexico, is notable because it’s produced by Salma Hayek Pinault and stars Mariana Treviño, who is the best reason to watch last year’s A Man Called Otto. It’s a lighthearted portrait of an extended family and others connected to them trying to get through a holiday that brings far too many conflicting personalities together…

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TIFF '23: The Best International Film Oscar Race

by Cláudio Alves

The Toronto International Film Festival represents an excellent opportunity to get in touch with cinema from all over the world. For Oscar obsessives, it provides a great chance to catch up with Best International Film submissions, especially as they're announced throughout the festival. I already covered some of them – Australia's Shayda, Bhutan's The Monk and the Gun, Brazil's Pictures of Ghosts, Chile's The Settlers, Finland's Fallen Leaves, Germany's The Teachers' Lounge, Romania's Do Not Expect Too Much from the End of the World, South Korea's Concrete Utopia, and Turkey's About Dry Grasses. However, there are still some more TIFF titles to review.

They are the Netherlands's Sweet Dreams, Tunisia's Four Daughters, and Morocco's The Mother of All Lies. Though they haven't been officially selected, I also saw two of Norway's three finalists, A Happy Day and Songs of Earth…

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TIFF '23: Queer Way of Life

by Cláudio Alves

The 48th Annual Toronto Film Festival may have ended already, but my coverage here at The Film Experience is still going for a few more days. This time, let's talk about the program's queer offerings, highlighting three projects that range from an award-winning World Premiere to a beloved Spanish auteur's first foray into the Western genre. They are the dragged-up double feature of Sophie Dupuis' Solo, which took the Best Canadian Feature prize, and Unicorns, directed by Sally El Hosaini and James Krishna Floyd. Finally, there's Pedro Almodóvar's Strange Way of Life, bound to hit American theaters on October 4th, released by Sony Pictures Classics…

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