Box Office: Hotel Transylvania vs. Looper

The animation business is a good one to be in. Sure, the movies cost a lot to make but profit margins can be something else with global family appeal and franchising / merchandising opportunities. Hotel Transylvania took a bite out of Looper's grosses but one guess as to which film people will still talk about next year. (Perhaps Looper will be one of those rare films that doesn't drop much at all in its second weekend?) 

But the weekend's big story might just be strong showings for Pitch Perfect at only 300+ locations and a promising 100 theater expansion for The Perks of Being a Wallflower. In very limited release Robot & Frank just crossed the $3 million mark... almost entirely on word of mouth. Have any of you seen it?

Box Office Dozen
01 HOTEL TRANSYLVANIA  $43 *NEW IN WIDE RELEASE*
01 LOOPER $21.2 *NEW IN WIDE RELEASE*  REVIEW
03 END OF WATCH $8 (cum. $26.1)
04 TROUBLE WITH THE CURVE $7.5 (cum $23.7)
05 HOUSE AT THE END OF THE STREET $7.1 (cum $22.2)
06 PITCH PERFECT $5.2 *NEW IN LIMITED RELEASE* 
07 FINDING NEMO 3D $4 (cum. $36.4 this time around)
08 RESIDENT EVIL: RETRIBUTION $3 (cum. $38.7)
09 THE MASTER $2.7 (cum. $9.6) Team Experience
10 WON'T BACK DOWN  $2.7 *NEW IN WIDE RELEASE*  

What did you see this weekend? Did you love it?

Trouble With The House at the End of Watched Curved Street

It was a photo finish this weekend with Clint Eastwood, Jennifer Lawrence, and Jake Gyllenhaal all struggling to land in first place. We won't really know who did until tomorrow. If you ask me that's a poor showing for Jennifer (given that horror is an easy cash grab on opening weekends) and Clint and a redemptive showing for Jakey who pundits always like to claim is over as a bankable leading man if he ever was. But maybe that's my bias spinning it since I have yet to seek treatment for the Gyllenhaalism. (Next up Maggie G in Won't Back Down!)

Box Office Fifteen
[TIE] 01 END OF WATCH  $13 *NEW*
[TIE] 01 HOUSE AT THE END OF THE STREET $13 *NEW*  
03 TROUBLE WITH THE CURVE $12.7 *NEW* 
04 FINDING NEMO 3-D $9.4 (cum $29.9 this time 'round)
05 RESIDENT EVIL: RETRIBUTION $6.7 (cum $33.4)
06 DREDD $6.3 *NEW* 
07 THE MASTER $5 (cum. $6.0)
08 POSSESSION $2.6 (cum. $45.6)
09 LAWLESS $2.3 (cum. $34.5) REVIEW
10 PARANORMAN $2.2 (cum. $52.5) 
11 THE BOURNE LEGACY $1.6 (cum. $110.4) 
12 THE ODD LIFE OF TIMOTHY GREEN $1.5 (cum. $48.6) REVIEW
13 THE EXPENDABLES 2 $1.4 (cum. $82.9) Let's cast a female version
14 ARBITRAGE $1.2 (cum. $3.9) 
15 THE DARK KNIGHT RISES $1.2 (cum. $443.1) REVIEW

The Master had the healthiest per screen average among the wide openings (though it's only just barely "wide" now) but P.T. Anderson movies have never made as much by the end of their run as The Odd Life of Timothy Green already has (approaching $50 million) which is totally why we can't have nice things. Adults with taste continue to destroy Hollywood by staying at home and watching their premium channels instead of supporting films made for them at the theaters.  In limited release Perks of Being a Wallflower led the arthouse with a very healthy per screen average and a quarter million gross in its first weekend.

What did you see this weekend? And who is still going to Batman? He hung up his cowl, people!

In more timely news, are you watching the Emmys with us tonight? If so "see" you in the comments section.

No Exorcisms Ever Rid the Box Office of Its Demons

If there's a sure way to hit #1 at the box office with minimal effort, it's this: make a demonic possession flick. Someone should do a study because it seems to me that they're the most profitable subgenre ...of anything. They always open well even if they feel virtually indistiguishable from the last one. Even if the last one was super recent. Even if they aren't innovative with f/x. Even if they have no stars. It makes you wonder if The Exorcist, discussed robustly recently here, is the most influential movie of the past 40 years rather than Jaws which usually gets the credit in building the foundation of our current cinematic culture.

