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Entries in John Wells (3)

Thursday
Aug112022

2022 Emmy Category Analysis: Limited Series, Directing/Writing

by Nathaniel R

the riveting intriguing 1st episode of Station Eleven, "Wheel of Fire"

It's difficult to talk stats and predictions with the Limited Series categories since they've gone through so many identity shifts and upheavals in the past dozen years or so. For example, TV Movies are still eligible to compete for writing and directing prizes right here BUT they almost never do while TV Movies have always had their own top category BUT they used to be able to compete directly with limited series instead IF they were movie-length episodes of an Anthology Series. Confusing!  Let it suffice to say that there is only a little data that applies when predicting given frequent rule changes and the more Oscar-like shifts in eligibility since you can't usually honor the same things year after year. So we (mostly) have to go on pure feeling. And that's more fun anyway, so it's all good.

Let's discuss/predict...

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Thursday
Nov082018

Months of Meryl: August Osage County (2013)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#45 —Violet Weston, the cancer-stricken, drug-addicted matriarch of an Oklahoma family.

MATTHEW: Tracy Letts’ high-octane, Pulitzer Prize-winning family drama August: Osage County was the toast of the 2007-2008 Broadway season, which made a cinematic adaptation all but inevitable and the star involvement of Meryl Streep an equally foregone conclusion. The vituperative, pill-popping Violet Weston is the crowning achievement of Letts’ play and arguably the meatiest dramatic role to come along for sexagenarian actresses in the past 15 years. The part has been previously interpreted on stage by the Tony-winning Deanna Dunagan (who originated the character in the initial Steppenwolf production), Estelle Parsons, and Phylicia Rashad, any one of whom could have bowled us over in an alternate film, as might have rumored candidates like Jessica Lange, Sissy Spacek, and Glenn Close. This isn’t to take away a single merit from Streep’s no-holds-barred work, but rather acknowledge that Streep herself is the rare and defiant exception who proves the rule that actresses over the age of 50 are anathema to Hollywood’s gatekeepers.

Before falling in love with the eye of the camera, Streep was first and foremost a creature of the theater...

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Friday
May102013

Yes, No, Maybe So: "August: Osage County"

Oscar-teasing trailers are just like Oscar bait movies: they all come out at the same time. Can't there be a little breathing room? After Captain Phillips warned us that Tom Hanks (and Paul Greengrass) are ready to come roaring back... After Gravity teased us with visual effects so terrifying that the prospect of Sandra Bullock acting out existential despair (not something she's known for you must admit) already seems like The Must Event of the Year... After The Butler threw a Handful of Presidents & First Ladies , Oscar Winners, Ten History Lessons, and OpPRRRrraaAAHHHh in one trailer pot and stirred itself into an Oscar Bait Frenzy (or Parody)... came The Weinstein Co's major player: AUGUST: OSAGE COUNTY.

The film stars 3 Oscar winners (Meryl Streep, Julia Roberts, Chris Cooper), 3 nominees (Juliette Lewis, Sam Shepard, Abigail Breslin), 1 underappreciated awesome fellow (Ewan McGregor), 1 recent Emmy winner (Martindale), 1 rising star Benedict Cumberbatch, 1 curiously resurgent Dermot Mulroney and 1 Misty Upham from Frozen River... so you know FYC ads will have to be five page spreads. The Hollywood Reporter's already counting the ad dollars because that's a lot of names to push. [more after the jump]

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