Glenn Close and the next Best Actress competition

by Nathaniel R

Glenn Close is "The Wife"

Happy news to share or remind you of if you've already known (this is not a 'breaking news' specific post, just newsy). Sony Pictures Classic is NOT waiting until the dread last weekend of the year to release the new Glenn Close vehicle The Wife.  (Post Christmas releases in Los Angeles and New York rarely work for Oscar hopefuls but studios have been loathe to give them up, hoping that Oscar fever will rescue their commercial prospects despite not putting the effort in of releasing them before Christmas). The post Christmas pray-for-a-midnight-miracle attempt is what doomed Annette Bening's chances two years in a row for Best Actress nominations (20th Century Women and Film Stars Don't Die in Liverpool were released on December 28th and December 29th respectively in 2016 and 2017).

No, The Wife is trying the summer player / Best Actress momentum game (which works out more often than New Years Eve hopefuls). The film hits theaters in limited release on August 3rd and will platform from there. I think it's the best work she's done in a couple of decades so I'm hoping y'all like it too. Whether or not her perpetual "overdue" status paired with what we're assuming will be strong reviews (at least for her if not necessarily the film) will lead to a nomination or win will depend a lot on her as yet unknown competition; it's not the undeniable kind of ferocious big meaty star turn but more of a finely calibrated character study. But who will that competition be...

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Months of Meryl: "Out of Africa"

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#12 — Karen Blixen, aristocratic Danish author who owns a coffee plantation in Kenya during the first decades of the twentieth century.

JOHN: Did Karen Blixen once have a farm in Africa? Like a marching zombie with arms outstretched, Karen intones this mantra via voiceover several times during Out of Africa, either because she remains in disbelief at her accomplishment or feels compelled to remind the viewer of a reason to focus on Ms. Blixen amid Sydney Pollack’s African travelogue.

Out of Africa tells the tale of Karen Blixen, a headstrong woman who relocates from Denmark to Kenya circa 1914 to marry her lover’s twin brother (Klaus Maria Brandauer), run a short-lived coffee plantation, and eventually fall in love with English game-hunter Denys Finch Hatton (Robert Redford). Out of Africa was a project that piqued but ultimately eluded such directors as Orson Welles, David Lean, and Nicholas Roeg. As envisioned by Sydney Pollack and distributed by Universal Pictures in 1985, it's a colossal Hollywood production that endlessly reveres the natural beauty of its Kenyan environs while dodging engagement with the colonialist specificities of its time and place...

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Retro Randomness: Come to the Stable (1949)

by Nathaniel R

Have you ever queued up an old movie no one talks about anymore hoping to discover a gem?

You imagine that it's only been forgotten or is underdiscussed due to the vagaries of when and where movies are available in the ever changing landcape of viewing technologies, Such was my fantasy when I sat down to watch Come to the Stable (1949). This French nuns in New England comedy was my biggest viewing gap in 1949 Oscar history. In fact, I didn't even know it was a comedy.

Alas the fantasy of stumbling upon a forgotten gem didn't last long. Still, Come to the Stable's tagline must have been true in 1949. It read...

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RPDR All Stars 3: E7 - And the Oscar Goes To...

by Chris Feil

It was a rough week for Drag Race fans. Not only has this season had an unending barrage of racism and vitriol in the fandom, but RuPaul showed her ass again this week revealing her exclusionary thoughts on trans queens. The whole enterprise, including the supreme leader, needed a post-Snatch Game Latrice Royale table-slamming intervention. If ever there was a time for the show to make essentially zero waves, now was certainly convenient timing.

Maybe it was just aftermath of both Ru’s ignorance and BenDeLaCreme blindsiding us with a tectonic shift self-elimination, but this week’s episode of RuPaul’s Drag Race All Stars was a relief partly because it was so predictable. Call it the least essential of the season but when the weight of drama has become so cumbersome, this felt refreshingly unburdened and unbothered. I blame the restorative powers of Nancy Pelosi arriving in the workroom to brandish a rainbow bracelet just, you know, because.

This week’s challenge was also perfectly timed for the remaining afterglow of last Sunday’s Oscars...

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Red Carpet: Best Actresses Hug It Out

by Nathaniel R

Tonya, Mildred, Lady Bird, Eliza, and Katherine

Beauty! This season's five most celebrated leading actresses have 32 Oscar nominations and 5 statues between them. (Of course Meryl accounts for more than half of both totals but what can you do?). But readers hearts were elsewhere this year...

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