Cast This! "Les Miz" For the Big Screen

In the annals of "the movie business is SO weird" and "Hollywood is terrified of musicals" few things beat the case of the 1998 film version of Victor Hugo's French revolution classic Les Miserables. Despite being moved into production during the 90s when the British mega-musical of the same name was well into its record breaking stage run, Hollywood thought it time to revive the book, which had been filmed many times before, but not as an adaptation of the ginormously popular musical.

Hollywood is currently repeating this dunderheaded mistake with umpteen Wizard of Oz projects in development that ARE NOT Wicked the musical, which is so popular that it has been already earned more than half a billion dollars at the box office.

What is wrong with Hollywood?

So back to Les Miz. Admittedly we tend to travel in packs with people who share our interests but I didn't meet one person around the late 1990s who didn't say "Why isn't it the musical?" with a genuinely confused look on their face. Everybody was into that musical. It was as popular as Cats and Phantom of the Opera the two other pop culture musical phenomenons of the 80s. I also didn't meet one person who was eager to buy a ticket the movie without the songs.

So Uma Thurman played Fantine but didn't get to belt out power ballad classic "I Dreamed a Dream", Claire Danes played the pitiable orphaned Cosette but didn't get that wonderful crosscut romantic triangle "A Heart Full of Love",  Liam Neeson played Valjean but didn't get that 11th hour manly weep-a-thon "Bring Him Home". Etcetera.

Fantine (UMA) Dies From Musical Malnourishment

Word is that Tom Hooper may be directing the first film version of this musical as his follow up to The King's Speech. Honestly, if he pulls this off, we'll pretend that this year's Oscars never happened and stop being angry on behalf of David Fincher.

Les Miz is perfect for big screen. Let's talk why and cast the characters after the jump.

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Cast This! "Game Change" w/ Julianne Moore

The news of Julianne Moore's casting as Sarah Palin in HBO's Game Change, adapted from the best-selling tell-all about the 2008 Presidential Race, is spreading like wildfire. I haven't read a single piece on it yet (other than the opinion-free news bit from The Hollywood Reporter) but one imagines many Tina Fey references will be popping up. How can anyone outdo that particular crucifixion by spiritiually dead-on mimicry? Perhaps Juli has been considering the role for sometime and asked for pointers on the set of 30 Rock?

Here at the Film Experience we try never to think of Sarah Palin, a true blight on American culture (though perhaps the celebrity we most deserve as Americans given our national habit of treasuring stupidity). Given their diametrically opposed politics, we can only imagine Julianne Moore weeping when thinking of the Politertainer in real life. Though Julianne Moore's whole screen persona tilts toward the weepy so...

Speaking of weeping.

Here at The Film Experience we regularly weep knowing that the surest way for the truly great and imaginative screen actors (like Moore herself) to win prizes is to eschew their own imaginative gift for character creation and hone their technical ability to mimic other famous people instead. But since that's the world we live in, perhaps Julianne can finally win some hardware? At least a Globe? Though she's one of modern cinema's most acclaimed performers she's actually unpracticed at the art of acceptance speeches. Though she won an Daytime Emmy before hitting the movies, since she achieved fame she's won virtually nothing apart from untelevised critics prizes or "special" you're awesome type of career honors -- like the recent Hasty Puddings situation. Apart from a rare "Ensemble" or shared prize she has never won: an Oscar, a Golden Globe, Cannes, SAG, BAFTA, or a Primetime Emmy. She hasn't even managed an MTV tub o' popcorn or even a Saturn win! Her biggest "gets" were the Volvi cup in Venice, the Spirit Award and the "Critics Choice" all for  Far From Heaven (2002). And regarding the latter, had the BFCA been the organization in size, shape and tone that they are now back then, she wouldn't have even won that! And I say that as a (frustrated) voting member.

What do you make of this news? Excited to see her try mimicry for a change?

CAST THIS
Since Julianne Moore is the only star announced thus far that leaves four major power couple roles uncast? Who would you have as (clockwise from top left: John & Elizabeth Edwards, Bill & Hilary, John and Cindy McCain, and Michelle and Barack Obama. And oops I forgot Joe Biden in the photo.

Who would YOU place in the other roles?

Random Jennifer Coolidge Fantasy

Just the other day -- honestly I was just minding my own business, looking at Guild award photos -- the thought suddenly popped into me weary brain: wouldn't it be awesome if Jennifer Coolidge played Paula Wagner in a biopic?

Jennifer Coolidge IS Paula Wagner in "Wagner: The True Story"

With that casting dilemma solved I guess someone now needs to write a Paula Wagner biopic and then you have to figure out who to cast as Tom Cruise since her huge producing career was so closely tied to pushing his movies out into the world.

But who could ever play Tom Cruise?  I'm sure he'd demand the role for himself.

[related reading: Take Three Jennifer Coolidge]

Centennial: Butterfly McQueen

Today is the Centennial of Butterfly McQueen, she of the famously squeaky voice, immortalized in her very first picture Gone With the Wind (1939). She died from an unfortunate kerosene heater accident 15 years ago but since it's the 100th anniversary of her birth today we send her a warm "Thank You" to the great beyond. Butterfly was a staunch Atheist but we think she'd approve of our church. In the church of cinema, everyone involved with classic films lives on for eternity (provided the negatives weren't destroyed).

"Gone With the Wind" (her first) and "Mosquito Coast" (her last feature film)

McQueen quit early, discouraged by endless servant roles. That's all black actresses could get in the Golden Age of Hollywood. In short: it wasn't golden for people of color.

"I don't know nuthin' bout birthin' babies!"

...which she shrieked hysterically in Gone With the Wind (1939) may have been her most famous cinematic moment, but you can also spot her in early classics like The Women (1939) and Mildred Pierce (1945). Her last feature film arrived when she was in her seventies. Peter Weir cast her in a key role opposite Harrison Ford and Helen Mirren in The Mosquito Coast (1986).

Broaden the Biopics!
Hollywood has such insatiable true story fever, that you wish filmmakers would broaden their scope a little about who to dramatize in non-fiction based films. Most biopics are about über famous entertainers or political leaders. Perhaps that's for box office reasons but maybe it's just a lack of imagination. Couldn't biopics about lesser known players involved with some hugely famous historical event or milieu, be both marketable and aesthetically riveting for the fresh light they would cast on our familiar mythologized histories?

Nobodies ever planned a Butterfly McQueen biopic so cross your fingers that last year's Supporting Actress winner Mo'Nique (Precious) actually gets to do that rumored biopic about another Supporting Actress winner, Butterfly's Gone With the Wind's co-star Hattie McDaniel. Think how fascinating that film could be. It's enough to give you shivers.

But who would you cast to star opposite Hattie/Mo'Nique as "Prissy"/Butterly and "Scarlett"/Vivien in that sure-to-be interesting film?