The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Today is the Centennial of one of the most singular character actresses of the 1950s, Mercedes McCambridge, born in Joliet Illinois on this very day in 1916. We hope you've enjoyed our mini retrospective. We previousy discussed her sensational debut in All The King's Men (1949) her final Oscar nomination for the Texas epic Giant (1956) and her sorry fate in a teensy part in the Airport disaster series. (In the past, ICYMI, we've amply discussed The Exorcist in which she did truly legendary voice work as well as the fiery abandon of must-see western Johnny Guitar.)
In The Concorde... Airport '79 article, Tim talked about the disaster genre's often ...um... disastrous treatment of aged film stars in cameos. But discarded stars of Old Hollywood also frequently collected paychecks through TV guest spots. On the small screen there was the same roulette wheel chances at success. In fact McCambridge was more frequently spotted on TV than in film, switching between both for her entire career after her launch in radio in the 1930s. Many early TV shows are impossible to see now but let's discuss her downright fantastic guest spots on Charlie's Angels (1978) & Bewitched (1968).
Murder mysteries and witchcraft -- and a chance to discuss two classic camp series (oh you know you want to!) follow after the jump....
With the new riff on the ol' Ghostbusters property nearly upon us, what better time to look back at the original comedy smash? While the film's comic tone and dialogue are well remembered its visuals are less often discussed. The film was shot by the Hungarian cinematographer László Kovács. He logged a lot of quality time in the romantic comedy genre (What's Up Doc?, My Best Friend's Wedding, Say Anything...) but made his name in the 70s on scrappy, famous and/or ambitious pictures like Five Easy Pieces, Shampoo, New York New York, and Paper Moon.
Without further ado, let's see what the Hit Me With Your Best Shot club thought of the look of this picture and what slimy memories this revisit stirred up...
GHOSTBUSTERS Directed by Ivan Reitman. Cinematography by László Kovács. Starring: (in order of billing) Bill Murray, Dan Ackroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Annie Potts, William Atherton & Ernie Hudson. Click on the 12 images to read the 15 corresponding articles
The look on their faces tho... -Daniel Laferriere*first time participant*
Grown white men have their fun while the rest of the world cleans up their mess... - Bennett Prosser*first time participant*
A good old fashioned 80s Improvement Montage, complete with a song that is either brilliantly awful or secretly genius... -Scopophiliac at the Cinema*first time participant*
It arguably has endured as a beloved classic precisely because the people in it are so full-heartedly human. -Nebel Without a Cause
I'm well aware that this is nobody's idea of a scary movie... - Antagony & Ecstasy
it’s fun to see things pop in and out of frames, especially when the frames are static. It’s almost like seeing a painting being disturbed... -Coco Hits NY
It’s useless to try to deny my love for her and it’s inescapable that my best shot features her... -Magnificent Obsession
Bill Murray's chemistry with everyone... and I mean everyone in the movie. -Movie Motorbreath
The images of Sigourney keep getting richer and sexier as the insanity mounts -The Film Experience
We Need to Talk About Dana Barrett’s Apartment. -FilmMixTape
Recreating the Exorcist as a screwball comedy date... -Bohemian Cinema Salon*first time participant*
The movie doesn't really get interesting, narratively and visually, until midway when Weaver's character gets possessed by the spirit of Zuul. -Sorta That Guy
Most of my favorite shots are when the movie embraces its crazy and over the top nature. -Wick's Picks*first time Best Shot participant!*
Ghostbusters is a perfect '80s blockbuster version of the classic 50s monster B-movies... -Dancin Dan on Film
NEXT WEEK: Joe Wright's adaptation of Ian McEwan's Atonement (2007) with James McAvoy, Keira Knightley & little Oscar nominated Saoirse Ronan. [Keira Knightley Voice] "Come back to me it."
This is Nathaniel's entry into this week's Hit Me With Your Best Shot topic, Ghostbusters (1984). Tonight, we'll see what others chose!
This may shock readers of a certain (young) age but would be blockbusters used to open directly against each other rather than giving each other wide berths to accumulate loot. No really, they did! Ghostbusters and Gremlins, courting the same demographic, opened simultaneously on my birthday weekend in 1984. I chose Gremlins (which little me loved) and caught Ghostbusters a few days later with school friends. Ghostbusters emerged as the clear champ with the public but little me thought Gremlins ran circles around the supernatural comedy: scarier, funnier, cuter monsters, better-paced... only faililng in its lack of SigWeavieness. They were both big hits, of course, but Ghostbusters was HUGE -- Stay-Puft Marshmallow Man walking amongst skyscrapers huge. And it stayed ahead in pop culture, too, netting Oscar nominations (Original Song & Visual FX) and endless sequel or revival talk thereafter.
Cut to 2016: With the gender reversed reboot on the way, it was a topical choice for Hit Me With Your Best Shot. Plus I figured I'd finally see what charms eluded me way back then...
Eric here with a take on the new Tina Fey film Whiskey Tango Foxtrot, an adaptation of journalist Kim Barker’s memoir of her three years as a war reporter in Afghanistan.
It’s hard to watch WTF and not think of the film’s clear antecedent, Barry Levinson’s Good Morning, Vietnam with Robin Williams: both films are custom-tailored star vehicles that take a Western audience into a foreign culture, finding a tone between the comedy we expect from the leads, and light drama that allows them to expand their personas a bit...
Eric here for the new Hugh Jackman.Eddie the Eagle tells the true-life story of Michael “Eddie” Edwards, who became the first skier to represent Great Britain in Olympic ski jumping in 1988. The comic spin: Eddie is not really an athlete, or a particularly good skier. But he’s a dreamer! And tenacious!
Even if this weren’t a true story, you’d know from the first few scenes where it was headed. Director Dexter Fletcher doesn’t have any aspiration higher than to make you feel good, but he has a just-pluckier-than-sitcom sensibility that feels predictably right for this genre. He delivers the kind of film that studio executives love, where nothing is challenging and all the characters fall into their respective stereotypes (including groan-inducing taunting foreign competitors and the horny middle-aged female bar owner.!)
Where the filmmakers got it right, and very very lucky, is with their two leads. Externally, Taron Egerton (Kingsman: The Secret Service) overplays the comedy with a bit too many Zellwegarian face scrunches, but internally he has a surefooted instinct for the joke and knows how to keep things surprising with his captivating capriciousness. For this film the latter goes a long way. Jackman has essentially no character on the page, but he plays it as if nobody told him he’s in a mediocre movie. One of Jackman’s secret weapons as a movie star is that he always knows exactly what is required of him in any given film. Here he just needs to loan out his star wattage to add credibility and look great in jeans; he supplies both with sweet aplomb.
Even though this movie has low ambitions, which it achieves with low success, it’s tough to be mad at it. There are enough bright lines of dialogue to make you wish there were more, plus a bouncy score that salutes 80s comedies (until it veers towards standard, Feel-This-Way scoring). The film may be as subversive as a Norman Rockwell painting, but when Egerton and Jackman walk towards each other flapping their wings, there’s a pleasant little high.
Wednesday, March 16, 2016 at 12:07PM 
Today is the Centennial of one of the most singular character actresses of the 1950s, Mercedes McCambridge, born in Joliet Illinois on this very day in 1916. We hope you've enjoyed our mini retrospective. We previousy discussed her sensational debut in All The King's Men (1949) her final Oscar nomination for the Texas epic Giant (1956) and her sorry fate in a teensy part in the Airport disaster series. (In the past, ICYMI, we've amply discussed The Exorcist in which she did truly legendary voice work as well as the fiery abandon of must-see western Johnny Guitar.) 
