Best International Feature: Vietnam, United Kingdom & Singapore's contenders

by Cláudio Alves

The Oscar shortlists are almost here. On December 16th, we'll finally know which are the 10 films that go forward in the race for the Best International Feature award. To whittle down the record-breaking number of 91 submissions into a sparse 10 won't be an easy feat and there are bound to be many snubs causing controversy and discussion among Oscar buffs. While we wait for that most anticipated date, I invite you to continue our adventure through those 91 submissions. This time around, we're focusing on films that are currently available on Netflix.

There's Vietnam's story of a vengeful mother in search of her kidnapped daughter; the UK's tale of human perseverance in Malawi; and Singapore's oneiric reveries about disappeared drivers and insomniac detectives…

Click to read more ...

Best International Feature: Norway, Taiwan & Mexico's contenders

by Cláudio Alves

In a few days, we'll know the ten finalists for the Best International Feature Oscar. Until then, I shall continue exploring some of the 91 submissions. This batch includes last year's champion, Mexico, a prize-winning literary adaptation from Norway and a queer tragicomedy from Taiwan that's currently on Netflix. They're a varied bunch and represent the offerings of countries that have previously achieved great success with the Academy.

First, let's peruse the wintry wonders of the Scandinavian submission…

Click to read more ...

Best International Feature: Italy, Palestine & Indonesia's contenders

by Cláudio Alves

We're just two weeks away from knowing the 10 finalists for the Best International Feature Oscar. It'll happen on December 16th and, as we wait away the days, it's a good time to investigate the 91 submitted films. Some of them have already been reviewed here at The Film Experience, like Senegal's Atlantics, South Korea's Parasite and Spain's Pain and Glory, among others. Still, there are many less talked about films that deserve attention too, spanning from nationalities that have been overrepresented in the Academy's history to others that have still to conquer their first nomination.

Think of Italy's newest crime epic, Palestine's offbeat comedy or Indonesia's lyrical reveries through a dancer's memories…

Click to read more ...

"Parasite" is the mashup of "Shoplifters" and "Burning" we never knew we wanted

by Lynn Lee

For a 132-minute Korean film that isn’t yet in wide release, Bong Joon Ho’s Parasite is already one of the most talked-about movies of the season, and for good reason.  Alas, most of the reasons can’t really be discussed without major spoilers – but that’s all the more incentive to see it as soon as it hits a theater near you.

When I saw it, I loved it, which I wasn’t necessarily expecting considering I hadn’t been a fan of either The Host or Snowpiercer, arguably the director's most popular films.  Despite its run time, Parasite is tighter than those films, and its tonal shifts and genre-melding smoother.  It's also more focused, its treatment of one of Bong’s favorite themes – class disparities – razor-sharp yet also oddly compassionate, ultimately condemning the system rather than any individual players.

Parasite, which took the Palme d’Or at Cannes this year, also felt to me like the deranged evil twin of last year’s Palme d’Or winner, Hirokazu Kore-eda’s Shoplifters...

Click to read more ...

NYFF: The color-filled noir of "The Wild Goose Lake"

by Jason Adams

Police officers close in on and surround a perp, their light-up dance sneakers blinking blue with every step. Hotel rooms half orange half pink, a sleepless phantasmagoria. A panicked streak through a zoo in the middle of night, flashes of light illuminating a tiger, an elephant, a succession of wild animal eyes in extreme close-up, blinking back madness. The Wild Goose Lake, the latest film from Black Coal Thin Ice director Yi'nan Diao, turns the crowded alleys and markets of Wuhan, Central China, into some sort of neon fever dream -- a riot of crime and color and scooter rides straight to hell, bang bang.

Starting off like a variation on The Warriors we first meet our characters gathered for an underground syndicate meeting -- everybody's come together to divide up the city, block by block, street by street...

Click to read more ...