Oscar History

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Entries in box office (355)


Box Office: Jennifer Lawrence Generates Her Own Light in the Shadow of Star Wars.

Jennifer Lawrence's Joy starpower couldn't match the double-teaming bankability from Will Ferrell and Mark Wahlberg for the comedy Daddy's Home but she's still got nothing to worry about as Hollywood's current most popular actress pulling in 17.5 million in Joy's opening weekend despite middling reviews, a glut of new wide releases, and two hot button limited bows, all hoping for those same Christmas dollars.

Meanwhile every movie in theaters is trying to stay visible under the galactic-sized shadows of The Force Awakens which has already topped half a billion in the US box office in record time and should leapfrog Jurassic World's once unthinkable $652 domestic gross pretty soon at this rate.  We'll also know fairly soon if the Star Wars saga's sheer cultural size affects the Oscar race. The question is not fully restricted to whether it will be nominated for this or that or a wholla lotta that like the '77 starter-kit, but whether it will drown out conversations about the newer or the more struggling Oscar campaigns and we end up with less movement in the Oscar race from where we were in say, October, because people are thinking of little else than Star Wars right now.

(Christmas Weekend)
01 Star Wars: The Force Awakens $153.5 (cum. $544.5) Review, parody fun Emo Kyle Ren
02 Daddy's Home $38.8 *new* 
03 Joy $17.5 *new*
04 Sisters $13.8 (cum $37.1) Review 
05 Alvin and the Chipmunks: The Road Chip  $12.7 (cum. $39.3)
06 Concussion  $11 *new* Review
07 The Big Short $10.5 (cum. $16) Review & SAG Ensemble 
08 Point Break $10.2 *new* 
09 The Hunger Games Finale $5.3 (cum. $264.6)  Hunger Games & Oscar 
10 Creed $4.6 (cum. $96.3) Review

Christmas proved to be a death wish for many awards hopefuls since behemoths like STAR WARS and talking points like HATEFUL EIGHT & THE REVENANT sucked all the oxygen out of the room for other films

Excluding previously wides
01 The Hateful Eight $4.5 100 screens *new* Twitter Review, Worst of Year
02 The Danish Girl $1.5 440 screens (cum. $3.2) Eddie Redmayne
03 Carol $1.0 180 screens (cum $2.8) Reviewish, Podcast, Its Genius
04 The Revenant  $.4 4 screens  *new* parody fun Revenant Bear
05 Youth  $.3 149 screens (cum. $1) Review, Podcast, Jane Fonda
06 Mr Six  $.2 30 screens *new*
07 Trumbo  $.2 30 screens *new* Podcast, SAG Ensemble 
08 Room $.08 100 screens (cum. $4.7) Premiere, FYC Production Design
09 45 Years $.06 3 screens *new* Charlotte Rampling
10 Macbeth $.04 30 screens (cum. $.8) Review, Podcast





Year in Review: The 15 Biggest Box Office Hits of '15

There's not much of a story this weekend beyond Star Wars: The Force Awakens which broke all available records without even breaking a sweat this weekend with a $238 million opening. And that's even before the lucrative Christmas week. Jurassic World currently tops the 2015 box office globally with $1.6 billion in revenues with Furious 7 tailing it with $1.5. Surely The Force Awakens has its eyes on even greater prizes though. Like James Cameron's top two records Titanic's 2.1 billion and Avatar's (2009) 2.7 billion worldwide gross.

The Force Awakens is a good movie so the audience wins. Or do we? Let's talk about the Dark Side of the box office as we look at the biggest hits of the year in five separate categories after the jump... 

Click to read more ...


In the Heart of the Box Office

Ron Howard's new adventure on the high seas (based on the story that inspired Moby Dick) In the Heart of the Sea didn't manage to beat The Hunger Games, due mostly to the latter's much higher screen count. But regardless it's the final week of Katniss's reign. Next weekend the jedis, generals, droids, and wookies arrive surely stealing all the screens in our multiplex world.

If Chris & Tom survive this whaling adventure they get to play Marvel superheroes next

In Oscar-seeking land, Spotlight was off only 10% after a final expansion to 1089 screens so word of mouth is strong and the run will surely be leggy as it nabs more prizes at award ceremonies. The Big Short, inexplicably on only 8 screens despite multiplex-appeal (this is not a highbrow movie!) and tons of stars, packed its houses. Carol and The Danish Girl with tiny expansions are also doing solid if unspectacular business. If you've been dragging your feet on Bridge of Spies, Suffragette, Sicario, The Asssassin (and maybe even Room, Brooklyn, and Trumbo) get there this week -- they're likely to lose screens soon and unless Oscar curiousity catches on with the general public most of them won't be around much longer.

