NYFF: Margaret Qualley anchors ‘Stars at Noon’ from Claire Denis

By Abe Friedtanzer

At the NYFF introduction of Stars at Noon, the most recent work by Claire Denis,  it was noted that the acclaimed auteur doesn’t have a consistent style or preferred genre in her filmmaking. Recent works like High Life and Let the Sunshine In, both of which screened at NYFF and featured her frequent collaborator Juliette Binoche, are not at all indicative of her two 2022 films (the other is Both Sides of the Blade). Stars at Noon is another about face. It's a romance mired in political mystery, a puzzle that never truly feels like it needs to be solved.

Stars at Noon is based on the 1986 book by Denis Johnson that's set during the then-recent Nicaraguan War. Denis has updated the material to the present, and centered it on Trish (Margaret Qualley), an American journalist who has clearly outstayed her welcome and is struggling to find the big story that will get her back on track...

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I'll Link to That

TODAY'S MUST READ Self-Styled Siren debunks myths surrounding John Wayne and Sacheen Littlefeather at the Oscars in March '73. Really interesting piece as it shows you how press and stars speak about charged incidents, how incredible stories get started, how they change over time, and how often they're accepted as gospel once enough time has gone by. (P.S. Personally speaking I have always disliked John Wayne but even so, I have had trouble believing this story)

More after the jump including a biography of an Almodóvar regular, funeral screenings for Batgirl, the cult of A24, Black Panther toys, and a couple of remakes. Question: why does the entire internet call all remakes (and even some sequels) reboots now? The three separate words actually do mean three separate things... 

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FYC: Simon Rex for Best Actor

by Cláudio Alves

Ever since the project premiered in competition at the Cannes Film Festival, Red Rocket's leading man has been praised by critics and spotlighted as a potential Best Actor contender. Perhaps more accurately, Simon Rex has been described as one of those cases where a performance should be in contention even if their chances are null. Indeed, Rex seems to have been forgotten by awards voters as the season progresses, even though reviews still sing his praises. Now that Sean Baker's latest movie is hitting theaters, maybe the actor can get his moment in the sun. While the man's turn as a washed-up porn star could have been nothing more than stunt casting, Rex transcends such pitfalls. His take on one of the year's most loathsome characters is Oscar-worthy…

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Middleburg Highlights: "Minari" and 'Coffee & Contenders'

by Nathaniel R

I had the pleasure of serving once again on Middleburg Film Festival's Oscar-discussion panel this past Friday. Jazz Tangcay, Clayton Davis, and I chose the name "Coffee & Contenders" because when we launched  the event last year it was first thing in the morning in a cozy room designed specifically for group gatherings at the Salamander Resort and Spa in Middleburg Virginia. You grabbed your complimentary coffee and pastries on the way in. This year we were completely virtual and on Zoom but the title was still literal. Coffees in hand we discussed the race.

The race is a mess of possibility without much clarity. It's not that there aren't contenders or reason to celebrate film (see Juan Carlos' recent rant). It's that we're in uncharted territory given the pandemic and suddenly virtual nature of movies and campaigning; Publicists and awards strategists have their work cut out for them! 

But let's talk about the winning film...

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Yes No Maybe So: Minari

by Eurocheese

The Minari trailer has arrived, and wow is it gorgeous. I may not be familiar with writer/director Lee Isaac Chung’s previous works, but this trailer for the Sundance success and its endorsement from one of our most promising new directors (we’ll get there) are enough to get me excited. Let's do the Yes No Maybe So breakdown after the jump …

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