Podcast: Crazy Rich Asians and Glenn Close for Best Actress

Nathaniel R and Murtada Elfadl welcome Nick Davis back to the podcast this week for lots of Crazy Rich Asians talk.

Index (58 minutes)
00:01 Introductions. Randomness.
02:10 Nick has read the book that The Wife is based on!
05:01 Crazy Rich Asians talk. Lots and lots on with SPOILERS (sorry). We love the ensemble including Michelle Yeoh, Harry Shum Jr, Pierre Png, Gemma Chan, and more...
36:34 Older films we've been watching: Travels with My Aunt (1972) Your Name (2016), and Luchino Visconti's The Damned (1969)
42:00 Recent releases: I Feel Pretty, Madeline's Madeline, The Darkest Minds
50:45 Steve James new docuseries "America to Me"
54:00 Glenn Close for Best Actress! 

Referenced in this discussion
• Nathaniel's year old review of The Wife from TIFF
• Murtada's Desiree Akhavan interview
• Justin Chang's Crazy Rich Asians review
• Kelley Dong's Crazy Rich Asians review
• The 1972 Best Actress list

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Crazy Rich Asians, The Wife

Go See "The Wife"

by Nathaniel R

TFE's Blurb Whore triumphs are few and far between -- we don't seek them out and Rolling Stone we are not -- so I was surprised and delighted to see my quote on the poster for The Wife  in the top right under her above her eye. The quote is from our TIFF review last fall

She's spectacular. Put simply, it's the best work Close has done in over 20 years. 

Sadly I've been unable to find this particular poster online, but for snapshots from screenings that people have drawn my attention to...

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All Sissy, All the Time

by Eric Blume

From now until the end of the year, we will very surprisingly (and pleasantly!) get several doses of the great Sissy Spacek.  She's currently part of the cast of Hulu's Castle Rock, which brings her back to Stephen King territory three decades after her virtuoso performance in Carrie.  You can also find her in the trailer for the upcoming fall release The Old Man & The Gun opposite Robert Redford, and she'll play Julia Roberts' mom (!) in the November 2nd debut of the new Amazon series Homecoming.  That's a lot of work for the 68-year-old Oscar-winning actress, and it's marvelous to see her still getting roles in such large-scale projects...

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Yes No Maybe So: If Beale Street Could Talk

by Nathaniel R

James Baldwin's "If Beale Street Could Talk" was published in the summer of 1974, forty-four years ago. It feels like we've waited about that many years for any hint of what Barry Jenkins film adaptation might look like since he announced his intention to film it, a year or so ago. The trailer has finally arrived, temporarily satiating our curiousity. Temporarily. It's the type of trailer that relies extensively on moodiness rather than what-the-film-is-actually-like reveal. Let's break it down after the jump with our Yes, No, Maybe So system...

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Cabaret Pt 1: 'You have to understand the way I am, mein herr.'

Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team and really dive in. If you missed past installments we've gone long and deep on Rebecca (1940), Who's Afraid of Virginia Woolf (1966),  Rosemary's Baby (1968), Silence of the Lambs (1991), Thelma & Louise (1991), and A League of Their Own (1992). Now... Bob Fosse's Cabaret (1972) which is showing this weekend at the Quad Cinema in NYC - Editor

Team Experience is proud to present a three-part retrospective deep dive into Bob Fosse's Cabaret (1972), winner of 8 Oscars, and one of the most singular films ever made. Though it takes place on a stage it's entirely cinematic in a way many film musicals --even the ones that don't involve actual stages -- ever even think to be.

Part 1 by Nathaniel R

00:01 Cabaret begins in total silence with white text credits on a black screen. Countless movies begin this way, but not musicals. There is no bright and colorful title card, no overture to prep you for its famous song score. Cabaret takes place at the dead end of the Weimar era in Germany, and emerged onscreen at the dead end of the musical genre's dominance of movie culture. This is not lost on the genius dancer/choreographer turned film director Bob Fosse, who throws us immediately into a dark and dingy underworld... as if we've already eaten pomegranate seeds and sealed our fate...

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