(Dec 11th-13th)
01 Hunger Games 4 $11.3 (cum. $244.4)  Hunger Games & Oscar
02 In the Heart of the Sea $11 *new* 
03 The Good Dinosaur $10.4 (cum. $89.6) Review
04 Creed $10.1 (cum $79.3) Review & Oscar Chances
05 Krampus  $8 (cum. $28.1)
06 Spectre $4 (cum. $190.7) Review
07 The Night Before $3.9 (cum. $38.2)
08 The Peanuts Movie $2.6 (cum. $124.9) Peanuts Films
09 Spotlight $2.5 (cum. $20.3)  Podcast, From TIFF, SAG Ensemble
10 Brooklyn $1.9 (cum. $14.3)  Review, Ensemble, Podcast, Saoirse & Oscar

Excluding previously wides (Dec 11th-13th)
01 Trumbo $.8 554 screens (cum. $5.4) SAG Ensemble
02 The Big Short $.7 8 screens *NEW*  Review & SAG Ensemble
03 Chi-Raq $.5 285 screens (cum. $2.1) Podcast
04 Carol $.3 16 screens (cum $1.2) Reviewish, Podcast, Its Genius, Sketches
05 Legend  $.3 107 screens (cum. $1.3)
06 The Danish Girl   $.2 24 screens (cum. $.6) Interview
07 Macbeth  $.2 108 screens (cum. $.3) Review, Podcast
08 Room $.2 198 screens (cum. $4.1) Premiere, Podcast, FYC Jacob Tremblay
09 Youth $.1 17 screens (cum. $.2) Review, Podcast
10 Suffragette $.09 166 screens (cum. $4.5) Review, Carey Campaign

Dean O'Gorman (The Hobbit) plays Kirk Douglas in "Trumbo"

What did you see this weekend?
I finally caught up with Trumbo. I have no idea why it took me so long to see it since I do love my Hollywood history movies and celebrity impersonations (New Zealander Dean O'Gorman does a terrific Kirk Douglas for what it's worth! He was stupidly left out of the SAG Ensemble nomination). More on Trumbo soon since it's popping with SAG & Globe nominations.



What did you see this weekend?

With only Krampus as a new wide release this weekend was a repeat of Thanksgiving weekend with The Hunger Games, The Good Dinosaur and Creed leading the way at the multiplex and Oscar hopefuls like Carol doing good business on a miniscule amount of screens. Spotlight and Brooklyn -- which are both looking lockish for Best Picture nominations -- continue to reap the benefits of great word-of-mouth audience response.

"Um, why am I in Krampus?" -Toni Collette to her agent, probably.

(Dec 4th-6th)
01 Hunger Games 4 $18.6 (cum. $227)  Hunger Games & Oscar
02 Krampus $16 *new* 
03 Creed $15.5 (cum. $65.1) Review & Oscar Possibilities
04 Good Dinosaur $15.5 (cum $75.9) Review
05 Spectre  $5.4 (cum. $184.5)  Review
06 The Night Before   $4.9 (cum. $31.9) 
07 The Peanuts Movie  $3.5 (cum. $121.4)
08 Spotlight $2.9 (cum. $16.6) First Impression & SAG Ensemble Predix
09 Brooklyn $2.4 (cum. $11.2) Review, Saoirse & Best Actress
10 Secret in Their Eyes $1.9 (cum. $17.2) 

With BFCA's "Critic's Choice" ballots going out tomorrow and a handful of critics organizations voting this weekend, I've been struggling to catch up / wrap up but in truth I am always quite behind at this point. And I get distracted by my pets... like seeing Carol twice this weekend. Oops. By my count there are 27 titles that I had hoped to see that I still have to squeeze in during the busiest month of the year and of course the rewatches I'd hoped to do before drawing up the top ten list. If I get to half of this by Christmas it'll have to be considered an enormous success. The Glut! The Glut!

What did you see this weekend? Are you struggling to keep up?


What you saw this long holiday weekend. Survey says...

What did you see this weekend? I didn't hit theaters since I was travelling but I finished Jessica Jones (which really improved as it went along) and screeners gave me a second shot at Steve Jobs (Fassy & Kate are just as big a "wow" as they were the first time) and a first go at Straight Outta Compton. In the next 24 hours The Revenant and Joy hit my eyeballs. Here's hoping for the best.

