Stage Door: Disney's "Aladdin" (Plus "Anything Goes")

Aladdin is the latest Disney animated musical to get a stage version [hat tip]. It just opened in Seattle. Testing the waters sands for a Broadway run? We'd love to hear opinions from any Seattle TFE readers who see it. (This is the sort of reason we wish we had a huge operating budget here at TFE. Imagine the sudden coverage of such things.)

Adam Jacob as Aladdin and Courtney Reed as JasmineAdam previously played "Simba" in The Lion King and Courtney was in "In the Heights"

That's Aladdin (Adam Jacobs) and Jasmine (Courtney Reed) in rehearsal and in previous shows. The royal couple get one original song in addition to the big famous ballad "A Whole New World". After the jump Anything Goes and two Aladdin-centric videos. One, is a history of stage and screen versions of this Arabian Night's Tale and the other is a fleshy festive Fourth of July video with the cast in a Seattle park. I guess sex sells... even when it comes to Disney musicals!

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Pixar's "Brave" (and Animated Earworms)

Raise your hand if you think it was more sneaky-strategic than any secret intelligence spy movie move ever was to release the trailer to Brave (2012) at the exact same moment when the world was painfully realizing that Pixar is fallible while watching Cars 2.  (Yes, yes, the people of Planet Earth ought to have caught on to this during the snoozefest that was Cars but feeling very very sleepy has a less damning quality than feeling very annoyed; people do like a two hour nap now and then.) Redirect the conversation to a happier place!

So herewith the teaser to Brave which opens next June ...alas, not this one. This one is the one where we get Cars 2, damnit. We can't really break it down like Yes, No, Maybe So since it's only a teaser. We wait until the full trailer for that. But here's the gorgeously verdant tease.

We're all YES thus far.

Plus you know how we feel about red-headed heroines. Haven't been this excited to see a head of hair animated since Tangled was first announced... or maybe even since the first peak at Pocahontas back in the 90s ... that luscious windswept black mane. Oh what a sight it was.

P.S. If you can't get enough animation talk now that you're skipping Cars 2 (you are, right?) you might consider listening in on the Animation Fascination podcast which is talking to the animators Chris Chua and Austin Madison about their work on various Pixar films. That's them in kilts below while working on Brave.

Chris Chua & Austin Madison

It's an interesting background listen. Like, I'd never stopped to think how earworm irritating it would be to hear the same line reading over and over again for days on end while you're animating a movement within a scene!

Austin: For me it was Toy Story 3 working on the Potato Head characters, Mrs. Potato Head in particular. She's -- it's George Constanza's mom (Estelle ). That 'Georgie stop playing with yourself' -- that sort of voice. I had to hear 'MY EYE! IT'S BACK IN ANDY'S ROOM!!!' for about a week straight. You can mute it when you're working on blocking but as you get into the polishing phases you really have to listen to it over and over. I was ready to jump off the nearest bridge. Horrible.  
Interviewer: Does that ever ruin the experience when you watch the full film?
Chris: All the time.
Austin: It's tricky because working on a film -- it's really hard for us get perspective at all on a film and how good it is or isn't. To us it is -- you see it almost like a photo album. When I'm seeing scenes I'm thinking about all the dailies of that scene that's been playing in front of me dozens and dozens of times. I feel like only now I'm getting to the point where I can watch Ratatouille (2007) and fully enjoy it. It takes about five good years to get any perspective on a movie.

Can you imagine?

Mr & Mrs Incredible

June Wedding (reprinted from the TFE archives)

Helen and Bob Parr were married June 27th, 1989, at the church on St. Pablo Ave. Justice of the Peace Brad Bird presided. The bride is the daughter of Mr and Mrs. Conyers Georgia. The groom is the son of Mr and Mrs Craig T Parr. The bride wore an ivory silk Valenta ball gown. She carried a bouquet of white daisies. Best man was Lucius Best.

The bride is a graduate of Metroville University with a degree in hydrocarbon polymerology. She currently serves the public as a superhero. The groom also performs heroics. They plan to continue incredible crime fighting and reside in downtown Metroville.

[excerpted from the Municiperg Tribune, June 27th, 1989]


Happy 22nd anniversary to Mr & Mrs Incredible! (If Pixar must be in the sequel business, The Incredibles are beyond the most deserving, wouldn't you agree?)

