50 Years in the Pink

Tim here, extending our unexpected and unplanned tribute to 50-year-old Peter Sellers movies by one day, following Diana’s lovely tribute to The World of Henry Orient. For today marks the 50th anniversary of the U.S. release of The Pink Panther, the arch-‘60s caper film that begat Sellers’ iconic Inspector Jacques Clouseau, the pratfall-prone Frenchman who remains the actor’s most famous character this side of a certain wheelchair-bound ex-Nazi (and Dr. Strangelove ALSO opened in 1964, which was just an all-around great year for Sellers).

The film itself is a fascinating relic, a by-turns hilarious and lumpy encapsulation of what European high society looked like as filtered through the comic sensibilities of Blake Edwards of Tulsa, OK. Scenes of breathless physical comedy rub elbows with elegant caper film machinery and deadening longeurs as Claudia Cardinale rolls around on a tiger skin while suffering from a wobbly case of dubbing. [more...]

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Interlinker

The New Republic Mark Harris interviewed on the politics of movies and Oscar races
Guardian Meryl Streep joins the period drama Suffragette as feminist icon Emmeline Pankhurst. The film stars Carey Mulligan with Helena Bonham-Carter and Romola Garai in the supporting cast (but it sounds like Streep's got a glorified cameo)
Dissolve a graphic designer looks at Her 

Gurus of Gold if you haven't checked out the charts lately, you should. David Poland has posted "if we could sway the Academy and there's not much time left to do so. 
Daily Beast Michael Musto talks to an Oscar voter about how friendliness at luncheons affects his vote and how scandals don't  
MNPP on the bad wigs in Bryan Singer movies. Ugh. Quicksilver, one of my favorite characters, looks just atrocious
Twitter an account sharing Top Gun scene by scene... almost frame by frame. LOL
TFE have you voted on our recent polls? Bette Midler? Beauty vs. Beast: Hustle? Who you want to win the pic & acting Oscars?
Josh Cooley a Pixar artist does really fun cartoons of R rated movies, like this one from Psycho...

Moving Picture Blog classy low-key Oscar campaigning from Jeremy Irons circa 1991. An SNL classic
First Showing talks to Matthew McConaughey about the ambitions of Interstellar 
Slate great piece on that makeover moment at the tale end of Frozen's "Let it Go" -- that's the only part I don't like myself and this is exactly why!

Exit Vids
The Onion nails it again while talking Netflix. This is exactly what I use Netflix for though I pay a lot more than $5 a month! Also the "Kid Oscars"... I think the Captain Phillips one is best because methinks it's funnier when kids adlib rather than read dialogue.

12 Days Til Oscar: Best Picture Nominations by the Dozen

Tim here, with your daily dose of Oscar numerology. We’re now in the third year of the Academy’s undoubtedly well-intentioned "some random number that always turns out to be nine" approach to selecting Best Picture nominees, and for some of us, this is irritatingly arbitrary. But it could be so much worse. Think of how awful it must have been to been a rabid Oscar fanatic in the first decade of the award’s existence: depending on the year, there were anywhere from three to twelve Best Picture nominees, until it was finally nailed down at a nice, round ten at the 9th Academy Awards, for the year 1936.

The magic number of the day being 12, I'd like you to join me, for a closer look at 1934, the first of two years with 12 nominated films (for space reasons, I am alas compelled to leave 1935 to fend for itself) - the first year, as well, that the awards corresponded to a single calendar year. What can we learn about the Academy’s tastes and habits down the decades from each of these?

BEST PICTURE – It Happened One Night (released by Columbia)
What It Is: One of the greatest of all screwball comedies, in which the sexily odd-looking pair of Claudette Colbert and Clark Gable cross country and banter.
The Slot It Fills: The long-abandoned "comedies are a valid form of artistic expression like anything else" spot. But, of course, the period in which the film came out was unusually good at producing top-notch comedies starring the best movie stars of the day.

Only 11 more slots to fill after the jump

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Weirdest News of '14 (Thus Far): Greta Gerwig To Headline 'How I Met Your Mother' Spinoff

It's almost like the universe is punishing me. For what I am unsure.

Greta Gerwig with a giant poster of her face this time last year

When I spoke with Greta Gerwig a few months ago she was singing the praises of Jacques Demy films and Leos Carax's Holy Motors and the movie musical; her indie cred was most definitely intact, she's actually a cinephile (unlike many actors) and her taste is impeccable. She was starring in stupendous music videos, keeping prestigious company in awards season, and coming off the high of a great run with the brilliant Frances Ha.

And now she'll follow all that with a spin-off of a formulaic old school sitcom "How I Met Your Mother" that's already many years past the season (5) where even the best shows start to falter from fatigue and stagnation?I understand that money is a powerfully motivating factor in most careers. I don't begrudge Gerwig a cash-in but I thought that that was what that dumb Arthur remake was for? I mean a sitcom on the most traditional of networks that's not even an original? Greta Gerwig with a laugh track? I'm so depressed.

Word is that she'll be producing, writing and starring which is smart given her talents but why not use them on something original? Why waste the Gerwigian gift on that format and for that franchise? The problem with sitcoms is that there is no return if they're picked up. When was the last time you saw, oh I dunno, Zooey Deschanel or Kat Dennings headlining a movie or even thought of as "actresses" rather than just celebrities? I'm aware that it is possible to do both TV and film simultaneously and successfully (Melissa McCarthy & Jason Segel) but it is most definitely not the norm.

Greta Gerwig had so much more to offer the movies. One hopes that her Untitled Public School Project with Noah Baumbach is finished and that its a beautiful cinematic swansong.

Review: The LEGO Movie

'If you build it, they will come.' They'll come in droves. It's 2014 and at this point, it's safe to say that Hollywood has mastered the art of pandering to the masses. They deliver exactly what we are pre-conditioned to want. The box office charts each year are now completely filled by franchises and pre-branded efforts. Frozen, for example, isn't a true original, but the 12th episode of the Disney Princess franchise that's been breaking box office records since (gulp) 1937. It's now extremely rare for a non-sequel non-pre-branded film to ever become a mammoth hit; only one "original" per year even cracks the annual top ten now (Gravity in 2013, Ted in 2012, none in 2011) which is a big downturn from the Aughts which themselves weren't as original as the Nineties.

All of which brings us to this weekend's chart topper, THE LEGO MOVIE. With its built-in nostalgia for childhood as well as a huge swath of pre-licensed characters to dangle in front of your 3D glasses (Gandalf, Batman, Han Solo, Wonder Woman, and dozens more), it's easy to approach the new hit expecting the worst. But there's no need! I'll use Bad Cop / Good Cop (voiced by Liam Neeson) to illustrate the situation and my own immediate mood swing as the movie built its case.

[BAD COP] The LEGO Movie would be a massive hit even if it were terrible.

[GOOD COP] Who cares? It's wonderful!

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