Reader Writes: Kris takes a trip to Telluride

We've been tinkering with the idea of a weekly or bi-weekly column where we hear some film talk from readers beyond just the comments section. So let's kick that off. Here's Kris Mascarenas to talk Telluride which just wrapped... - Editor

Long time reader, first time writer here reporting on Telluride Film Festival which wrapped up on Monday.   It was my second time at the festival, the first being in 2015 when Carol, Room, and Spotlight all premiered.  For the uninitiated, Telluride is located in the Rocky Mountains of Colorado. There is one road in and out of town and the moment you arrive, you can feel how truly special this town is.  It is a low-key festival with no paparazzi, and if you are lucky you can run into actors and directors while waiting in line for your morning coffee. 

I was on hand opening night for Judy but first there was a tribute to Renee Zellweger, and clips of her movie played (Chicago, Cold Mountain, Nurse Betty, and inexplicably... Miss Potter) before she was awarded the Silver Medallion...

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Review: The Dead Don't Die

by Chris Feil

A few years back, Jim Jarmusch brought fresh life to the oft-revisited vampire genre with the sexy Only Lovers Left Alive. This summer, he attempts to do the same with the tropes of the zombie film in The Dead Don’t Die, drolly taking on our mindnumbed obsessions in the modern dissociative era. Should he take on another monster genre soon - who better to find the poetic ennui of a werewolf, truth be told - then he should hope it results in something more akin to his look at bloodsuckers than that of his flesheaters. The Dead Don’t Die is a smug stinker.

The film is set in Centerville, “A very nice place to live!”, a town small enough to house a single diner for restaurant options and with its gas station pulling double duty as its comic shop. News reports that the Earth has spun off its axis due to polar fracking is met by the townspeople with the mildest sense of alarm, at least as much as they can muster for a world outside that they just cain’t understand. But that small town malaise is devoured once the local cemetery starts sprouting the reanimated dead.

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Stage Door: Burn This, Hadestown, and King Lear

by Eric Blume

It’s pre-Tony Awards time here in New York, which means new shows are opening left and right.  Here’s a quick look at three of them…

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It's their 21st movie!

by Nathaniel R

(yes we'll get to the DGA awards in a minute. until then...)

Both Regina King (If Beale Street Could Talk) and Adam Driver (BlacKkKlansman) are nominated this year for their 21st feature film roles. So let's play a game.

With 21 days until the Oscars, we selected 21 screencaps  of 21 very randomly selected favourite actors of TFE from their 21st films. Guess what the movie is in the comments (please only 1 movie guess per comment to give multiple readers a chance to guess.). They won't all be as easy as #1 after the jump...

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Sundance: Great acting in "Clemency," an education in "The Report"

Murtada Elfadl reporting from Sundance

Should we react to movies based on content or artistic merit? I struggled with two movies at Sundance this week which had incendiary, important content and tackled either a crucial part of history or provided necessary social commentary. Artistically, however, I found both Clemency and The Report lacking...

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