"Brave", We Need You

Behold the blurry teaser poster (courtesy of Pixar Planet) for Pixar's Brave an original story with their first female lead "Princess Merida"

I normally wouldn't post a blurry advertisement, but having just seen Cars 2, I'm going to rub this teaser all over me for soothing balm. I need this one to be great. Cars 2 stinks (more later) and the Toy Story short that proceeds it "Hawaiian Vacation" is also soul-crushing. Oh Pixar, you said farewell to these characters so beautifully last year. You had a whole world weeping under 3D glasses and then you bring the whole gang back instantly for such a disposable mediocrity? What are we going to do with you? We depend on you! Love - a concerned fan since that bootleg viewing of Tin Toy in the 1980s.

"Who Will Rescue Me?"

I'm lost at sea without a friend
This journey, will it ever end?
Who will rescue me?

So... goes the ballad that opens The Rescuers (1977), as Little Orphan Penny drops her message in a bottle into the swamp. I swear Shelby Flint's vocals dribbled out over the sides of my television like syrup. Who will rescue me from this treacle?!?

It wasn't always this way with The Rescuers and me. In fact, as a child it was one of my favorite movies. (When you voted for it in a poll some time ago, I was excited to revisit it!) As it turns out, sometimes childhood loves are best left in childhood.

Has this ever happened to you with an old formerly beloved movie?

As you can see in the still above, the animation team let the texture of the canvas bleed through and for a few seconds as the movie kicked off I thought "how lovely" (I'm not always so pleased with today's beautiful and shiny but often sterile animated images) but as the movie progressed it turned out not so lovely at all, a mess of inconsistent animation that often looked rushed through production.

For those who need a refresher, The Rescuers is about a girl named Penny who has been "borrowed" from her orphanage by a pawn shop owner named "Medusa" (wicked highly enjoyable voicework from Oscar regular Geraldine Page). Medusa wants a gargantuan diamond called The Devil's Eye which is buried in a cave that Penny is small enough to slip into in a creepy place called Devil's Bayou. Penny's bottled cry for help reaches the Rescue Aid Society, an international organization of ethnically and geographically stereotyped mice who meet in the United Nations building: HIGH CONCEPT!

While the characters are cute enough -- particularly elegant rodent Bianca (Eva Gabor) and a dragonfly named Evinrud -- the primary emotion that The Rescuers seems to be going for is pity. It works but "pity" isn't the most cathartic or endearing emotion to rest a whole movie on. Penny is either too young, too dumb or too helpless to be carrying this picture. The other significant problem is that despite a scant 78 minute running time, there's not enough plot to fill it with. Time and again we have a plot complications that are as thrilling as treading water. The narrative doesn't actually move until the complication is over. Like so:

1. Oh no, the mice are in trouble.
2. Cue frantic activity on or offscreen!
3. Whew, the mice are okay. So...
4. Back to the plot where you left it. Proceed.

And let's not even talk about the excessive amount of time we spent with the albatross Orville [yawn]. He's mere connective tissue to take you from Act 1 (New York) to Act 2 (Devil's Bayou) and last time I checked no intermission between acts ever lasted as long as Orville's fumbling flying routine.

The pictures sole bright spot then is Madame Medusa.

Seeing the movie as an adult, it's shocking to realize that she's nearly a carbon copy of Cruella de Vil: She enters the picture throwing open a door violently; She loses her temper constantly; She drives like a madwoman in vehicles that leave huge puffs of smoke behind them; She has a bumbling human henchman she despises; She has a one track mind (fur/diamonds) and she even has a scene where she slows down her "car" creepily while searching for the hiding protagonist, that immediately brings the famous "soot" scene in 101 Dalmatians to mind. When she's not recalling Cruella she's lifting Miss Hannigan from Annie.

In other words, she's no original.

Disney Generations: Cruela begat Medusa begat Ursula.

But if we needed Medusa as a missing link evolutionary step to get us from Cruella to Ursula than we owe Medusa a bag full of those diamonds she covets. Movie buffs have long noted that Disney has two types of villains: rotund or spindly. Medusa splits the difference, her arms and legs are skinny and her movements scream "bony villain" with their sharp angles, yet her body is saggy and slovenly. You know she's not the slip of a thing that she used to be. In 10 more years, she'll be a big as a house(boat). 

Though I can no longer claim I have any affection for The Rescuers, I still completely dig Medusa and her darling crocodiles Flotsam and Jetsam.... I mean, Nero and Brutus! They're keepers. Or at least placeholders until Ursula, Flotsam & Jetsam arrive 12 years later for The Little Mermaid.

The Rescuers: C
Related Posts: Beauty & The Beast and 101 Dalmatians.