Almost There: Michelle Yeoh and Zhang Ziyi in "Crouching Tiger, Hidden Dragon"

by Cláudio Alves

History repeats itself, especially when it comes to the Academy Awards. Throughout its 92 years, very few Asian actors have been recognized, even when their films were otherwise embraced. This year, the victim of the insidious trend was Parasite, which won the SAG for Best Ensemble but couldn't muster enough support for a single acting nomination at the Oscars. Thinking back to the last non-English speaking Asian production to score a Best Picture nomination, we see the same phenomenon.

In 2000, Ang Lee's Crouching Tiger, Hidden Dragon conquered a remarkable 10 nominations, including for Picture and Director but none of the nods were for acting. In the end, the blockbuster won four of its categories. Despite the acting branch's oversight, Michelle Yeoh and Zhang Ziyi received many nominations elsewhere, including the BAFTAs. The younger actress even conquered the Independent Spirit Award for Best Supporting Actress…

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Prizes for the Parasite actors... and other Korean Awards

Jo Yeo Jeong wins Best ActressWith the SAG Awards approaching TONIGHT and our hopes not high for an all-Korean win for "Outstanding Cast" (even though Parasite features an absolute dream of an ensemble performance), we've been thinking about whether the cast has been truly undervalued or whether we've just got American blinkers on. So let's take a look at the prizes and nominations that the cast has actually won.

At Korea’s two big awards ceremony, the Blue Dragon Film Awards and the Buil Film Awars, Parasite was the big winner. The best part of its dominance at both was that some of the actors won prizes. The winners of those two awards shows and a few other accolades for Parasite after the jump...  

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Review: Weathering with You

By Tim

Makoto Shinkai, the Japanese animation director whose new film Weathering with You opens this weekend in the US, has honed in on a few particular aesthetic preoccupations with laserlike intensity over the years. One of these is rain and the way that each droplet catches and reflects the diffuse light of a cloudy day; one is the brilliance of sunbeams piercing their way into shady areas, with fuzzy, dusty edges blurring the difference between light and dark; one is the way that riding in trains forces a lateral flatness onto the perception of the rider, transforming landscapes into planes of action moving across each other. He also favors stories about the extreme emotional states of teenagers, starting with but not limited to youthful romantic passion, and these stories tend to end in lopsided sentimentality expressed with as much unsatisfying contrivance as a decent filmmaker would dare throw into an otherwise satisfying screenplay.

Weathering with You, comes with a scenario that has been created with the apparent goal of specifically enabling him to chase every one of those things as far as a person possibly could. It's about a near-future Tokyo where it's always raining, and a teen girl who has the ability to create localized pockets of rainless sunshine...

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New Oscar Trivia courtesy of the fresh Oscar nominations

Here are some fresh statistics to ponder given the new round of Oscar nominations. If you can think of more records broken or equalled let us know in the comments so we can add them. Refresh your screens for updates!

ALL TIME RECORDS...

• Thelma Schoonmaker, received her 8th nomination for editing The Irishman. That's an all time record but she has to share it since Michael Kahn (who, like Thelma, is three time winner in the category: Raiders of the Lost Ark, Schindler's List and Saving Private Ryan) has also received 8 nominations in his career, most recently with Lincoln (2012) when he broke their previous tie for "most nominated".
• Little Women (2019) is now the most nominated adaptation of Louisa May Alcott's book ever filmed...

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How Had I Never Seen... "Memories of Murder" and "The Host"

In this Team Experience series, contributors catch up with gaps in their film history. Here's Cláudio Alves...

With Parasite making history and Bong Joon-ho more celebrated than ever, it's a good time for me to watch the two films that propelled the Korean director to his first waves of international success. I had never seen 2003's Memories of Murder and 2006's The Host so I was eager to correct that. 

The first film is based upon real events, telling a story of police investigation and serial killing, while the second is a sort of South Korean answer to Godzilla's prismatic view of national trauma as monster movie hijinks. Not unexpectedly, I found myself in awe of both pictures…

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