Chart adapted from Box Office Mojo

This makes me wish exorcism flicks would go extreme mash-up. Let's take some genres which the mass public are weirdly averse to despite their entertainment value, say the screwball comedy or the musical or the adult romance (non comedic) and revive interest in them by throwing a little demonic possession in as a subplot. Imagine the setpieces!

What did you see this weekend? Or, since the weekend isn't officially closed until Monday night (Happy Labor Day!) which movie are you planning to see? I saw Lawless (review later tonight) and I almost made it to Premium Rush because I'm anxious for Looper. It made a kind of impulse item sense but I was thwarted.

what's in the bag?

Maybe the studio would have pushed it harder if a demon-possessed baby was in JGL's courier bag?

"Cast This!" Box Office Special: Female Expendables?

Sylvester Stallone and his team of aged action heroes ruled the box office with their high-octane throwback The Expendables 2. The title is perfect because it's the kind of disposable flick you can imagine people watching half-assed for years on end on cable while eating, cleaning, making phone calls, taking a sick day, you name it.

Top o' the Box Office *newbies in bold*
01 THE EXPENDABLES 2 $28.7 
02 THE BOURNE LEGACY $17 (cum $69.5)
03 PARANORMAN $14 
04 THE CAMPAIGN $11.8 (cum. $51.6)
05 SPARKLE $12 ...more on this one soon 
06 DARK KNIGHT RISES $12 (Cum. $409.9) Review
07 THE ODD LIFE OF TIMOTHY GREEN $10.9 

The Expendables franchise is weirdly sexist -- how can you have like a dozen action stars per movie (*stars* being a smudgey concept here once you're past the one name icons), many of them past their prime, and never include any of the women who've led or played a major hand in action hits in any decade? Yes, they exist! Word is out that the producers are planning on backing a female heavy edition of the franchise, a spin-off if you will. Why we're not allowed to have a co-ed Expendables I do not know. 

But let's help the producers out by casting it for them in the comments.
I'll start right here with six must-haves from Nathaniel's Crowded Actressexual Brain

• Sigourney Weaver -- seriously, if she's not already at the tippity top of the "throw money at her" list, they're imbeciles.
• Michelle Yeoh -- always riveting when she fights and a damn good actress, too.
• Linda Hamilton - Duh! Even her name is tough.
• Milla Jovovich - knows her away around an action scene and will get naked for your R rating
• Daryl Hannah - because she's an awesomely imposing amazon (think Blade Runner and Kill Bill) and doesn't get nearly enough work 
• Pam Grier - because think of the fun they could have referencing her fame-making work. Razors in an afro please! 

Once I got started I couldn't stop. I literally thought of 22 more actresses who would be perfect while collecting these photos -- like give me a scene of Run Franka Potente Run. Even if it's just a cameo! -- including recent action divas like Léa Seydoux (so very hawt in Mission: Impossible -Ghost Protocol or Kate Beckinsale (fresh in the brain on account of Total Recall).

But I don't want to hog all the fun. Which actresses would you line up to see in a huge dumb explosive ensemble actioner? Give me at least six of your favorite options, preferrably ten, ranked, in the comments. Maybe we'll revisit this once we have all your lists.

Ready... set... GO!

Bachelorette Hits It Big on iTunes

Beau here again to congratulate writer/director Leslye Headland and crew... again. We'll know who wins this weekend's box office wars soon enough but Bachelorette which is still two weeks away from theaters has already struck gold. It recently became the first pre-theatrical release to hit number one on the iTunes Rental Store. It's fallen to #6 as of this writing but this is a remarkable achievement, not least of which is the fact that the rental price is a costly $10 (but, compared to a night out or a ticket price? hardly). Honestly, it couldn’t have happened to a better film.

Since my review of the film, I’ve watched the film again (twice!) and while some inconsistencies and editing snafus have arisen, I stand by my initial opinion that it is the best film to have been released in 2012 thus far. Its willingness to challenge is the key.

A film that tackles drug addiction, suicide attempts, abortion and vanity with such flagrant disregard for conventional standards is enough to make me stand up and cheer. And it doesn’t just skirt by these issues, like a tourist bus on safari pointing out the animals and then speeding away quickly. Bachelorette stops the bus, drags you off, and puts you in such close contact with these animals that your initial reservations about likeability (what a stupid fucking concept) dissolve, and you’re left with a surprisingly incisive look at a small niche that resembles a greater whole. Even my dad last night remarked, ‘I know all three of these women.’ 

For a 58-year-old dude in rural California to say that? Struck a chord. So congrats to Leslye and company. I can’t wait to see your success continue!

Have you ever paid for a rental of an unreleased film? Do you think these alternate distribution methods are the future?