Almost There: Lesley Manville in "Another Year"

by Cláudio Alves

With The Crown's fifth season comes a new opportunity for the world to bask in the glory of Lesley Manville. As Princess Margaret, she's a charismatic scene-stealer, indulging in all the melodrama thrown at her whilst brandishing a cigarette holder like a conductor's baton. Though a fair share of high-class glamour characterizes both her new Netflix gig and the role that earned her an Oscar nomination, that's not always the register within which Manville moves. You could even argue that she built her career on playing the opposite sort of people, working-class characters like the titular Mrs. Harris in this year's Mrs. Harris Goes to Paris – another outstanding performance.

Another example is Mary in Mike Leigh's Another Year. Prior to Phantom Thread, that 2010 drama surely marked the closest the actress had ever come to Oscar gold…

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Is Margot Robbie about to shake up the Best Actress race?

by Nathaniel R

While it would be foolish to consider any Oscar race locked up before any mainstream precursor nominations have been announced, Best Actress sure feels like it's solidifying as a race between Cate Blanchett, Michelle Yeoh, Danielle Deadwyler, and Michelle Williams. Any of them (except Cate of course) could be a surprise snub if precursor season throw us curveballs. If it's true that the race has narrowed down to these four (again that's only the assumption) than the fifth slot is where the drama is at the moment. Former Oscar winners Olivia Colman and Viola Davis remain distinct possibilities (when Oscar loves you, they love you) and people will start seeing Margot Robbie's performance in Babylon this week. If her star turn is as juicy and fun and focus-seizing as the trailer suggests, it's hard to picture her not being in the hunt for that third nomination. Perhaps she'll emerge from the first reviews as a genuine threat for a win if the first audience raves as much as her co-star Eric Roberts is raving about her. We know that the internet likes to "solve" categories long before the first mainstream precursor announces but it's important to keep an open mind before films are screened. If she seizes the imagination of the audience with her drug-addled wild-child movie star, the sky might be the limit. For now, on the updated chart, we'll place her fifth.

What does your hunch say about who the nominees will be and who might have a true shot at the win? 

Dorothy Dandridge @ 100: "Carmen Jones"

Team Experience is revisiting a few Dorothy Dandridge movies for her centennial

by Baby Clyde

Groucho Marks famously described Grace Kelly’s Best Actress win at the 1954 Oscars as ‘The greatest robbery since Brinks’. I think we can all agree that a terrible crime was committed, but Judy Garland wasn’t the only victim on the night of March 30th, 1955. Dorothy Dandridge was a sensation in Carmen Jones becoming the first Black woman to receive a Best Actress nomination. In any other year, her loss would be seen as a huge scandal but because of Judy’s legendary star turn in A Star Is Born the fact that Ms Dandridge was also deserving has been almost entirely overshadowed...

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Breaking: "Hot Ones" now a genuine stop during Oscar campaigns

by Nathaniel R

img via "Hot Ones" on YouTube

We're not the first to observe this but lately Oscar winners/hopefuls have been appearing on "Hot Ones". The popular YouTube show features celebrities testing their tolerance for increasingly molten hot sauce on chicken wings. They then try and promote their work while in visible pain. The show launched seven years ago and went viral in its second season with a Key & Peele episode. The early seasons were mostly musicians, comedians, and tv personalities but major actresses are appearing regularly now. Cate Blanchett's episode was released yesterday...

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Almost There: Marilyn Monroe in "Some Like It Hot"

by Cláudio Alves

September started with the Venice Film Festival where Andrew Dominik's controversial Blonde premiered and closes with its arrival on Netflix. As a Marilyn Monroe fan who tried and failed to get through Joyce Carol Oates' doorstop of a novel, I had early apprehensions about this production and its fictionalized account of the star's troubled life. However, the combination of a gorgeous-looking trailer and moralistic backlash online led me to anticipate the movie with bullish optimism. Yet, having seen the thing, I'm afraid I can't sincerely take on a contrarian positive take nor defend most aspects of the misbegotten mess.

Worst of all, I'm stricken by the picture's puddle-deep purview of stardom, image-making, and Monroe herself as a person and phenomenon. Considerations of her as an actress are similarly shallow, verging on nonexistent. This is especially disheartening because, above all else, she was an amazing actress whose talent is often overlooked, either obfuscated by the glare of tragedy or dismissed by those who can't see beyond media objectification. So, to combat both narratives, let's remember Marilyn Monroe, the actress, in one of her best films – Billy Wilder's Some Like It Hot…

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