Oscar Chart Updates: Are the critical leaders in "Supporting" Oscar bound or not?

by Nathaniel R

Is there a stranger 'big eight' Oscar category situation this year than the Supporting categories? Both of them appear to have a weird dearth of mainstream contenders. Meanwhile the critics awards or "precursors" have (thus far) been laser-focused on upping the Oscar viability of just two (or three if we're being generous) arguably non-traditional options in those categories: Maria Bakalova's comic improv genius in Borat Subsequent Moviefilm, Paul Raci's weary mentor in the hard-edged indie Sound of Metal, and Youn Yuh-Jung's spirited grandmother in Minari. 

Which brings up the natural but loaded question of what part critics do or don't / should or shouldn't play in the televised awards races. There are no doubt complicated reasons why critics all across the nation vote so uniformly in some years but we'd argue that it's never from a lack of good options as hundreds of movies starring plentiful gifted actors come out each year...

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Almost There: Emma Thompson in "Love Actually"

by Cláudio Alves

With the holiday season upon us, a festive Almost There entry feels appropriate. Love Actually, Richard Curtis' 2003 mosaic narrative full of Christmastime romance, is one of the few notable examples of holiday movies that vied for Oscar gold. With a cast like that, it's easy to see why. There's also the movie's commercial success and lasting popularity to consider. All that being said, it's with great sorrow that I confess myself a Grinch when it comes to this particular brand of Yuletide cheer. Between sexist tropes and tired romcom mechanisms, the movie comes off more like a lump of coal than a present.

Still, every cloud has a silver lining, and plenty of the movie's actors are up to some excellent work.  Emma Thompson, in particular, delivers one of the best performances of her career. As if acting a Bergman-esque marital drama against a backdrop of Christmas schmaltz, her supporting turn is as disarmingly funny as it is devastating…

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Oscar Trivia: Winning the Oscar for playing a famous actor? How common is it.

by Christopher James

The name on everybody’s lips is gonna be… "MANK!"

Just kidding, people don’t really seem to be talking about the titular (and often-referenced) character, played by Gary Oldman. Love or hate the movie, everyone seems to agree that Amanda Seyfried is best in show as Marion Davies. A Supporting Actress nomination for Seyfried feels secure. The real question is: Can Seyfried win the Oscar?

While the role is prominent, the one downside from an Oscar perspective is that it is not a typical “showy” performance...

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In defense of Glenn Close as "Maw-Maw"

by Juan Carlos Ojano

Adapted from J.D. Vance’s controversial memoir about his family in the Appalachians, Hillbilly Elegy opened to harshly negative reviews from critics, but the film is not really out of the awards conversation. What was seemingly a slam dunk Oscar contender given the pedigree of its cast is now caught in the critics/audience divide, something that has become a commonality these past few years (Green Book, Bohemian Rhapsody, Joker, etc). Just look at the critics and audience scores the film got in Rotten Tomatoes and Metacritic.

ROTTENTOMATOES: Tomatometer: 26% / Audience Score: 85%
METACRITIC Metascore: 39 (generally unfavorable) / User Score: 7.9 (generally favorable)

The most significant Oscar push for the film will undoubtedly be seven-time oscar nominee Glenn Close for Best Supporting Actress. She plays Mamaw, J.D.’s grandmother and de facto guardian when his mother Bev (Amy Adams) spirals into heroin addiction. This role comes after a surprising Best Actress loss at the 91st Academy Awards for her performance in The Wife.  Absurdly overdue for a win, Close came to this particular Supporting Actress race as a preordained frontrunner. However, the dismal critical reception of the film immediately cast doubt on her chances. Some now feel she won't be nominated at all. Or, that she doesn't deserve to be which is unfair on Close’s part, in my humble opinion...

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Almost There: Joan Allen in "Pleasantville"

by Cláudio Alves

You guys really love Joan Allen. Once again, this three-time Academy Award nominee has won the readers' vote in the Almost There polls. When choosing from a selection of 10 non-Oscar-nominated performances in new to streaming movies, you picked Allen's turn in Gary Ross' Pleasantville. It's a 1998 fantasy about two modern teenagers who find themselves teleported inside a 1950s black-and-white sitcom. As their influence humanizes the neighborhood, sexual autonomy blossoms as do other desires, wills. Even color starts to appear in the monochrome universe. Odious prejudice is soon to follow.

Between metaphors about sexual liberation, racism, and midcentury conservativism, one cast member shines brighter than all the others, rises above the picture's relative shortcomings. As the kids' televisual mother, Joan Allen is a miracle of stilted cheeriness melting into delicate gradations of humanity…

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