10 Word Reviews: Maids, Apes, Robots

A few movies we haven't yet said much about. In the interest of saying something -- more will definitely follow in the case of The Help and The Rise of the Planet of the Apes both of which I suspect we'll be talking about thru Oscar season -- here's two handfuls of words for each.

2011... the year of the put upon maid?

The Housemaid (Im Sang-Soo)
in which a nanny/maid contemplates her own Fatal Attraction
10WR: South Korea continues its Actressy roll. Classy/Trashy, expertly shaped. B+ 

The Help (Tate Taylor)
Maids in the South tell their provoactive stories to a feisty young writer
10WR: Ungainly in telling yet super compelling. Well seasoned cornpone acting. B 
UPDATE: FULL REVIEW 

Transformers Dark of the Moon (Michael Bay)
giant fucking robots return so that visual f/x may occur and billions may be made
10WR: Surprisingly coherent explosiveness. But debris clears immediately (i.e. totes forgettable) C+ 

Cars 2 (John Lasseter & Brad Lewis)
in which Mater the tow truck, the Jar Jar Binks of Pixar, travels the world.
10WR: Noisy unfunny lemon stuck in traffic jam of easy gags. D-

Septien (Michael Tully)
in which..., no, I don't know what happens. Something about three abused backwoods brothers.
10WR: Incomprehensible indie auteurism. Masturbatory but at least someone's getting off. D

Rise of the Planet of the Apes (Rupert Wyatt)
a science experiment gone awry has deadly simian consequences
10WR: Overly familiar beastie, schocked back to life by superb staging. B+
10 Word Bonus Thought: As new directors go, we suspect Rupert Wyatt could "A"  

COMING SOON: I know that everyone is already talking about Andy Serkis's killer work as "Cesar" in terms of its Oscar battles to come. But I want to let the film settle before I sound off. Anyway, I already suspect this conversation will make me crazy because it'll end up being a "supporting" discussion and "Cesar" is the lead of the film. James Franco's stardom is a red herring ;) 

True Blood: "Me and the Devil" & "I Wish I Was the Moon"

So get this. I offered up True Blood reviewing duties to the entire Team TFE last week when I was out of town and noone bit. What's up with that? No fangbangers in this house? Which means we've got two episodes to chat up today. Ratings for True Blood are strong this season and deservedly so. We're only halfway in but -- at this point -- it's much stronger than Season 3. It also isn't as repetitive as Season 2. We definitely approve thus far.

"Drink now."

4.5 "Me and the Devil"
Here we have a perfectly titled episode as everyone is battling their personal demons (Tara and Eric specifically) or actual demons as the case might be (Arlene & Terry who hold an exorcism of sorts in their house, still worrying about their spooky baby).

This is also another terrific rangey episode, with fast pacing, surprises and character bits. It kicks off with a violent family squabble (Tommy vs. his parents), moves expertly through tense comedy including the aforementioned exorcism, Bill glamouring his latest fling to "scream" and run whenever she sees him, and Lafayette's post Pam-cursing reaction to Marnie's 'who? me?' act.

That's some catchy shit for your headstone!"

Despite the abundance of actual plot there's graceful tightening of story threads as Sookie's finally braids to Marnie's when the women meet under the false pretenses of a reading. It doesn't turn out how Sookie or Marnie OR the audience expect.

Best Sookie Moment

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Review: Captain America The First Avenger

Exhausted by superpowered heroics yet? The summer has already brought us Norse gods (Thor review), dangerous mutants (X-Men review), and intergalactic policemen (Green Lantern review) and we still haven't reached the finish line. Here comes Captain America: The First Avenger, the last superhero to storm the box office beach. Summer's end goal: total world domination by the spandex nation. 

Cappy might be arriving a month too late for his own good, if he was hoping to be greeted by cheers and patriotic parades. The new would be blockbuster would've made a great fit for Fourth of July opening -- damn those giant robots! Given that the studios like to frontload the summer they didn't do this on purpose but I'm pleased to report that they saved the best hero for last. No, really. Cappy is just swell. 

And not just because of that spectacular literal swelling that you've already seen in the TV spots when Chris Evans emerges newly muscled from that sci-fi silly metal cocoon.

