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Entries in Best Costume Design (102)

Tuesday
Apr122022

April Foolish Oscar Predix Pt 3 - Visual Categories

by Nathaniel R

Will ELVIS get the usual Catherine Martin nominations for a Bazmark production?

The April Foolish predictions continue with the visual categories which means the rest of the week is the highest profile of categories: Actors, Directors, and Pictures. Obviously this is too early for confidence -- especially in below the line categories since many films haven't released a single image yet. Much will change including which films get released but we'd hold up our year in advance prediction records against anyones.  At this point the only thing anyone has to go on is a) previous work from the craftsmen involved, b) whether the film might have a "Most" boost (contemporary set pictures generally struggle in the visual categories even when they're brilliant), c) hunches aka crystal ball projections as to how the film involved might fare overall. Regarding the latter, it's commonly understood that Best Picture heat will help you in every category even though each should be judged on its own merits.

Check out the charts, won'cha? Two items of discussion we wanted to underline follow after the jump...

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Tuesday
Mar222022

Oscar Volley: Best Costume Design, Makeup & Hairstyling

Team Experience is discussing the various Oscar categories. Here's Cláudio Alves, Gabriel Mayora, and Nathaniel Rogers to discuss the Best Costume Design and Best Makeup & Hairstyling races.

NATHANIEL ROGERS: Hello Cláudio and Gabriel. Ready to get dressed up? Picture me speaking to you in Stanton Carlisle tux and blindfold from Nightmare Alley and tell me what you're wearing. So many outfits from the five Oscar-nominated films are fully visible to me even with my eyes closed they were so memorable. In short, I think this is a strong Oscar list, even if my own ballot only overlaps by two pictures.  The Costume Design Guild Awards were held last week and Cruella, Dune, and Coming 2 America emerged as the winners for Period, Sci-Fi/Fantasy, and Contemporary respectively. Since Oscar rarely honors contemporary work only the prior two are nominated at the big show on March 27th. They're up against Cyrano, Nightmare Alley, and West Side Story. Though I am constitutionally opposed to the all too common internet and pundit trend of handing out Oscars before all the films have been screened in any given year, I will admit that this was a rare case when I did. At least inside my own head. As soon as Cruella reached its garbage-dress reveal, my jaw-dropped and I thought 'game over. Engrave the Oscar' while sitting in the theater. Way back in May...

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Thursday
Mar102022

CDG Award winners: 'Dune' and 'Cruella' to fight it out at the Oscars

by Nathaniel R

Andrew Garfield accepting his prize

 

The Costume Design Guild Awards were held last night. Teary Andrew Garfield received the Spotlight Award and said costume designers were his favourite to collaborate with. Producers Amy Pascal and Rachel O'Connor where honored as Distinguished Collaborators and Sharen Davis received the Career Achievement Award. The late Anthony Powell was also inducted into the CDG Hall of Fame by Glenn Close in a prerecorded segment. The Costume Designers Guild divvies their annual prizes up into Contemporary, Fantasy, and Period which means that three films get to share honors. This year they went for Coming 2 America, Dune, and Cruella... the latter two are also competing for the Oscar. Winners and comments after the jump... 

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Monday
Feb072022

Film Bitch Awards ~ Oscar Parallel Categories Complete! 

by Nathaniel R

The Oscar-adjacent portion of our annual Film Bitch Awards is complete (i.e. if Nathaniel had a ballot)... 

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Tuesday
Feb012022

Oscar Volley: ‘Cruella’ is the one to beat in Best Costume Design

Continuing our Oscar Volley series at The Film Experience.  Cláudio Alves and Glenn Dunks discuss Best Costume Design

Cláudio Alves: This is my favorite Oscar race! I studied Costume Design in college and still design for theater. However, that doesn't necessarily correlate to my appreciation of the Oscar category. That admiration stems instead from this branch's propensity for lone nominees, the recognition of films with little to no hope of breaking into other races. Sometimes, that lonely contender even wins, though it's been over a decade since that last happened – 2006's Marie Antoinette with costumes by Milena Canonero.

Truthfully, I could envision that occurring this year with Cruella. Beyond that Disney fashion show, one wonders if there'll be any surprise single-category nominees. Honestly, I'm having trouble coming up with a potential candidate unless it's Cyrano or House of Gucci drastically underperforms. What about you, Glenn? 

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