Split Decision: "A Real Pain"

Split Decision returns to TFE. In this series two of our writers face off on a movie one loves and the other doesn't. Today, Eric Blume and Cláudio Alves discuss the season's Supporting Actor frontrunner and Original Screenplay nominee, A Real Pain...

ERIC BLUME: I'm thrilled to discuss one of my very favorite movies of the year, A Real Pain, with you.  I think Jesse Eisenberg made a major film with huge ideas, packed in a tight, 90-minute breezy package:  something we almost *never* see nowadays.  I think it's thematically rich, briskly paced, surprising, and most interesting, light and deep at the same time.  Where do you stand on the picture? 

CLÁUDIO ALVES: While I like A Real Pain, I wouldn't call it a major film by any metric, shape, or form…

Click to read more ...

Almost There: Denzel Washington in "Gladiator II"

by Cláudio Alves

The 97th Academy Award nominations weren't marked by many high-profile snubs. Sure, a few critical darlings failed to secure AMPAS' approval, but their absence didn't come off as a shock. Even so, as in every year, some folks came close to a nomination but likely ended up as sixth or seventh on the ballot. For the next few weeks, the Almost There series is making a comeback to celebrate those very contenders. Like last season, I'll pick one performance from each acting category, starting with Best Supporting Actor. And though Clarence Maclin probably came close to the Oscar nod with Sing Sing, let's consider another alternative – Denzel Washington's villainous turn in Gladiator II…

Click to read more ...

Let's play the presenter game!

by Cláudio Alves

Over the past few weeks, we've heard news from the Academy about the 97th Oscars ceremony. For example, none of the Original Song nominees will be performed, a break with tradition that has caused some uproar within the industry. We'll also get to see the return of the Fab Five format for presenting the acting categories, where past victors introduce the year's nominees. In some ways, it feels like a welcoming of new faces to the Circle of Winners, though using these celebratory mini-monologues isn't to everyone's taste, especially when they came at the expense of proper Oscar clips. However, I confess that I am a fan, and just like last year, I invite you all to a game of conjecture. Let's see who'd be the perfect pairing for each nominee…

Click to read more ...

Paul Newman @ 100: "Road to Perdition"

by Cláudio Alves

When was the first time you saw Paul Newman on the screen? It might be hard to remember for some, but I can pinpoint it exactly. It was a summer holiday in those early years of teenhood, when my parents liked to drive across the border into Southern Spain for the afternoon. I loved those day trips for many reasons, and one of them was this big store in town where they sold movies that I couldn't ever find in Portugal. They were cheap, too, the perfect fit for a young cinephile looking to spend his allowance. At the time, I was just starting to get into the Oscars, so I always looked for films I knew AMPAS had honored.

One of them was Road to Perdition. 

When we got home, I remember waiting for nightfall to watch my new treasures in darkness. And then, there he was, Paul Newman. At the time, I was becoming aware of who he and many other Old Hollywood stars were, though I knew very little. Yet, there was a weight to my discovery of Newman. You see, my mom had pointed him out on the DVD case when she saw me with my new picture and waxed rhapsodic about the fellow who happened to be her favorite actor. She called him a legend, one of the most beautiful men she'd ever seen, his eyes piercing, intense, BLUE like nothing else in the world. She wasn't wrong…

Click to read more ...

Best Supporting Actor - Strongest Lineup in Years?

by Nathaniel R

Jeremy Strong and Sebastian Stan in THE APPRENTICE © Briarcliff Entertainment

It's that time when you should start voting on the chart polls of "who SHOULD win?" We all know Kieran Culkin has the "supporting" Oscar locked up for his moody insightfulness and purposefully too-much lead performance in A Real Pain. But can we pause for a moment to appreciate that, Category Fraud aside, this is the best Best Supporting Actor lineup we've had in ages. There's not a bad or solid-but-unexciting performance in the bunch, just excellence across the board. Because I was so stunned at the quality of the shortlist, I had to look back through Oscar history to find its equivalent  - a year wherein there's not a single performance nominated that would look bad as a winner. I think you have to go back thirty years to either 1995 or 1993 to find a lineup as consistently strong. This message has been brought to you by a post-nomination viewing of The Apprentice a film I'd been avoiding for trauma reasons around the death of democracy. Strong is just excellent in the awards magnet role of Roy Cohn, a role that's already won Al Pacino an Emmy and Nathan Lane a Tony (both via Angels in America). Strong is so good that it's legitimately surprising that he's not even third best in the category...

Click to read more ...