Mad Max & Fashionable Kate lead the 'Australian Oscar' nominations

The AACTA Awards, essentially the Australian Oscars, are in their 5th year. But the "5th" business they're promoting is misleading. It's the fifth year under their new name, AACTA, but they've actually been giving out prizes since 1958 when they were called AFI Awards... not to be confused with the AFI events across the Pacific, America and Australia both starting with "A" and both having Film Institutes. But they're obviously promoting a reboot mentality since they consider the 2011 AACTAs the "inaugural" awards.

Leading the pack this year are Kate Winslet's fashionista revenge comedy The Dressmaker (still awaiting news on a US release) and the critically beloved Max Mad Fury Road with 12 and 11 nominations respectively. George Miller's action masterpiece could even win since AACTA doesn't have the genre bias Oscar does -- Australia's industry is to small to have such silly biases! -- giving Best Film to The Babadook last year. If Mad Max Fury Road could repeat this trick at the American Oscars -- 11 nominations (!) -- 95% of cinephiles would experience the rapture and never be heard from again.

The film nominees are after the jump...

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Dear Readers, obrigado, xie xie, takk, danke!

Before Fall Film Season hits us like a ton of bricks in 3...2...1.. I wanted to thank the faithful readers. Running a daily site is not even remotely easy though it may sometimes appear to be from the outside. We truly cherish those of you who tune in regularly. Especially those of you who take the time to tweet out articles, or email them to friends or share them on facebook or what not. 

Your editor Nathaniel (c'est moi) has always loved globes & maps. This could account for some of our obsession with oscar's foreign film submissions each year (today was the final day for countries to submit!). Whilst pitching an ad block to a distributor recently we got lost in statistics to where the readership actually is. More...

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Remember When... (via Australia)

...Heath Ledger (sniffle) and Naomi Watts were a thing? 

at the premiere of The Ring (2002)

Aussie movie stars really have been ubiquitous for a long time. Though there were important actors before our contemporary time that hailed from the land down under (Erroll Flynn, Judith Anderson, Coral Browne to name a few), the Australian takeover really began in the mid-80s when, in the space of just a few years (1983-1986), Mel Gibson ascended, Bryan Brown had a mega TV hit, Judy Davis snagged a surprise Oscar nomination and Paul Hogan wrote and starred in his own blockbuster. Australian actors have only become more ubiquitous since with more of them coming to prominence each decade.

*Oscar nominated (or winner)

1980s: Mel Gibson*, Paul Hogan*, Judy Davis*, Bryan Brown
1990s: Nicole Kidman*, Toni Collette*, Russell Crowe*, Rachel Griffiths*, Geoffrey Rush*, Hugo Weaving, Guy Pearce, Anthony LaPaglia
2000s: Cate Blanchett*, Hugh Jackman*, Naomi Watts*, Heath Ledger*, Eric Bana, Abbie Cornish, Ryan Kwanten, Isla Fisher, Simon Baker
2010s: Jacki Weaver*, Margot Robbie, Jai Courtney, Rose Byrne, Jason Clarke, Chris Hemsworth, Joel Edgerton, Sam Worthington, Ben Mendelsohn, Mia Wasikowska, Liam Hemsworth. If you include New Zealanders in the mix (Lynskey, Neill, Paquin, Lawless, Urban) it's even more crowded! 

Sigourney Weaver and Mel Gibson on the set of The Year of Living Dangerously -released in 1983, the year the Aussie invasion truly began

Who is next? Besides Elizabeth Debicki (The Great Gatsby) and Sarah Snook (The Dressmaker)... anyone have any suspicions about the next wave?

Yes No Maybe So: Kate Winslet IS The Dressmaker

This is dedicated to the patient among you, those who don't badger me about things they KNOW are coming. (Like we're not going to cover this trailer, at TFE! It's like you've never been here before). Most importantly this is dedicated to the die-hard Kate Winslet fans who will sit through Labor Day, Divergent, and A Little Chaos to be there her true return to form whenever it happens. By the looks of this trailer for The Dressmaker, the wait may soon be over.

The Yes No Maybe So breakdown, which is crazy overstuffed with screencaps since this diva murderess fashionista Oscar winner demands them, is after the jump with the trailer... 

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Sydney Film Festival: Unconventional Creature Features

Glenn here offering some final thoughts on films at the Sydney Film Festival...

Let's talk about a couple of new documentaries and a horror-romance hybrid. 

The Russian Woodpecker
Chad Garcia’s The Russian Woodpecker is fascinating. It’s a wholly unexpected surprise from this debut director that not only presents an involving story that links the nuclear devastation of Chernobyl to the modern day revolution of Ukraine with plenty of conspiracy theory intrigue, but also presents it in a formally adventurous way. The film’s central figure is the eccentric artist Fedor Alexandrovich and he’s the sort of man that would drift through a party before promptly leaving and making everybody turn to each other and say, “Well he was a character!” If this wasn’t a documentary he would almost be too hard to believe as he rattles off his (as it turns out, not entirely absurd) theory that the Chernobyl nuclear disaster was a planned plot by the Russian government to disguise the failure of a nearby Soviet-built radar tower that emitted a persistent clicking sound known as “the Russian woodpecker”.

Alexandrovich’s amateur sleuth skills are hardly credible, but his growing unease at his proposed discoveries – his interviews with former workers of the radar tower seethe with barely contained tension – leads brilliantly into a navigation of the current political unrest on the streets of Kiev and his growing unease with choosing to bring these Russian grievances to light. Visually arresting, Garcia’s film is an uncomfortable must-see.

Oscar? I'd like to think it can find a general release and compete for Oscar. After a few years of music and sport films winning, perhaps last year's win for Citizenfour will turn them back to politics. Barring The Look of Silence, nothing has emerged out of the festival circuit looking like a winner so it's an open playing field.

Horror on the Italian seaside and an elephant in Hawaii after the jump...

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