Review: "Logan Lucky"

by Chris Feil

Steven Soderbergh’s cinematic return begins with an apt statement that reflects the experience of his most entertaining films: Channing Tatum’s Jimmy Logan tinkers away at his truck as he tells his daughter Sadie a fantastical tale about the John Denver tune on the radio. When she asks what makes the song so special to him, his matter-of-fact response is that sometimes you just “like the song because of the song.” For all of Soderbergh’s conceptual refinement and polemical subtlety buried within his most mainstream features, sometime you can’t just help love the song.

Logan Lucky is another one of those films for the director, and another of his spectacular ensembles. Tatum is one of three protective Logan siblings along with Adam Driver’s amputee Clyde and Riley Keough’s no-bullshit hairdresser Mellie.  In order to stay a part of his daughter’s life after losing his construction job, Jimmy hatches a plan to rob a NASCAR motorway of its subterranean cash stash. For added muscle the Logans recruit the mischievous Bang brothers, led by current convict and hard-boiled egg enthusiast Joe, played by an inspired and loose Daniel Craig.

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Terry Gilliam's "Quixote" is Complete

Chris here, with some heartwarming news: a film nearly twenty years in the making has finally wrapped filming. You'll remember Terry Gilliam's ill-fated attempts to adapt Cervantes's legendary Don Quixote to the big screen as they were told in the documentary Lost in La Mancha - floods, lost funding, and casting woes made this film one of the most notorious productions of all time.

But now Terry Gilliam's The Man Who Killed Don Quixote will rise from the ashes of cinema history. Gilliam has completed filming - with a new cast that includes Adam Driver, Jonathan Price, and Stellan Skarsgård - and Amazon will bring the film to theatres sometime next year. Someone please protect the digital print (or film, if Gilliam went that route) from any mishandling so that Gilliam isn't put through the ringer again!

Gilliam's last film The Zero Theorem came and went quietly, but we suspect this one will get much attention on arrival given its unfortunate history. You can probably bank on a major film festival to debut the film as well. Regardless, it will be fantastic to see this story come to a happy ending for Gilliam! Do you have any troubled productions that fascinate you?

YNMS: "Logan Lucky"

Chris here. Tucked away in late summer is Steven Soderbergh's Soderbergh's official return from cinematic retirement Logan Lucky. Why is this return so quiet with little fanfare? Well, probably because we always knew that retirement wasn't going to last long anyway - and maybe if Soderbergh is back, he'll stay low-key.

However, from the looks of the first trailer, Logan Lucky will be anything but a low-key romp. Soderbergh is back to the ensemble heist capers he turned into big hits with the Ocean's films, this time even more broadly idiosyncratic and silly. This film's heist seeks to pull one over on NASCAR, with the lovable thieves a set of goofy oddballs that sound more at home in the land of Coens than Soderbergh. Take a look at the first trailer, and we'll discuss the Yes No Maybe So after the jump...

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Good News for 'Annette' (not Bening)!

by Spencer Coile

I didn't mean to spook you all with that title-- I know many of us are still mourning La Bening's Oscar snub for 20th Century Women. But I come to you with good film tidings. 

For those of you musical lovers out there looking to get a new fix, look no further. Holy Motors director Leos Carax is coming back in 2018 with his new film, a musical no less, titled Annette. And it gets even better...

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In a previous life, Steven Soderbergh must have been a thief

Behold the first image from Lucky Logan which is Soderbergh's first post-retirement theatrical feature. It's yet another heist picture from a director who is very fond of stories about professional thieves and or elaborately planned ambitious crimes. See also Haywire, Oceans franchise, Out of Sight.

Pictured are Adam Driver and Channing Tatum in the background (why are they barely featuring a star as big as Chan in the first still?) and platinum blonde Daniel Craig in the foreground. They're doing an elaborate heist during a NASCAR race. 

Are you excited to welcome Soderbergh back to the movies?