The Furniture: All That Jazz and the Creative Erotics of Scaffolding

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail. Here's Daniel Walber ...

All That Jazz (1979) is the only Palme d’Or winner to have won the Oscar for Best Production Design. I do not have an explanation for that. Luck of the draw, really. But, as we await the prizes at this year’s Cannes Film Festival, this odd piece of trivia is an excellent excuse to take a closer look at Bob Fosse’s masterpiece.

There are actually a few odd things about the film’s Oscar record. It’s not only a rare Oscar-winning remake, but a remake of another production design nominee: Federico Fellini’s 8½. The four designers who took home the prize for All That Jazz include not only production designer Philip Rosenberg and art directors Gary Brink and Edward Stewart but also Tony Walton, who was credited as “fantasy designer.”

The “fantasies” in question are a big part of what connects All That Jazz with its predecessor...

Click to read more ...

Cannes Best Actress: Awarding the Best Since 1946

Bonjour! Robert Balkovich here. As the 70th Cannes film festival kicks off let's take a stroll down memory lane and revisit some of the most bold, daring, and 100% correct Best Actress awards the festival has given out. 

When you look at the list of names all together it's hard to argue that it isn't one of the best collection of actors ever grouped. The festival's penchant for awarding the best-of-the-best, started early...

Click to read more ...

Lars Von Trier's Bad Girls of Cannes

It's Girls Gone Wild this month at The Film Experience. To coincide with the ongoing Cannes Film Festival, here's Chris on von Trier's wild women from Cannes past.

We miss you, Lars!

It's been five years since reigning Cannes bad boy Lars von Trier debuted a film at the festival - practically eons by the festival's standards for their many favorite auteurs. But he lost their favor for his glib Hitler comments during Melancholia's Croisette visit. The resulting Persona Non Grata Status has left us too long without a Cannes Von Trier (Anti)Heroine. Some call him a misogynist, but the provocateur has consistently given us fully-faceted women fighting against circumstance however they must. Let's take a look at their bad behavior:

Emily Watson as Bess - Breaking the Waves

How Bad?: 7/10 - Lots and lots of self-flagellating sex with strangers. Bess puts herself in increasing dangerous situations even when she knows the dangers of her actions.

But Really She's a Saint, It's All For Love!: She's only acting out at the request of her ailing, brain-damaged husband, to whom she relays her conquests.

Rewarded for Her Efforts: Watson didn't win Best Actress at Cannes (Brenda Blethyn was honored for Secrets & Lies), though this performance is the only Oscar-nominated in Von Trier's filmography.

Click to read more ...