Almost There: Myrna Loy in "The Thin Man"

by Cláudio Alves

A story of revisits and returns. The Criterion Channel's current Myrna Loy Collection provides us with an ideal opportunty to discuss the the Old Hollywood star. This marks her as the first performer to have three episodes in the Almost There series. So it's time to delve into two of my favorite subjects: The Thin Man franchise and the chaotic Best Actress category of 1934. For the latter, you can check out the analysis of Bette Davis' historical snub in Of Human Bondage. For the former, I once reviewed the first Thin Man movie, describing its star power and alluding to the sequels' decreasing merits, all eminently entertaining despite their drop in quality.

After reading those pieces for some added context, come back to explore the specificities of Myrna Loy's rightfully legendary turn as Nora Charles…

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Tennessee Williams @ the Oscars

by Cláudio Alves

Vivien Leigh accepts her second Oscar in 1952.

The Supporting Actress Smackdown of 1951 is coming at the end of the month, bringing with it a revisit to the first Tennessee Williams adaptation to catch the Academy's eye. Elia Kazan's A Streetcar Named Desire marked the start of a period when Hollywood couldn't get enough of the American playwright, bringing most of his celebrated texts to the screen in big studio productions that attracted the cream of the talent crop of filmmakers and actors. These projects were incredibly captivating for the latter, with their guarantee of juicy roles prone to critical acclaim. Over just fourteen years, 19 performances were Oscar-nominated, and five won. 

Let's explore the list of AMPAS-approved Williams adaptations, find out where one can watch them, and share some Oscar trivia along the way... 

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Almost There: Pam Grier in "Jackie Brown"

by Cláudio Alves

Last week, the Almost There series featured the likely sixth-placer in the 1997 Best Supporting Actress Oscar race. However, as much as Sigourney Weaver seemed poised for Academy recognition, hers wasn't the year's biggest snub. That sad honor belongs to Pam Grier, whose star turn in Quentin Tarantino's Jackie Brown earned nearly-unanimous critical praise and sturdy precursor support. Like John Travolta before her, she was a movie icon from two decades prior now fallen from the spotlight, an erstwhile star reintroduced within the context of a verbose acting showcase with modern verve. So if Travolta scored a nod for Pulp Fiction, why didn't Grier do the same with Jackie Brown?

The answers to that question are many and most dispiriting, especially if, like me, you find Jackie Brown to be one of its director's best films. That love extends to Grier, whose lack of an Oscar nomination stands out as one of the Academy's greatest injustices in the 90s…

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"Till" Trailer and Director's Notes

by Nathaniel R

United Artists has released the trailer for Till, which begins its platform release on October 7th, 2022. The new feature film documents the long determined journey of Mamie Till-Mobley (Danielle Deadwyler) as she sought justice for the lynching of her 14 year-old son Emmett Till which occurred on a 1955 trip to visit his cousins in Mississippi. Through her determination her son's murder raised major awareness of social injustice and racism and became a major catalyst in the then nascent Civil Rights Movement. Emmett Till's death has inspired or been referenced in multiple books, poems, plays, movies, and television episodes. Documentaries and shorts about Emmett Till and his family have also been made but, as far as we can tell, Till is the first narrative feature film adaptation. Might it be heading to Oscar nominations?

We had the pleasure of attending a conversation with the director Chinonye Chukwu about the film last week. Highlights from that conversation and the Till trailer are after the jump...

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Almost There: Mia Farrow in "Broadway Danny Rose"

by Cláudio Alves

When presenting his list of new streaming titles for July, Nathaniel paid special attention to the 1984 Woody Allen comedy Broadway Danny Rose. It was the first Allen film he ever saw, and the first time Mia Farrow got serious Oscar buzz for her collaborations with the director. Previously, her closest brush with the Academy Awards had come with Rosemary's Baby, way back in 1968. But, of course, as we know, that buzz never materialized into an actual nomination, and Farrow remains Oscarless to this day, despite a filmography full of incredible performances. Indeed, this series could have an extensive miniseries dedicated exclusively to the actress, so vast is her number of "Almost There" cases.

That miniseries might happen one day, but, for now, let's focus only on Broadway Danny Rose and Mia Farrow's brilliant work in it…

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