Oscar Volley: ‘Cruella’ is the one to beat in Best Costume Design

Continuing our Oscar Volley series at The Film Experience.  Cláudio Alves and Glenn Dunks discuss Best Costume Design

Cláudio Alves: This is my favorite Oscar race! I studied Costume Design in college and still design for theater. However, that doesn't necessarily correlate to my appreciation of the Oscar category. That admiration stems instead from this branch's propensity for lone nominees, the recognition of films with little to no hope of breaking into other races. Sometimes, that lonely contender even wins, though it's been over a decade since that last happened – 2006's Marie Antoinette with costumes by Milena Canonero.

Truthfully, I could envision that occurring this year with Cruella. Beyond that Disney fashion show, one wonders if there'll be any surprise single-category nominees. Honestly, I'm having trouble coming up with a potential candidate unless it's Cyrano or House of Gucci drastically underperforms. What about you, Glenn? 

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CDG Nominations: 'Gucci' is IN, 'Spencer' is OUT

by Cláudio Alves

My reaction, seeing SPENCER snubbed, yet again.

The Costume Designers Guild announced its nominations for the 2021 movie and TV year. Some trends continue to accentuate, including the industry's lack of passion for Spencer and the resurgence of Nightmare Alley as an awards contender. House of Gucci is also getting a boost, as is Spider-Man: No Way Home, which scores an inexplicable nomination here. Overall, though, this was a good day for the Marvel industrial complex, scoring nods across the board, both for their big screen and small screen fare. As far as victory predictions go, Jenny Beavan's Disney couture for Cruella seems like the obvious choice. 

Come check out the full lineups and additional comments after the jump…

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Contemporary Costume Design - an FYC overview

by Nathaniel R

We don't get "finalist" lists for half of the craft categories so theoretically everything is still in the running for the visual categories of Cinematography, Editing, Costume, and Production Design. Today let's focus on Best Costume Design options for awards voters. While two-time winner Jeanny Beavan's work on Cruella has been looking like a potential Oscar-winner since way back in May, plenty of competition has arrived since. Our first clue as to what the industry might go for here will be on January 26th with the CDGA (Costume Designers Guild Awards) nominations which divide movies up into period, sci-fi/fantasy, and contemporary. That's a handy way to do it, since it's too easy to fall into "Most Costuming" otherwise and entirely ignore the breadth of what is possible in this field. 

What follows are NOT predictions as to what the Guild or the Oscars might choose (craft predictions are here) but FYCs if you will, highlighting six options we think are interesting in the realm of "contemporary" (mostly)...

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FYC: "The Green Knight" for Best Costume Design

by Cláudio Alves

While we're at the dawn of a new year, the 2021 awards season is far from over. Academy Award nominations are still a month away, so there's plenty of time to champion one's cinematic favorites before hope withers away on Oscar morning. To start 2022 off on the right foot, let's investigate our predilect craft category – Best Costume Design. There are plenty of glamorous contenders, but the one I'm most rooting to see nominated chooses a more understated path to greatness. Costume designer Malgosia Turzanska outfitted David Lowery's adaptation of Sir Gawain and the Green Knight in simple designs rich in visceral textures, colors shining through the shadowy cinematography, ancient symbolism, and more…

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Farewell, Emi Wada (1937-2021)

by Cláudio Alves

In 1986, at the 58th Academy Awards, Best Costume Design was the fourth category to be presented. The honor befell on Audrey Hepburn, who received a standing ovation upon her appearance. The shortlisted artists made up a prestigious lineup that included Oscar winners from years past, like Albert Wolsky and Milena Canonero. Considering Out of Africa's dominance over the night, one might have supposed its period fashions had the win in the bag. However, the Academy's long love affair with Japanese costuming bore fruit for a second time. Akira Kurosawa's last great epic, Ran, won its first and only Oscar, a merited recognition of Emi Wada's efforts. The designer had spent three years creating the thousands of pieces required by the bellicose narrative, using historically accurate techniques and custom textiles to produce a painterly masterpiece of color, motion, and striking silhouettes. 

As we remember Wada's much-deserved triumph, we do so in mourning. Her family announced that the 84-year-old costume designer died earlier this month, leaving behind a legendary career in Asian film, theater, and TV…

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