Smash: That "Bombshell" Finale

True story. When I pressed play on the DVR to write up this last Smash post of the season, the TV "resumed play" in the middle of the episode somehow though I'd already watched the whole thing through. The mute button was on. Chorus girl Ivy (Megan Hilty) was pulling a ring box from her purse. The ring wasn't hers but fellow chorus girl Karen's (Katharine McPhee) whose fiance had left the ring in Ivy's hotel room after a drunken one night stand. At the exact moment that Ivy opened the ring box, the unmistakably familiar siren song of the ice cream truck sounded outside my apartment. 

I'm not sure where I'm going with this so let it suffice to say that this final episode of Smash's first season was nothing at all like a refreshing creamy treat. The only similarity was that I felt sick to my stomach after devouring it. I don't mean to be a drama queen but at episode's end when Ivy reached for a bottle of pills in her last vain attempt to commune with Marilyn Monroe, that dream role long since torn from her, I knew where she was coming from. I too felt robbed. 

This is not to say that I ever expected Ivy to get the Marilyn role in this fictional soap opera about the creation of a Broadway musical. NBC's peacock of choice from the beginning was the creamy lovely generic American Idol alum Katharine McPhee. The "who will get the role?" drama always felt a little forced since all the marketing was built around McPhee and the show took frequent awkard pains to insist that Katharine McPhee/Karen had "it" while Megan Hilty/Ivy was merely a competent seasoned performer but not a star. I've spent a lot of time shaking my head about the show's absolute inability to notice that the show doesn't play like that at all and they should have rethought their game plan. Megan Hilty has IT in so much bold all caps that it's like she's carting around her own spotlight and orchestra. Every time she performs the show lifts off to a higher level and every time the show tells us she doesn't have charisma, the show becomes as far-fetched as "Bombshell's" narrative that you can rejigger an entire show, rehearse a new lead, refit all the costumes and write a new song and everything will go off without a hitch mere hours later! 

It occurred to me afterwards and somewhat perversely that perhaps Katharine McPhee's generic charms are not the problem but it's Megan Hilty who is miscast. If Smash is not secretly a show about an otherwise talented director (Jack Davenport's Derek) who is terrible at casting --McPhee is beautiful and talented but sounds and moves nothing like Marilyn while Ivy is beautiful and talented and makes a very convincing musical Monroe -- than it is failing terribly. 

...sadly I was hoping she would.Set List: Standards - none; Contemporary - none; Originals -"Don't Forget Me" which is the second worst original song in a generally sensational musical score 
<--- B♡bby & Dennis: This one goes to Dennis (Phillip Spaeth) who is, as ever, adorable. And he always looks so happy!
Anjelica Awesomeness: "Wonderful!" Eileen's what now? exasperation that her ex-husband bought a ticket to the show. 
Best Moment: Sadly, the best moment by far was the little flashback inserts of Megan Hilty doing "Wolf" and Megan Hilty doing the epic "Let's Be Bad" the two best numbers ever seen on the show. But I also loved the sudden change in the title card. It was no longer "Smash" with an orchestra tuning up but "Smash" with an overture. Nice touch now that the show is playing (albeit in out of town tryouts).

Curtain Call: Skinny Katharine McPhee belting the anthemic ballad "Don't Forget Me" a weak song that sounds suspiciously like one of those interchangeable anthemic ballads that they always end American Idol with. In short, "Bombshell"'s finale was 100% Marilyn Monroe free; no blonde wig on McPhee could ever bridge that infinitesimal gap.
Grade: C-
Season as a Whole: B/B- though the first half of the season, particularly episodes four through six suggest that this could be an A level show. Here's to next season. Break a leg!

American Idol Katharine McPhee as American Idolesque American Icon Marilyn Monroe

Previously on Smash
1.1 "Pilot" |  1.2-1.3 "The Callback" & "Enter Joe DiMaggio" |  1.4-1.6 "The Cost of Art", "Let's Be Bad" & "Chemistry" |  1.7 "The Workshop" with Bernadette Peters! |  1.8 "The Coup"...the worst episode |  1.9-1.10 "Hell on Earth", "Understudy" |  1.11-1.12 "The Movie Star", "Publicity" with Uma! |  1.13-1.14 "Tech" & "Previews" with Uma!

Season Awards
Best Episode - The Cost of Art | Best Actress - Debra Messing (and yes I'm surprised by this) | Best Actor - Jack Davenport | Best McPhee Number - "Rumor Has It" from The Cost of Art | Best Hilty Number - "Let's Be Bad from Let's Be Bad | Best Production Number - "Let's Be Bad" in Let's Be Bad | Best Number Not Staged -  "Wolf" in The Cost of Art | Best Number That Doesn't Feature Hilty or McPhee - "Say Yes" with Christian Borle from Understudy | Best Anjelica Huston - Anjelica Huston | Amount of Joy I Suspect I Would Feel If They Staged the Entire "Bombshell" on Broadway with Megan Hilty in the Lead Role - ∞

What's on your (cinematic) mind?