... read the rest at Towleroad

P.S. OSCAR POSSIBILITIES?
I didn't discuss this in the review but Oscar hopes for genre pictures are always based on the perceived merits of said pictures only after they're multiplied by box office success. If the film isn't a substantial hit, you can probably count only on Best Original Song, a fun pastiche "Star Spangled Man" by Oscar favorite Alan Menken, which I've included below for your listening pleasure, and some random technical nod. But if it is a hit AND they prefer it to Thor (which I'd bet they will given the World War II period angle IF it's a hit) you could see Make Up due to the Red Skull (that category though... anything goes... impossible to know from year to year what they're actually looking for), Visual Effects if they like Chris Evan's transformation and the shield action... and maybe Sound or even Costume Design. Anna B Sheppard is a true wizard with this time period -- though they weirdly ignored her for Inglourious Basterds -- and the evolution of the good Captain's look is well handled. Can't wait to see how they update this look for The Avengers next year. "Avengers Assemble" and so on. Carry on.

"Star Spangled Man"

True Blood 4.4 "I'm Alive and On Fire"

What we have here is what I like to call a soft tissue episode. It's no mere place holder filler episode but it's not the real muscle of the season either. We are moving along at a nice clip though, advancing all of the plots and raising the stakes.

Marnie watches a witch being burned alive. So that's why her eyes go alight?

I'm Alive and On Fire
In this episode we learn that fairy blood is no joke. If a vamp drains the whole fairy (see last week), he gets drunk and he can spend hours in the sun. Turns out that Alexxander Skarsgård's drunk Eric is just as much fun as his childlike Eric. He flirts shamelessly with Sookie, and he goes skinny dipping in the sunlight (in an episode that's veritably bursting with beefcake). Speaking of which, most of the skin show is far less icky than the past two episodes of Jason Stackhouse's rape at the hands of the werepanther women. Jason finally gets vertical again (thank God) and escapes, though it's probably safe to say that trouble will follow him. In other storylines that evil baby gets a writing on the walll moment "BABY NOT YOURS" and there's more potential trouble for the Merlotte boys as the people they turn to emotionally are less than safe havens.

Something smells fishy. Well, yeah, he's been to the lake.

The strongest element of the episode was its fluid reflectiveness as scenes from disconnected storylines seems to comment on each other. The reveal that Bill's latest conquest is actually his great great great great great granddaughter bounces off all of that sick "brotherhusband" talk in Jason's storyline. And then there's the crazy girlfriends. Take, for instance, Alcides's relationship with his girlfriend Debbie.

Surprisingly it's not his rock-hard body that's made her nuts...

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My Bellatrix vs. Minerva Fantasy

Today at a critics screening, upset that the film was out of focus, I ran out of the theater to tell the people in charge. On my way out I tripped on a step I didn't see in the dark and literally went tumbling, face first (luckily my hands hit the ground before my face). After the screening -- which I winced through in pain -- I looked down to see my foot covered in blood! My toe is all F***ed up.

This is a really long way of saying that maybe Potter fans put some sort of hex on me today, anticipating a negative review of the last chapter of the beloved franchise. But the truth is I was somewhat nice to Harry Potter and the Deathly Hallows Part Two in my review at Towleroad because it is 100 times better than Part One -- not that that's a high bar to jump -- even if I think it's wanting in a few key ways*. Let's say B/B- for solid if limited entertainment. In short: it's a worthy finale and totally representative of the series. 

*Like, for instance you have all these great adult British actors and they rarely interact. I mean I was D-Y-I-N-G for a Helena vs. Maggie / Bellatrix vs. Minerva showdown so I could pretend that Lucy Honeychurch was finally done with "Poor Charlotte"'s constant fussy meddling and enlisted the dark arts to take her down! (Merchant & Ivory's Harry Potter. Haha. Just try to imagine it!) I knew this battle wasn't going to happen because I've read the book but instead all I got was like a disappointing three seconds between Julie Walters and Helena (I'll readily admit it was a great moment in the book.)

Was the Harry Potter finale satisfying for you? Do you think Stuart Craig will win the Art Direction Oscar as a thank you for the whole series? He's been nominated for Harry Potter movies three times out of seven thus far (plus six noms with three Oscars before it).