Friday, March 31, 2017 at 9:00PM Tweet of the Week
my friend texted me "why is no one talking about how rooney mara and tom hiddleston have the same face" & now i cant stop thinking about it pic.twitter.com/dBFMo6g2Ho
— maria yagoda (@mariayagoda) March 28, 2017
More after the jump including Justice League's insane rumored running time, "#Witherdern" and the Emmy Best Actress race, and more...
Thursday, March 2, 2017 at 8:00AM by Nathaniel R
Yes, I'm trying to stave off the annual Post Oscar Depression. It's a real thing even if the medical community doesn't yet recognize it. So herewith some random final screengrabs from Oscar night and accompanying thoughts on topics we haven't totally covered yet over the past 3 days of Oscar reactions, recapping, post-mortem. (I promise we'll quit with Oscar 2016 by tonight and move on to other topics for those of you who've already moved on)
Tuesday, February 21, 2017 at 12:30PM 
In many ways, it’s only natural that a film like Kedi should come along. The internet loves cats, of course. Even if the internet doesn’t necessarily deserve cats. And a documentary about cats is a no-brainer of a concept (we’ll pretend Lil Bub & Friendz doesn’t exist because it is terrible). The real surprise then isn’t that Kedi exists, but that it quietly subverts any lazy reading that people would no doubt all too easily assign to it. Yes, it is the movie about street cats of Istanbul, but that’s just a hook for audiences whose attentions are being torn this way and that. The truth is that Ceyda Torun’s elegant and enchanting Kedi is so much more.
Even if it was just about the cats – what cats they are! In what can only be described as a particularly unique set of casting, Torun’s film shuffles across the city with vignettes about a collection of individual moggies, following them around as they roam the streets, finding food, fighting, hunting, battling for attention from humans who aren’t so much owners as casual caretakers, and thieving fish from markets and ports.
But, as I said, Kedi is much less interested in just being a film about cats. Rather it is a film that uses cats as a platform to dive into the history of a city, its people, its culture, and questioning what our relationship with cats says about us.
Doc Corner, Kedi, Reviews, Turkey, cats, documentaries Wednesday, February 8, 2017 at 11:11AM 
It's our favorite celebrity social media game.
Would you rather...
... visit an art museum with Russell Tovey and pup?
... play with a kitten with Mahershala Ali?
... cuddle with Marc Jacobs dogs with Michelle Visage?
... visit sea turtles named after actresses with Katya Zamolodchikova?
The photos are after the jump to help you decide.
Friday, January 6, 2017 at 10:22AM by Nathaniel R
Are you biting your nails yet? No prediction for this year's Best Actress shortlist can come without some degree of "I could be getting this very wrong!" nerves. We've been Oscar watching for a long time and it's genuinely never looked this open this late in the game (with the possible exception of 2003 but for nearly the opposite reason). If Best Actress is not a five-way lock up by now (and it often is) it's usually at least settled but for a minor battle between two women for the "just happy to be nominated" fifth spot. This year is different. Seven women remain strong and precursor supported and virtually any combination of five names seems possible as long as you include both Emma Stone (with the reliable boost of leading a Best Picture frontrunner) and Natalie Portman (with the reliable boost of Oscar's deep-deep love for mimicry).
We always believed that Isabelle Huppert was a genuine threat for a Best Actress nomination this season for her phenomenal star turn in Elle. It wasn't so much that Elle, in which she plays a video game enterpeneur who becomes obsessed with her rapist, was a a fresh look at an old star (against type) or right in Oscar's wheel house (a dark comedy about rape. LOL, no). The appeal instead is that in Elle is a suffusion of everything that's special about Huppert: her superior intellect, fascinating opacity, tortured psychology, and her daring sexuality. Oscar would be wise to pounce in a year where the media has been this celebratory about her unique place in the cinematic landscape. 'It's time!' feelings don't generally come around all that often for true iconoclasts or women of a certain age. She's both so they must act now.
Binoche, Cotillard, Adjani, Deneuve
Here's another far more superficial but still excellent reason why Isabelle Huppert needs to be nominated...
