Box Office Special: 1984 Hits

Rather than talk about this weekend's boring box office results (nothing new to see here beyond a big weekend for that new kill-the-trespassing-teenagers flick Don't Breathe) let's travel back to 1984 which was a hugely influential year for franchises of many kinds. What can the biggest hits tell us about the then and the now? 

TOP TWENTY OF 1984
numbers adjusted for today's dollars via box office mojo

01 Ghostbusters $589.6  
Two Oscar nods. Spawned 1 terrible sequel, two animated TV shows, and this year's reboot

02 Beverly Hills Cop $581.5
Led to two sequels, a TV remake, and a TV pilot that wasn't picked up. Beverly Hills Cop 4 has been in some stage of development for 20+ years and is still supposedly being made. We'll believe it when we see it.

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Review: Kubo and the Two Strings

This article was originally published in Nathaniel's column at Towleroad

Kubo and the Two Strings begins with Kubo's mother, navigating treacherous waves by slicing them in half with one melodramatic strum on her magical shamisen. The instrument has three strings, not two, but the title can wait. It's time to watch. Kubo's (Art Parkinson) narration warns us to do so closely.

"If you must blink, do it now."

That's a handy if redundant warning because who is going to blink during a Laika movie? The animated studio reliably crafts spectacularly intricate stop motion (with some CG boosting). When Kubo's mother splits the waves desperate to save the baby in her boat, it was hard not to think of Moses, twice over, both a babe in on the water and an ocean-parter.

Religiously suggestive folklore with magic turns out to be perfect fit for Laika because they always bring the eye popping images and movie magic...

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5 Things That The New Poster For 'Zoom' Is Lacking

by Manuel Betancourt

Let's talk about the film Zoom. Have you heard of it? It’s this international co-production film that sounds like the hybrid lovechild of Stranger than Fiction and Adaptation, a third of which is animated, starring a 2D-animated Gael García Bernal. I caught the film earlier this year so I was fascinated (read: bemused) by the latest poster that puts the Mexican actor front and center alongside undersung actress Alison Pill. And yet, compared to the earlier poster that had been revealed for the film, this new floating heads one is pretty… uninspiring to say the least. It loses all the specificity of what makes the film worth seeking out.

But you should be excited for this unique movie. Here are 5 things that the new poster for Zoom isn’t telling you...

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Ben-Who? Weekend Box Office

The name "Ben-Hur" wasn't enough of a brand on its own to lure moviegoers to theaters this weekend for the remake. My guess: Those who know of Ben-Hur love the 1959 version too much to care about a 2016 version. I have zero desire to see it so if you dared the movie theater this weekend to do so, tell me this: did any of the 1925 sensuality or the 1959 homoeroticism survive in the 2016 version. Or is this just all antiseptic generic blockbuster action mode? 

Ben Hur in 1959, 2016, and 1925If you didn't see Ben-Hur, what did you see? Did you like it? More after the jump including the fate of Kubo and the Two Strings and the best thing I saw this weekend...

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Review: Sausage Party

Tim here. You can't deny that Sausage Party does what it promises. It's a not-quite-parody and not-quite-satire of the Pixar-style premise of a secret world where inanimate objects have an elaborate culture unseen by humans. In this case, it's the life of a supermarket with Seth Rogen as the voice of a heroic hot dog and Kristen Wiig as the hot dog bun he loves. To this, add in a bunch of curse words and outlandishly filthy sex talk, and you've got a solid 70% of the movie.  It's not mine to say whether this is good or bad: there's no point in telling people that what they're laughing at isn't funny, and Sausage Party's audience undoubtedly knows itself.

That audience would be anybody who has loved writers Rogen & Evan Goldberg's previous forays into sex-obsessed philosophy hiding in a thick cloud of pot smoke: Superbad, The Interview, or especially This Is the End, the duo's film that Sausage Party most closely resembles. The 30% that's not cartoon characters saying raunchy things is an extension of that film's agnostic theological commentary, and not even a necessarily bad one. [More...]

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