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Entries in Australia (86)

Friday
Jun192015

The Troubled Musical Tribute to 'Amy'

Glenn here offering some thoughts on films at the Sydney Film Festival. Here he is discussing the music documentary 'Amy'.

Given what director Asif Kapadia was able to accomplish with the otherwise (to me) uninteresting world of vroom vroom speed racing in Senna, logic would dictate that when handling a subject of great interest to me that the results would be even more outstanding. That doesn’t quite prove to be the case with Amy, another scrapbook collection of archival footage presenting the life of somebody who lived fast and died young, Amy Winehouse, but one which lacks quite the same verve of the director’s predecessor.

Kapadia is in the unique position of making a documentary about somebody whose life isn’t just rife for the Hollywood biopic treatment, but which actually feels like it already has been. Is her story not almost note-for-note for Mark Rydell’s The Rose with Bette Midler? It’s curious as a viewer of a documentary to feel as if I’d seen it all before in a fiction film (albeit one highly inspired by a real life person) and being disappointed because it comes off second best.

The Rose, Kurt Cobain and more after the jump...

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Monday
Jun012015

Podcast: Two Transatlantic Conversations

This new unconventional episode of the podcast features two guests and two conversations. First Nathaniel calls Australia to check in with Glenn Dunks to see what he's been up to cinematically since leaving NYC. And then a conversation with Guy Lodge in London about his experience at this year's Cannes Film Festival.

Contents

  • 00:01 - 02:30 Intro: Nathaniel (feat. Annie Lennox)
  • 02:26 - 19:15  Glenn From Australia: Mad Max Fury Road, The English Patient, Nicole Kidman in Strangerland, 54 The Director's Cut, Film Preservation
  • 19:16 - Guy from London: Loving Arabian Nights, The Lobster and Todd Haynes' Carol, Cannes Jury Prizes, The AssassinSon of Saul and the Foreign Film race, Maryland, and hating Paolo Sorrentino's Youth

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes tomorrow.  

 

Cannes, London, and Australia

Friday
May292015

What's Better Than Sex? David Wenham in 'Better Than Sex'!

For The Lusty Month of May, we're looking at a few sex scenes. Here's Glenn...

 Can we take a moment to appreciate David Wenham as a sex object? I mean, I’m sure most of you have already done so, probably around the time he threw his clothes off and replaced them with abdominal-enhancing body make-up on 300, but for me it’s all about sex. Better than Sex, I mean, his 2000 romantic comedy with Susie Porter that marked the directorial debut of Jonathan Teplitzky (The Railway Man). The entertaining box office hit came on the heels of the television series SeaChange that saw him embrace the handsome, charming personality that he imbued in real life after a series of film roles that screamed Thespian with a capital T, bringing proper David Wenham appreciation to the (locally, at least for the time being) masses where it belonged.

He was the type who’d bake you scrambled eggs for breakfast in the buff and make you laugh at dorky jokes before sending you to heaven. Amen to that! 

More...

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Wednesday
May062015

10th Anniversary of 'Mysterious Skin' and Joseph Gordon-Levitt: Actor

Glenn here. Look, we all know Joseph Gordon-Levitt was a child actor, and a pretty good one, too (that scene where he got skate in the face in Halloween: H20 is very memorable). But let's not kid around here. It wasn't until the release of Gregg Araki's Mysterious Skin in 2005 that most really started to take him seriously. One year later he starred in Brick and he's only continued to rise up the ranks as a popular and critically respected actor. Looking back, I can't recall if his presence was as exciting to me in this film as Michelle Trachtenburg from Buffy, but looking back now he's certainly one of the reasons the film holds up.

It's actually rather appropriate that the 10th anniversary of Mysterious Skin should occur now at around the same time as New York Magazine's article entitled “Why You Should Go to the Movies (and Do Other Stuff) Alone” has been getting shared around on social media. You see, Araki's film was the first film I ever went to see at the cinema by myself. I travelled to Melbourne all on my lonesome, without friends or family who I usually convinced to join me for a day at the arthouse, and caught a screening of the movie that had amassed so much controversy in the local media. There were threats of it being banned after a 'family organization' (code for fundamentalist "won't somebody think of the children" noddies) demanded a review of its already very restrictive R18+ rating which is the Australian equivalent of an NC-17. Given the history of sexually graphic films being banned after similar action - titles like Romance and Baise-Moi - I knew I had to see this film. And fast!

MORE...

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Tuesday
Mar102015

We Cant Wait! #12 "The Dressmaker"

Team Experience is counting down our 15 most anticipated for 2015. Here's abstew...

Who & What: Writer/Director Jocelyn Moorhouse adapts Rosalie Ham's 2000 novel about a 1950s Australian dressmaker named Myrtle "Tilly" Dunnage (Oscar winner Kate Winslet) who returns to her rural Outback home to care for her ailing mother (Oscar nominee Judy Davis). Tilly has not been home since she was 10 years old and forced to leave when she was accused of murder. With her return, she plans to bring the power of haute couture to the village...and seek revenge against those that wronged her.

Moorhouse has described the film as "Unforgiven with a sewing machine" and in addition to Winslet and Davis, stars an impressive Australian cast that includes Liam Hemsworth as Tilly's love interest, Hugo Weaving as the town's police officer, and Sarah Snook and Sacha Horler in supporting roles originally cast with Isla Fisher and Elizabeth Debicki. Creating the film's '50s fashions are Emmy nominated costume designer Marion Boyce with Margot Wilson in charge of Tilly's clothes and 2 custom-made gowns by French designer Sophie Theallet.   

This is apparently what she wears to a rugby game...DIVAWhy We're Excited About It: We love Kate Winslet here at TFE, but just last year I wrote about how Winslet was in need of a career comeback. Divergent was a hit with its built-in YA popular novel source material, but it was hardly her involvement in the project that made it so. (Can you even remember anything she did in it?) This year, on paper, is looking much more promising: the Divergent sequel is a likely hit; she has a supporting role in the all-star cop drama Triple Nine; and then there's a potential awards-buzzy role in Aaron Sorkin's Steve Jobs (directed by Oscar winner Danny Boyle). Her lead role in this film is most intriguing and will hopefully be a return to form for Winslet who hasn't received an Oscar nomination since her win. 

What If It All Goes Wrong? The fact that director Jocelyn Moorhouse hasn't directed a film since 1997's failed awards contender A Thousand Acres doesn't seem like a good sign. And she never really lived up to her exciting breakthrough with 1991's Australian film Proof. And it could be a tough balancing act tonally as a comedic revenge drama (those seem like 3 different genres). But at least one thing is certain - the clothes will be to die for! 

When: The film finished shooting back in late 2014 and this past February had footage shown to potential European distributors at the Berlin Film Festival. No US date is confirmed yet, but Universal Pictures International has already confirmed an October 1st release date for Australia. If buzz is strong, expect it at fall film festivals in time for awards season.

Previously...
#13 The Hateful Eight
#14 Knight of Cups
#15 Arabian Nights
Intro Pick a Blockbuster