I was just thinking about Emma Stone because I spotted this great spoof sketch by Grant Gould of the Easy A poster through the Game of Thrones lens...

So fun! Which is coincidentally a word that doesn't fit Game of Thrones at all. It's too sober for fun. (Daenerys is just about my least favorite character in the Game of Thrones franchise because her story just never goes anywhere... Whatever, this post wasn't meant to be about GoT which I stopped watching a couple episodes ago, remembering how pissed the third book made me so why stick with it?) 

SO..... what were you just thinking about movie-wise before you clicking over to the Film Experience?

P.S. More posts coming to wrap up our Smash coverage, Cannes new, "Best Shot" and more. The past two days have been a little trying.

Links: Vocal Mimicry, Fearless Reprises, and Kick Lines

Web Slinging hear Tom Hiddleston's impressions of Samuel L Jackson, Owen Wilson and Chris Evans. He's a talented mimic. And funny, too.
My New Plaid Pants gratuitous Byung-hun Lee
Pajiba acknowledging the nameless lineless secretaries on Mad Men. Hey, at least they get to wear the insanely great costumes of Janie Bryant.
LoveFilm asks which Brad Pitt film haircut is the most iconic? How to choose? Surely the best male follicles in Hollywood.

Monkey See on long term investments in TV shows and whether or not they pay off (via New Girl and Smash) 
Boy Culture has the rumored set list for Madonna's MDNA tour. Sad I'm not going but it'll be fun to read about and see clips from
Rope of Silicon Care to see a sneak peak of The Lizard from The Amazing Spider-Man? I'm avoiding spoilers which is frankly silly since we're in reboot territory but whatevs. I love Spider-Man, easily my favorite superhero film franchise. Though I'm still not excited about this one. 
Daily Musto The Avengers when they were young
Cinema Blend release date shuffling strikes. No Gravity in 2012. Sniffle. Guess I have to update my Oscar charts asap 

Playbill Yes, Julianne Moore accepted the Piper Laurie "Margaret White" part in the new film version of Carrie. She's brave that one, but stepping into another actor's iconic shoes (slippers in this case?) is tough work. See also Julianne Moore in Hannibal. I'm not sure she shoulda done it but now I have to see the movie. Damn you Juli, you fearless minx!
The Film Experience <--- yes, we already discussed this.
 Movie|Line has a candid interview with 90s teen star Devon Sawa... hadn't heard that name in awhile
The Incredible Suit 'is it just me or...' (seeing double) 
Empire Channing Tatum may star in Roland Emmerich's next noisy action picture (oh dear) White House Down 
The Wrap Hollywood learned nothing about Taylor Lautner's lack of film-carrying talent from Abduction (oy) and he's getting another action picture called  Tracers.
The Film Experience <--- yes, I actually wrote about Abduction. I am a masochist. 

Finally via SuperPunch, which always finds neat things to share, a supercut of just the kicking from Jean Claude Van Damme's Kickboxer...

Mad Men @ The Movies: Megan, The Actress

In Mad Men @ The Movies we talk about the show's movie references. Mad Men happens to love the movies and we happen to love Mad Men.

Megan Draper: My father won't care if he finds out you read James Bond.
Don Draper: You know what? It's a good book. You should read it. 

poll by twiigs.com

Eyebrows were raised recently when it was announced that Jessica Paré would be submitting herself in the lead actress category at the Emmys for this season of Mad Men. Over the show's interminably long hiatus she graduated from guest star to... well, the new Mrs. Don Draper fits the "Lead" description in every way. Not only does Megan gets key storylines in every episode but her energy, impulsiveness, and partial foreignness is something like a youthquake for the show, especially since all the other characters are aging quicker than they'd like to.

In "At the Codfish Ball" and "Lady Lazarus" Megan's decisions continue to cause aftershocks with Don, Peggy, Roger and more who all seem to interpret Megan's decisions through their own narcissistic lens. Her parents visit, she saves a major account (Heinz Baked Beans) proving her natural aptitude at advertising but instead of celebrating she announces her resignation. She secretly still wants to be an actress and has been attending auditions on the sly.

Movie grammar and a pinch of Hitchcock after the jump...

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Smash: "Tech" & "Previews"

Smash recently announced that its creator and season 1 showrunner Theresa Rebeck was moving on. and Josh Safran (who ran Gossip Girl) is moving in for Season 2. What this means for the show we'd rather not speculate because Smash is such a fragile series. Tweak it this way it becomes a great series rather than a good one. Tweak it that way and it all falls apart. Expectations were too high to avoid studio interference but what the show needs is someone who embraces the core of its appeal and doesn't worry about appealing to every demographic. (Even Marilyn Monroe herself was hardly a universally beloved / respected movie star.) Shows that know themselves first and foremost tend to be the ones that people come to and adapt to, not shows that try to adapt to that  mythical monolithic audience.

Happy Birthday.... Mr. Director ♫

1.13 "Tech"
Despite various complaints about the direction of Season 1 I think the show actually has a pretty good handle on forward momentum. more after the jump.

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