(Nov 27th-29th)
01 Hunger Games 4 (4,175 screens) $51.6 (cum. $198.3)  Hunger Games & Oscar
02 The Good Dinosaur (3,749 screens) $39.1 new (cum. $55.5)
03 Creed (3,404 screens) $30.1 new (cum. $42.6) Review
04 Spectre (2,940 screens) $12.8 (cum $176) Review
05 The Peanuts Movie (3,089 screens) $9.7 (cum. $116.7) 
06 The Night Before (2,960 screens) $8.2 (cum. $24.1) 
07 The Secret in Their Eyes (2,392 screens) $4.5 (cum. $14)
08 Spotlight (897 screens) $4.4 (cum. $12.3) First Impression
09 Brooklyn (845 screens) $3.8 (cum. $7.2) Review, Saoirse & Best Actress
10 The Martian (1,420 screens) $3.3 (cum. $218.6) Podcast 
11 Love the Coopers (1,867 screens) $3 (cum. $20.4)
12 Victor Frankenstein (2,797 screens) $2.3 new (cum. $3.4)

With the dismal opening of Victor Frankenstein (Fox) paired with the muted response to Crimson Peak (Universal) do you think Universal is getting worried about their classic movie monster multiverse plans? Today's audiences maybe don't have a yearning for the gothic flavors of more old school horror?

Apart from Frankenstein and his monster, it was a fairly happy weekend for distributors: Hunger Games 4 held stronger in its second weekend than Hunger Games 3 (I refuse to do this "part 1 and part 2" padding bullshit anymore);  Creed, which was smartly produced on a non gargantuan budget, supposedly made back its budget in its first (holiday) weekend; Spectre is holding well for a Bond film (anyone expecting a repeat of Skyfall's anomalous numbers was insane); even The Good Dinosaur, which opened weak as Pixar films go, shows promise since the audience reaction was very positive and it has no direct competition in the next few weeks.

As for the suspected Oscar contenders things are continuing to look very golden for both Spotlight and Brooklyn which are expanding very well and should be peaking at just the right time for Oscar love. With Carol and The Danish Girl, though, it's probably too early to tell since they're only on four screens each and competition is fierce and will continue to be (as it always is in November/December) for their target demographic.


Box Office: Katniss Reigns (Softly) While Spotlight Gains

[Whistles Katniss theme]

As expected Katniss and her unmerry band of rebels dominated the weekend box office as The Hunger Games franchise finally wrapped up. Though this is the softest opening yet for the franchise it's not soft enough to end Hollywood's love of splitting final chapters into two for no good narrative reason so the trend will obviously continue for now. (sigh). I personally have no real ill will for this franchise  (it's okay but I bowed out after the second film -- just too dull for my personal tastes) but The Film Experience does have official stance ill will for franchise decisions that no reasonable trustworthy person could ever claim were based on anything other than milking more money from fans. "Event" showbiz is fun but the first priority really should be to the generous fan bases of serial cinema -- Hollywood owes fans good storytelling, not padding to take more of their paycheck once you've hooked them. You're not drug dealers, movie studios, you're showmen! Putting on a great show needs to be your priority. Hopefully the upcoming slate of finale splitting franchises fail in much more embarrassing / decisive ways so -- Hollywood deserves the wrist-slapping.

(Nov 20th-22nd)
01 Hunger Games 4 (4,175 screens) $101 new Hunger Games & Oscar
02 Spectre (3,659 screens) $14.6 (cum. $153.7) Review
03 Peanuts Movie (3,671 screens) $12.8 (cum. $98.9)
04 The Night Before (2,960 screens) $10.1 new
05 Secret in Their Eyes (2,392 screens) $6.6 new
06 Love the Coopers (2,603 screens) $3.9 (cum. $14.8) 
07 The Martian (2,086 screens) $3.7 (cum. $213) Podcast
08 Spotlight (598 screens) $3.6 (cum. 5.8) First Impression
09 The 33 (2,452 screens) $2.2 (cum. $9.9)
10 Bridge of Spies (1,532 screens) $1.9 (cum. $65.1) Review, Tom Hanks
11 Goosebumps (1,787 screens) $1.7 (cum. $76) First Impression
12 Brooklyn (113 screens) $1.1 (cum. $2.1) Review, Saoirse & Best Actress
13 Hotel Transylvania 2 (828 screens) $.7 (cum. $166.4) on director Genndy Tartakovsky
14 Prem Ratan Dhan Payo (283 screens) $.6 (cum. $3.9)
15 Suffragette (517 screens) $.5 (cum. $3.5) Carey's Performance, Review

Among the limited releases Spotlight and Brooklyn had the strongest per screen totals. Hopefully they'll stay strong in wider release since at heart they're quite accessible entertainments and it's infinitely depressing that anything non-genre that aims for adult audiences and quality these days is automatically viewed as "specialized" in its appeal. Room, a much trickier sell than either of those premise-wise is having a tougher time expanding but if the A24 Best Picture hopeful can hold out until top ten lists and awards noms give it some extra juice it should do well. It's already gathered a reasonable $2.8 million in its first month or so in release.

