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Entries in Best Costume Design (110)

Wednesday
Sep012021

The Best Costumes of 1986

by Cláudio Alves


At last, we must say goodbye to the 1986 cinematic year. The Supporting Actress Smackdown was a blast and, before moving on to 1937, there's one remaining matter to take care of – the Best Costume Design Oscar race. Just like Dianne Wiest won the first of her two Academy Awards at that ceremony, so did Jenny Beavan. The British designer dressed the likely runner-up for Supporting Actress, Maggie Smith in A Room with a View, delivering a dream of Edwardian fashions with the help of fellow costumier John Bright. Indeed, all of the nominees that year were period pieces, ranging from 1500s Venetian tragedies to a time-traveling misadventure through 1960's suburbia. The contenders were:

  • Anna Anni & Maurizio Millenotti, Otello
  • Jenny Beavan & John Bright, A Room with a View
  • Anthony Powell, Pirates
  • Theadora Van Runkle, Peggy Sue Got Married
  • Enrico Sabbatini, The Mission

First, let's examine the winner, our favorite and much-dissected Merchant-Ivory classic. I promise this is the last time I write about A Room with a View

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Monday
Aug092021

A Room with a View Pt 1: A Florentine Summer

Occasionally we'll take a movie and baton pass it around the team and really dive in. If you missed past installments we've gone long and deep on Rebecca (1940), West Side Story (1961),  Who's Afraid of Virginia Woolf (1966), Rosemary's Baby (1968), Cabaret (1972), Silence of the Lambs (1991), Thelma & Louise (1991), Aladdin (1992) and A League of Their Own (1992).  

 

A ROOM WITH A VIEW
(a three part retrospective)
part 1 by Cláudio Alves

Ismael Merchant and James Ivory's breakthrough hit, A Room with a View, based on the 1908 novel by E.M. Forster marked the beginning of a new era of British costume pictures. It opened in both the UK and the US in the spring of 1986 (the year we're celebrating this month at The Film Experience) on its way to becoming a beloved modern classic.

The movie won the BAFTA for Best Film and was nominated for 8 Academy Awards, including Best Picture. Since it's currently streaming on both HBOMax and the Criterion Channel, it's a perfect time to revisit. Let's dive in...

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Thursday
Jul292021

The Best Costumes of 1998

by Cláudio Alves


It's time to say goodbye to 1998 and move on to the next Supporting Actress Smackdown year, 1986. However, before that, let's take a look at the Best Costume Design race that saw Sandy Powell receive her first double nomination, a face-off of Elizabethan fashions, two movies whose only nod was in this category, and a riff on midcentury sitcoms. The ceremony's host, Whoopi Goldberg, even modeled pieces from each nominee, opening the show in Queen Elizabeth I drag.

All in all, it's a rather conventional costume design lineup seeing as it's entirely composed of period work. However, some of these individual achievements deserve special attention for their playful glamour, radical visions of marginalized histories, and parodical referentiality. The nominees were:  

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Tuesday
Jul272021

Oscar Predictions: Who will compete for Costume Design and Cinematography?

by Nathaniel R

"Cyrano" with Peter Dinklage was a hit Off Broadway. Will this musical version transfer well to the screen?

By now you've gotten a sense from the predictions for most of the craft categories which films we think Oscar voters might be fond of come January when they're voting on nominations. Now let's talk more in depth about two of our favourite races to keep eagle eyes on each year: Costumes and Cinematography.

BEST COSTUME DESIGN
Of Oscar's four favourite living costume designers --  Sandy Powell (15 nominations and 3 wins), Colleen Atwood (12/4), Jenny Beavan (10/2), Milena Canonero (9/4), and Jenny Beavan (10/2) -- only Colleen Atwood is sitting out this cinematic year...

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Thursday
Jun242021

The Best Costumes of 1946

by Cláudio Alves

Before we head into the nitty-gritty of the Best Supporting Actress Smackdown of 1946 tomorrow, it's time to look at some pretty clothes and lose our minds in a hurricane of 'what ifs.' By the end of that decade, the Academy had implemented two Best Costume Design categories – black-and-white and color – but those awards were only introduced in 1948 for the 21st Academy Awards. Before that, costume designers had no way of winning Oscars. If you're an awards obsessive who loves the art of costuming, it's easy to wonder what would have happened if the category were introduced at the beginning. What would have been nominated in 1946? Who would have won? Here are my tentative answers to these complicated questions…

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