Podcast: Ben is Back, Beale Street, Vice, and those pesky SAG nods

Nathaniel R and Murtada Elfadl welcome special guest Alfred Soto to talk new films & SAG fallout

Index (61 minutes)
00:01 SAG nomination leftover feelings
05:00 None of us liked Vice and the reviews are mixed. We still think it's an awards contender so we discuss the question of latebreakers in each awards season. 
11:45 Randomness: Ethan Hawke, Bohemian Rhapsody, and the Florida Film Critics Circle
20:40 Ben is Back starring Lucas Hedges (with sidebars of Boy Erased and Beautiful Boy)
33:40 If Beale Street Could Talk
45:00 Reader Q: A fine element of a buzzy movie that's not being talked up
49:17 Reader Q: Is Best Actress actually set already?
51:00 Reader Q: If there wasn't Category Fraud this year what would be happening in Supporting Actress?
53:30 Reader Q: Reassign an Oscar win - what's the cascading effect?
59:40 Wrap up

Further Reading / References
• Murtada's If Beale Street Review
• Nathaniel's If Beale Street Quick Take
• Alfred's controversial review of Roma
• Alfred's Florida Film Critics ballot
• Best Actress Race 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Beale St, Ben is Back, Vice

Review: Ben is Back

by Eric Blume

In writer-director Peter Hedges’ new film Ben is Back, Julia Roberts and Lucas Hedges perform a heart-rending duet.  They’re so locked into their characters, with their lived-in emotions so close to the skin, that they make the film soar.

Young Ben (Hedges) returns home for Christmas, 77 days clean from sober living from his drug addiction, to the joy and hope of his mom (Roberts), and the skepticism of his family.  While the plot is straightforward, Peter Hedges takes the peace out of the domestic setting in the second half of the film, where he has his two main characters on the road facing various elements from Ben’s past...

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Team Experience's Happy Gay Thoughts, Our Globe Reaction Finale.

Thank you for your robust comments on our the Golden Globe nominations, Globe snubs, and Vice/First Man nomination theorizing! Please do enjoy your weekend but it'll be busy here non-stop through the Oscar nominations so please check back in daily... or several times a day, bitches! To wrap up our Globe nomination reaction coverage, let's get happy and gay.

We asked friends and teammates at The Film Experience to share their giddiest thoughts and we hope you'll answer these final three questions, too. Here we go...

1. Which acting nomination were you most thrilled about?

DEBORAH LIPP: Alex Borstein 4Ever! I am here for any woman who appears on television in boxer shorts. 

MURTADA ELFADL: John David Washington because he is the real star born in 2018 and should be rewarded as such... 

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Glenn Close 'very gratified' by career honors

by Nathaniel R

Glenn Close, a moment before we spoke on Monday nightThe Film Experience was honored to be invited to attend the Museum of the Moving Image's tribute to the career of Glenn Close this week at the elegant 583 Park Avenue venue, just days before her Golden Globe nomination. Attending the festivities were politicians, actors, industry vets, and museum officials and honorees including a whole excited table nearby mine of teenagers from Queens, where the museum is located, who collectively gave one of the night's most amusing speeches about MoMI's community outreach programs and youth engagement.

We spoke briefly to the woman of the hour, Glenn Close upon her arrival at the gala. The story of The Wife, an arthouse success this summer, is about a woman whose genius goes unrecognized...

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Toni Collette is a high-wire artist. Also loves "Roma"

by Nathaniel R

The Film Experience had the pleasure of a lengthy one-on-one chat with the inimitable Toni Collette yesterday after a screening and reception for her new horror classic Hereditary. We'll publish the whole interview in a few days but we thought we'd share a tidbit she thoughtfully e-mailed afterwards. You see during our chat, we had mentioned that they (the proverbial they) always say that actors are an insecure lot but this couldn't possibly be true of her. Wouldn't you have to be supremely confident about your gifts to attack high-wire material like Hereditary or the new miniseries Wanderlust? If you stop to think about it both of those provocative projects, one about multi-generational family trauma and the other about long-term intimacy and sexuality, essentially live or die based on the complexity of the central performance. 

Our conversation took a detour after that so she sent us this note...

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