In extremely miniscule release Todd Haynes's latest masterpiece Carol earned a robust quarter million on just 4 screens... though in rather frustrating news it seems to be sticking to its originally aborted release date (opposite Star Wars) in terms of when it will show up in a lot of sizeable markets and won't be in some other smaller markets until Christmas day and beyond. In short: we're not sure when to schedule our proposed Carol week since it's going to take forever for many of you to see it. We feel your pain; you don't deserve the torturous wait.

What did you see this weekend? 
I had a homebody weekend looking at screeners for Black Mass (for the first time), Truth (again), and the first half of Jessica Jones (Netflix).


Box Office: Bollywood Hoopla

Amir here, with the weekend’s box office report. As predicted last week, the top two films didn’t change at the high end of the pile. Spectre is doing impressive enough business in the US, but its record-breaking haul in China was the real gain. The total worldwide gross of the film surpassed the half billion-dollar mark. There were four new wide releases, three of which landed in the top ten and, embarrassingly, I hadn’t heard of a single one of them before sitting down for this column, so let’s give each a crack.

Love the Coopers, is a family Christmas comedy, and because all mentions of Christmas in November should be banned, we’ll skip over it—it was right behind The Peanuts Movie in third place. The 33, the Antonio Banderas-led film about Chilean miners did as well as a film about such a dark—literally and figuratively—tragedy can do. The real story, however, is India’s Prem Ratan Dhan Payo. It’s an open secret that Bollywood films do really well without significant advertising, but this one is doing even better than usual. Already having the best opening of all time for a Bollywood film in India in the bag, where it opened on the 4-day Diwali weekend, Salman Khan and Sonam Kapoor’s newest venture has the best opening weekend for an Indian film in the UK and one of the top five best in the US.

The Weekend's Top 5
Spectre $35.4m (cum. $130.7m)
The Peanuts Movie $24.2m (cum. $82.4m)
Love the Coopers $8.4m (new)
The Martian $6.7m (cum. $207.4m)
The 33 $5.8m

On the limited side of things, Angelina Jolie’s By the Sea grossed a dismal $9k per screen—it’s a shame; this film looks gorgeous—and James White, one of the under the radar gems at this year’s TIFF fared slightly better, but it’s hard to gauge its success given it’s only playing on one screen.

What did you see this weekend? Are you excited to see Prem Ratan Dhan Payo?


Box Office: The Winner Is Bond... James Bond

Amir here, with the weekend’s box office numbers. The fourth Bond turn by the sexy but no longer enthusiastic Daniel Craig predictably ruled the weekend, scoring the franchise’s second highest opening weekend gross of all time. The highest number belongs to Skyfall, of course, and there was never any chance, with cooler reviews and less general excitement, that Spectre was going to break the series’ record. All things considered this is a great success for everyone involved.

Box Office Top 5
new Spectre $73m
new The Peanuts Movie $45m
The Martian $9.3m (cum. $197m)
Goosebumps $6.9m (cum. $66.4)
Bridge of Spies $6m (cum. $60)

The Peanuts Movie came second and, again, the numbers can be considered successful when one considers the younger generation’s emotional distance with these characters. Both Spectre and Peanuts have another week to spend at the top before their competitions arrive in the form of The Hunger Games and The Good Dinosaur.

New Limited Releases
Miss You Already
Trumbo $77k
Peggy Guggenheim Art Addict $22k
In Jackson Heights $15k
Theeb $7k

On the limited side of the releases, Oscar hopefuls Spotlight, Brooklyn and Trumbo all entered the fray. Spotlight has the weekend’s highest per theatre average, which certainly isn’t too shabby for a film many are already considering the frontrunner. Whether these numbers can translate to success when the film goes wide remains to be seen. Meanwhile, Steve Jobs continues its lacklustre run. Is it just too soon for people to be interested in a biopic about him?

What did you see this weekend?