1994's Unsatisfying Best Actress Race

1994 was our year of the month for June so before the month closes, a couple of more forays into that year. Here's Nathaniel R responding to a reader request during the Supporting Actress Smackdown to discuss the actual leading nominees.

It's an age old question and the answer is (nearly) always the same. 

Q: What happens when all the best stuff in a film year is within genres Oscar doesn't care for?
A: The Academy sticks to their traditional loves even if it means providing history with a weak shortlist that they'll judge harshly!  

Some recent years have suggested that Oscar is loosening up in this regard. The swell of new members might be helping along with the increased visibility of critical passion (the plethora of precursor awards constantly saying "but this is great! won't you please look at it?" seems to have shifted Oscar voters a bit more towards critical passion and away from "Oscar Bait"). But overall they stick to what they love (dramas, message movies, epics, biopics, etcetera). This is especially true of the Acting branch which rarely met a teary face it didn't fall for and continually sticks up its nose at laughing or screaming or unusual faces given their aversion to comic genius, horror films, and auteur experimental or sci-fi/fantasy work. Which brings us to 1994's BEST ACTRESS LIST...

Click to read more ...

Podcast: Disobedience and Tully

An intimate convo this week as Nathaniel R and Nick Davis discuss recent flicks. This was recorded right before Nathaniel's birthday but we are late uploading it. Here it is now for your enjoyment. Lots of Tully and Disobedience talk (among other films) all without spoilers if you haven't yet caught those early release gems!

Index (40 minutes)
00:01 Silliness about Nathaniel's Birthday
03:30 Favorites of 2018 thus far including Diablo Cody & Charlize Theron's brilliance in Tully
10:25 A long anedcote-filled conversation about Sebastian Lelio's Disobedience starring Rachel Weisz. It's quite discussable from a number of angles
25:00 On Chesil Beach, Deadpool 2 and Ready Player One
30:15 Let the Sunshine In, and Grace Jones, Bloodlight and Bami
34:45 More randomness including Book Club and the exquisite beauty of Michelle Pfeiffer in Wolf

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Disobedience, Tully, Ready Player One

Months of Meryl: Marvin's Room (1996)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#24 —Lee, a frazzled single mom and aspiring hairdresser who reunites with her ailing sister.

JOHN: Marvin’s Room begins with a slow outward zoom of assorted pill bottles and other medical paraphernalia scored to whimsically upbeat music that immediately establishes the film’s split personality between dysfunctional family comedy and sentimental illness drama. We soon learn that the titular Marvin is the bedridden and near-death father of Bessie (Diane Keaton) and brother of Ruth (Gwen Verdon), three members of a looney Floridian family. No sooner than Marvin’s illness and medical routine is introduced, Bessie is herself diagnosed with leukemia by Dr. Robert De Niro (who also produced the film). He recommends that Bessie's family members be tested for a possible bone marrow transplant. This diagnosis is the film’s engine, reuniting her with her sister Lee (Meryl Streep) and nephews Hank (Leonardo DiCaprio) and Charlie (Hal Scardino), bridging a twenty year gap between this estranged family...

Click to read more ...

List-Mania: Glenda Jackson & Lots of Triple-Crown Acting Trivia

This is a update/reworking of two previous posts about Triple Crowns!

Glenda Jackson is the oldest performer (82) to complete the Triple Crown

Since I'm on record as being annoyed that all anyone cares about is the EGOT it's time to celebrate our preferred obsession: The Triple Crown of Acting. That's when a performer manages the Emmy, Oscar, and Tony. To date only 24 actors* have accomplished this, with Glenda Jackson being the most recent recipient as of this past Sunday night at the Tony Awards. Triple Crowns have become much more commonplace in the 21st century since actors move much more fluidly through the three mediums than they did in before the turn of the century. TV has totally lost its stigma for movie stars and Broadway is more welcome to very short runs freeing major stars up to continue with their movie and TV careers without as much scheduling trauma.  A TRUCKLOAD OF TRIVIA AFTER THE JUMP...

Click to read more ...

Months of Meryl: The Bridges of Madison County (1995)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#22 — Francesca Johnson, an Italian war bride-turned-American housewife who falls in love with a visiting photographer.

JOHN: Francesca Johnson (Meryl Streep) is sipping a beer in a bathtub while a charming stranger waits for her to eat dinner downstairs. Francesca’s husband and two children have left for a trip to the Iowa state fair, but her few days of solitude have been quickly interrupted by the welcome arrival of Clint Eastwood’s Robert Kincaid, a travelling National Geographic photographer on assignment to shoot Madison’s quaint covered bridges. With her brunette bangs and stray wisps of hair dangling out from her updo, Streep lounges in the bath, watching the water from the shower head above drip down into her hands. Robert has just showered, and, in voiceover, Francesca relates the eroticism of the moment, their sharing the bathtub only minutes apart. Streep’s face has never looked more assured and aroused, even as she’s unsettled by the seismic consequences of this romance. The simultaneous thrill and troubling implications of the moment flicker on Streep’s face as she loses herself in thought, already foreseeing the end of this brief encounter while testing the boundaries between her desires and responsibilities.

In this scene, the magnificence of Streep’s performance elevates this admittedly soapy and conventional tale into the pantheon, a brilliant fusion of Francesca’s subjectivity given weight by a generous filmmaker and imbued with soul-shaking truth by a master performer...

Click to read more ...