Saoirse moves up the "fastest to..." Oscar ranks

by Nathaniel R

Saoirse Ronan preparing to burn up the record books

With Saoirse Ronan's fourth Oscar nomination at 25 years young, the Irish child prodigy turned even more excellent movie goddess' steady rise to top of her generation is more than complete. She appears to be the first real rival to Meryl Streep's eternal Oscar dominance since people thought Kate Winslet would be some 12-15 years back. 

So it's time to reshare/update one of our favourite charts that we haven't updated since 2015 (!). Herewith...

THE YOUNGEST TO EARN MULTIPLE NOMINATIONS
All Acting Categories Included

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Links: Lansbury, Midsommar, Olivier Awards, and "Shallow" at #1

We haven't done a link roundup in too long. Not all of these are "new" but they might be to you:

• Vanity Fair Edge of Tomorrow (2014) may finally get that sequel that's been hoped for by fans
• Billboard "Shallow" has gone to #1 following that Oscar performance by Lady Gaga and Bradley Cooper. It had previously peaked at #5 on the Hot 100 and it's Gaga's first number one in 8 years!
• People former teen idol and current Riverdale co-star Luke Perry has died at 52
• AV Club Director Joe Wright and star Tom Hanks going back to World War II with a new film In the Garden of the Beasts...

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Mary Poppins vs. Mary Poppins Returns: Supporting Characters

by Lynn Lee

Among the sharper observations I’ve seen regarding Mary Poppins Returns is that it is to Mary Poppins what The Force Awakens was to Star Wars: A New Hope.  In each case, the sequel feeds shamelessly off fans’ nostalgia by recreating every beat of the original film – the plot arc, the character dynamics, even the distinctive look of the original, tweaked to reflect the changing mores of the past several decades.  In short, it’s the same movie, just repackaged.

Setting aside whether it needed to be made at all, does Mary Poppins 2.0 improve at all on the original formula?  In The Force Awakens, the one real added value was the new characters.  In many ways they felt like rebooted archetypes from A New Hope, yet for the most part they also felt fresh and intriguing.  Is the same true for Mary Poppins Returns?  Let's do a side-by-side comparison...

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Would you rather?

Our silly celebrity-gawking weekly poll. Would you rather...

...hit the opening of new hot spot "Best Friend" in Vegas with Marisa Tomei?
...wait for a train with Henry Golding?
...take a swim with Salma Hayek?
...get a new trendy facial with Audra McDonald?
...spend some quality time at the piano with Mindy Kaling?
...do yoga with Rossy dePalma?
...take up a retro hobby with Alex Borstein?
...geek out over Angela Lansbury cast recordings with cabaret star Molly Pope?
... build a snowman with Milla Jovovich?
... makeout with seals with Ben Platt?
     ... OR harmonize in the hot tub with Ben Platt?

The pictures are after the jump to help you decide.

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Months of Meryl: The Manchurian Candidate (2004)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#30 —Eleanor Prentiss Shaw, manipulative mother of a Vice Presidential candidate brainwashed by an international cabal. 

JOHN: The one regrettable casualty of this feature-film series is, of course, Streep’s Emmy winning performance(s) in Mike Nichols’ 2003 HBO adaptation of Tony Kushner’s Angels in America. Perhaps we’ll have time to dig into that series in the future, but suffice it to say we rank her work in it quite highly. In 2004, Streep signed on to her first-ever remake, Jonathan Demme’s The Manchurian Candidate, playing a role made famous by Angela Lansbury in John Frankenheimer’s 1962 film. Demme’s version updates Frankenheimer’s film and Richard Condon’s 1959 source novel to contemporary times, made amid the the Bush/Kerry election and thematically enmeshed in the U.S.’s “War on Terror.” Denzel Washington stars as Ben Marco, a Gulf War veteran whose puzzling memories and twisted dreams of serving in Kuwait drive him to uncover the sinister forces driving fellow soldier and newly-selected, left-leaning Vice Presidential nominee Raymond Shaw (Liev Schreiber) into national prominence. Shaw’s blandly robotic demeanor is operated by his manipulative mother, Virginia Senator Eleanor Prentiss Shaw, heir to an American political dynasty but now working covertly for the ominous international private equity fund Manchurian Global...

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