Last "Regular" Weekend Box Office Report of the Year!

So, from here on out we'll be hitting our "Year in Review" lists which will include a few exciting box office deep dives on niche topics. So let's retire the regular box office charts of the weekend for 2019 with one last blowout of EVERYTHING still in wide release (there's just 13 films on that many screens at the moment and boy is the last of 'em unlucky). And, as per usual, their counterparts in limited release where the more interesting movies usually are. That said you'll notice the platform section of the chart is not yet complete. That's because those numbers rarely come in comprehensively or correctly before Monday evening so we'll update again then. 

What did you see this weekend? 

Weekend Box Office December 13th-15h (ESTIMATES)  🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
1 🔺  JUMANJI: THE NEXT LEVEL  $60 *new*	1 PARASITE $632k on 306 screens (cum. $20.3 PODCAST, CLASS, BONG, SAG CAST★

2 FROZEN II $19.1 (cum. $366.5) REVIEW	2 🔺 UNCUT GEMS $525k on 5 screens *new*  REVIEW ★

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The Margot Robbie conundrum

by Cláudio Alves

This year's SAG Awards feature an assortment of multiple nominees across categories. Nicole Kidman, Al Pacino, and Scarlett Johansson scored a rare triple nod and they weren't the only ones. Margot Robbie also did it thanks to her participation in two of this season's juiciest awards magnets. In Once Upon a Time… In Hollywood, she's Sharon Tate, while, in Bombshell, Robbie gives life to Kayla Pospisil, a fictional character that stands in for many of the women victimized by Fox News' toxic work environment.

Since Cannes, Tarantino's take on Hollywood's most tragic ingenue has been put through heavy scrutiny. Robbie's role has been accused of being a misogynistic and limited take on Sharon Tate, terminally underwritten and underutilized to boot. Even so, Once Upon a Time… In Hollywood is a critics' darling while Bombshell has been promptly lambasted as soon as the review embargo ended. Controversies notwithstanding, I confess myself dismayed at the way Margot Robbie's Oscar hopes seem to have concentrated solely on the Jay Roach flick…

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"Everyone was nominated... except you!" Our annual SAG outrage!

by Nathaniel R

Alanna Ubach does a lot with very little screen time in "Bombshell" but she isn't part of the cast nomination

We'll keep doing these posts each year until the Screen Actors Guild does something about their most unfortunate awards rule. For those who are new to the awards game, please note: If you are a working actor lucky enough to wind up in a film nominated for "Outstanding Performance by a Cast in a Motion Picture," that doesn't mean you are included in the nomination; you have to have your own title card for that! What this means each year is that actors who aren't really famous yet, or don't have an aggressive agent, wind up left out of the official nomination even if they contributed immeasurably to the success of the film or were highly memorable in some small but defining way.

So who got the stealth snub in 2019, who otherwise had every reason to celebrate the nomination? Read on for the specific exclusions this year and the history of most embarrassing omissions from the past due this ruling...

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Review: Bombshell

by Murtada Elfadl

Bombshell takes a while to show us the crimes of abuse that Roger Ailes committed. But when that moment comes it’s as gross, as unpleasant and as horrifying as we thought it’d be. Instead at the beginning we follow Gretchen Carlson (Nicole Kidman) as she is fired from Fox News and decides to sue the network and Ailes for sexual harassment. As that is happening two other narratives begin to formulate. A young producer named Kayla (a composite character played by Margot Robbie) tries to get invited into Ailes’ inner echelon so that she can speed up her rise to a news anchor role. While in another part of the building Megyn Kelly (Charlize Theron) becomes embroiled in a nationally televised juvenile on air battle with then Candidate Trump. The film - directed by Jay Roach and written by Charles Randolph - starts building a network of misogyny stories within the three narrative threads showing how powerful men completely disregard and exploit women. 

Naturally Carlson needs witnesses to help win her case and this is when the three narrative threads come together hinged on Kelly's decision to testify against Ailes or not...

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"Bombshell" and "Rocketman" are the stars of the Makeup and Hairstyling Honors this year.

by Nathaniel R

The acronym MUAHS always amused us since it sounds like a goofy platonic kiss --“Mwahh!” Perhaps that’s appropriate since Make Up involves many pairs of lips. The Makeup and Hairstylists Guild, an organization about 2100 members wide, have announced their nominees for 2019 in movies and television and theatre. The gala where the winners will be announced is on Saturday, January 11, 2020. “Bombshell” and “Rocketman” lead the movie portion of the awards... 

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