"Sunset Boulevard" Rumors... Again.

by Nathaniel R

She's baaaa-aaack. It's AS IF WE NEVER SAID GOODBYE

You may have heard that plans are afoot (again) to bring Andrew Lloyd Webber's Sunset Boulevard musical to the big screen. It will be a Paramount Pictures production. For giggles, I was attempting to find an old article from the last time rumors spread that Glenn Close was going to transfer her Tony success to the big screen and republish it nearly intact "As If We Never Said Goodbye" to this rumor (haha. I'm here all week.) Alas, the article hid itself though I remember writing it. But what year to even search for such a thing? This rumor is perennial...

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Review: The Glass Castle

This article was originally published in Nathaniel's column at Towleroad

‘This would be easier to take on the page.’

That thought kept striking me from odd angles all during the new movie THE GLASS CASTLE  now playing nationwide. In 2005 the writer Jeanette Walls turned the rags of her childhood into adult riches with her memoir “The Glass Castle.”  The book won several awards and sold millions of copies. It was translated into dozens of languages. The big screen, however, has a tricky vocabulary and grammar all its own.

The Glass Castle flashes back-and-forth between adult Jeanette Walls (Brie Larson), a gossip columnist ashamed of her oft-homeless parents (Woody Harrelson and Naomi Watts), and her memories of her difficult nomadic childhood...

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Infinity Link

• Coming Soon Glow, Netflix's addictive series about the gorgeous ladies of wrestling has been renewed for a second season - yay!
• Metrograph NYC's coolest repertory movie theater has a series on Fire Island set films this weekend including Barbara Hershey in Last Summer and seminal queer indie Parting Glances
• Show-Score I did a piece for their new series on 'first times' with my experience sitting in the back row at a musical

• Variety here's a new possibility for the animated category at the Oscars this year -- Big Bad Fox and Other Tales from the director of Ernest & Celestine
• Coming Soon filming has begun on Avengers 4 which doesn't have a title yet but will end Marvel's Phase 3 in May of 2019
• Variety looks back at Fast Times at Ridgemont High as it turns 35
• Gold Derby Meryl Streep is an Emmy nominee this year. Whaaaa?
• LA Times New AMPAS president John Bailey "not as boring as you think" (FYI the media has become obsessed with Laura Dern running for this position but she actually declined the nomination)
• EW First look at Jessica Chastain in Molly's Game
• Awards Daily Sasha looks at the Best Actress race, wonders if it's finally Annette Bening's year.
• MNPP Norma Shearer can't scream
• Variety you may have heard that Disney is leaving Netflix when the current contract ends. But Netflix is still trying to get rights to some of their biggies post 2019
• /Film details on Wonder Woman's blu-ray releasese
• Boy Culture meet Carrie Dragshaw, a queen recreating SJP's iconic looks on Sex & the City

Emmy Nerd Trivia: Will Julia Louis-Dreyfus win again?

by Nathaniel R

Final Emmy voting starts on Monday and the most exciting thing is that for the first time in ages, the Emmy voters will be forced to choose at least one major new winner (Drama Series). One could argue that only one incumbent is considered the frontrunner to win again making this a potentially unusual Emmy night -though knowing the Academy they'll probably deliver more repeats than people expect. That leading incumbent would be Julia Louis-Dreyfus, she who is already buried in trophies.

For the record she has seven Emmys, five of them consecutively for Veep's first five seasons. If she wins a sixth for the sixth season she breaks her tie with Candice Bergen (Murphy Brown) as most lead actress wins for the same series, drama OR comedy. But Louis-Dreyfus is already the record holder for most lead wins, drama or comedy (overall) and most lead nominations in a comedy (overall).

You know what all of that means --> TRIVIA after the jump!

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Race in Lady Macbeth and The Beguiled: Not so black or white?

by Lynn Lee

Florence Pugh in Lady Macbeth / Nicole Kidman in The Beguiled

In a summer filled with movies by or starring women of exceptional talent, The Beguiled and Lady Macbeth make an especially fascinating cinematic pairing.  Both films center on mid-19th century women who appear trapped by their societies’ constricting gender norms.  In both, the women are confined to an isolated, often claustrophobic space, yet nature is a constantly beckoning presence that at once shapes and reflects their desires.  (Both even have plots that turn on poisonous wild mushrooms!)  And in both, the women up-end the patriarchal structure of their circumscribed universe without liberating themselves.  If anything, they reinforce that power structure even as they seize momentary control of it, leaving not a feeling of triumph but a somber queasiness.

For all these thematic similarities, the differences between the two films are even more striking...

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