Box Office Report - No Good Dolphin Tale

Margaret here, back to report on another quiet weekend at the box office. Powered by the considerable force of charisma that Idris Elba and Taraji P. Henson supply, home-invasion thriller No Good Deed topped the box office with close to 25 million. In second place is the family film Dolphin Tale 2, which took in decent dollars despite an aggressively bland marketing campaign and the fact that the first one was barely a hit. Guardians of the Galaxy dropped only 22% to third place, and is now the first movie since Frozen to pass $300 million domestically. The Year of Chris Pratt continues.

WEEKEND BOX OFFICE

01 NO GOOD DEED $24.5 *new*
02 DOLPHIN TALE 2 $16.6 *new*
03 GUARDIANS OF THE GALAXY $8.0 (cum. $305.9)  Review
04 ...NINJA TURTLES $4.8 (cum. $181.0) remember the animated one?
05 LET'S BE COPS $4.3 (cum. $72.9)
06 THE DROP $4.2 *new*

The stealth success story here is Let's Be Cops, which, despite abysmal reviews and release in one of the worst cultural climates for an irresponsible-cop-comedy, is limping towards $75 million and a significant profit margin thanks to weak competition and a shoestring budget.

On the limited side, Dennis Lehane-penned crime drama The Drop outstripped its projected haul with $4.2 million from less than 1,000 screens. Such is the magnetic pull of a scruffy Tom Hardy snuggling a pit bull puppy, to say nothing of the chance to see James Gandolfini's final performance. 

Other notable limited releases include the Bill Hader/Kristen Wiig tragicomedy The Skeleton Twins, which brought in an impressive per-screen average and is well on its way to crossing the important indie-film benchmark of $1 million, and The Disappearance of Eleanor Rigby: Them, which is getting an unenthusiastic critical response and middling ticket sales. Perhaps audiences are holding out for the Him and Her twofer instead.

Now that we've hit mid-September there are finally some festival hits and critical darlings trickling out into theaters (which admittedly mostly serves those of us in the country's three or four largest cities). I saw The Drop, in which Tom Hardy was absolutely wonderful and Dennis Lehane was entirely Dennis Lehane. What did you see in theaters this weekend?  Are any of you at festivals getting sneak peeks at TFE's most anticipated? Who wants to talk about Tom Hardy's mesmerizing Brooklyn accent or that baby pit bull?

Review: Guardians of the Galaxy

This review originally appeared in Nathaniel's column at Towleroad

The Marvel Universe movies could have not existed before Right Now. Yet, for all the technological advances and computer wizardry that have made The Avengers and the like possible, the magic still comes from the humanity of the actors. No amount of technical prowess can make you care about Iron Man if a great actor hasn’t sold you on the bravado and change of heart of the man inside the suit. Captain America’s shield and super strength are great but his adventures don’t work if Chris Evans’s star turn isn’t so perfectly pitched to invoke fantasies of the nobility of a bygone American era. Without the humanity it’s just Trans4rmers and nobody wants that. (Shut up. I’m in denial about those billions). With Guardians of the Galaxy, Marvel Studios has gone Cosmic opening up a whole new movie wing for their ever-expanding universe. As they leave Earth behind, have they found a way to retain the humanity?

Yes and no. But not in the way you might expect.

It helps of course, on a superficial level that the movie begins on Earth and shamelessly pushes collective 80s nostalgia buttons by making Peter Quill, our hero, relentlessly nostalgic about that era. We first meet him as a little boy in 1988 and his most cherished possession twenty some years later when the movie takes place isn’t any of his impressive weapons or starship but a walkman with a cassette tape called “Awesome Mix Tape Volume 1”. It also helps that Quill is played by the endearingly simple Andy from “Parks and Recreation” a.k.a. Chris Pratt. Pratt’s new body may be imposingly hard, with all its cuddly body weight chiseled off, but those years of familiarity have given him a phantom comfy-ness. 

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Yes, No, Maybe So: "What a bunch of A-holes"

Oscar season has crushed my will for timely YNMS entries since everything 2014 is a "No, No, Maybe No" until March 3rd, you know? But let's catch up very briefly so that we don't start at a deficit once the Oscars wraps and a new film year is truly free to begin. After the jump we'll discuss the new trailers and other marketing blitz business regarding Guardians of the Galaxy...

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Linkville

Television Blend Baz Luhrmann may direct Napoleon as a miniseries for television
House Next Door on the Oscar prospects of August: Osage County. Yet another critic who thinks Julia is the MVP. I'm mystified but congrats, Julia!
In Contention wonders if The Wolf of Wall Street is just what Oscar season ordered? We know that the SAG screening went sensationally well in Los Angeles. Our friend Paul, who we just featured in Reader Spotlight, thinks Leonardo DiCaprio is now the Best Actor frontrunner and tweeted this photo from the festivities:

And then they plied us with food, alcohol and music. Unnecessary, but yum. #howlingwolf @kristapley @nathanielr pic.twitter.com/QFXsU8nK0a

— Paul Outlaw (@poutlaw) December 1, 2013

Cinema Blend Jurassic World not a reboot (thank god) but a sequel set 22 years in future. Chris Pratt, suddenly in demand since slimming down and bulking up for ZDT, rumored for lead.
Variety Fernando Eimbcke's Club Sandwich wins the Turin Fest. We interviewed its actress icymi. 

RIP Paul Walker (1973-2013)
And finally, as you've undoubtedly heard by now, Paul Walker died yesterday in a car accident in California en route to or from a charity event of all things. Terrible. He was 40 years old. The actor starred in all but one of the six episodes of the big screen series The Fast and Furious. It's worth noting that The Fast and the Furious 7 is currently filming. There's no word yet on exactly how and what they'll do to finish it without him but the movie will undoubtedly move forward.

The original F&F franchise director Rob Cohen told Variety:

His American beauty, his athleticism, the directness of his approach to the character, his effusive, down-to-earth personality brought joy to me and everyone around him."

Aside from the F&F franchise we'll remember him most for that All American b&w jock beauty in  Pleasantville (1998) and one of the best B movies of the early Aughts Joy Ride (2001).

Yes, No, Maybe So: The Lego Movie

Glenn here. Okay, sure, The Lego Movie may not be the kind of movie that we would normally cover here at The Film Experience, but, hey, why not? And if you've so far avoided the first trailer of The Lego Movie then now's the time to catch up because, surprise, it doesn't look half as bad as you're probably expecting! Besides, with this year's animation race looking rather dire it's probably as good a time as any to look forward to next year's candidates, which are already looking like a far more interesting bunch. 

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