Monday, July 13, 2020 at 1:15PM Are you enjoying our super-sized Supporting Actress Smackdown season? We've already discussed 1947, 1957 (new!), 1981, and 2002. Ready for the fifth episode this season? It's focused on 1991 and it's coming up in just two weeks on Sunday July 26th so get watching and voting. Ready to meet the panel?
PLEASE WELCOME IN ALPHA ORDER ...
Saturday, October 21, 2017 at 10:00PM The Next Supporting Actress Smackdown is in two weeks time - get your votes in by Nov 3rd please. Please only vote on the performances you've seen. Your host has been backstage doing the difficult (but exciting) work of wrangling up critics, artists, and writers to discuss these Oscar years with you.
MEET THE PANELISTS
Here's this month's batch of critics, artists, and writers that we've wrangeld for the event as we finish up our screenings.
First Time Smackdowners
Tuesday, April 4, 2017 at 2:16PM by Glenn Dunks
It can sometimes feel like we’ve seen WWII from so many perspectives that there can’t possibly be new ways to convey the weight of its tragedy. That Five Came Back, a new three-part mini-docu-series on Netflix, manages to succeed at doing this is just one of its many virtues. Adapted from Mark Harris’ book of the same name by Harris himself and directed by Laurent Bouzereau, this is a three-hour documentary about the work of five of Hollywood’s biggest directorial names of the 1930s who enlisted to support the American war effort the only way that they knew how: through film, and the personal battles they fought in order to do so.
They were Frank Capra, John Huston, George Stevens, William Wyler and John Ford – the latter of whom gets the biggest laugh labelling documentaries in the 1930s as “silly things that rich kooks made” – each of whom left behind successful careers without the promise of anything when they came back.
If they came back at all. The series charts their early efforts before America’s entering the war after Pearl Harbour in 1941 before digging more deeply in the works that they produced from the front lines on the ground and in the skies....
Thursday, October 9, 2014 at 10:00AM The Best Picture winners of 1938 and 1953, which were based on hit plays and best selling novels respectively, have moved to the stage. Let's take a look...
Annaleigh Ashford dances up a comic storm in "You Can't Take It With You"
YOU CAN'T TAKE IT WITH YOU
For this Broadway revival of the classic 30s comedy, famously moviefied by Frank Capra back in the day, they've gone all star: James Earl Jones plays the tax-avoiding follow-your-dreams grandfather, Broadway vet and A+ comic actress Christine Nielsen (recently Tony nominated for Vanya & Sonia & Masha & Spike) is the easily distracted mother of a large brood, Rose Byrne her gorgeous daughter (essentially the 'Marilyn Munster' of this band of eccentrics), Fran Krantz from Dollhouse and Cabin in the Woods her rich would-be fiancee and Annaleigh Ashford, who has been on such a brilliant role these past couple of years with her ex-hooker lesbian receptionist on Masters of Sex and as a factory girl in Broadway's Kinky Boots, is the dance-crazed busybody.
If you've boned up on your 1930s Best Picture winners you'll know that those are the roles once inhabited by Lionel Barrymore, Spring Byington (Oscar-nominated), Jean Arthur, Jimmy Stewart and Ann Miller; tough acts to follow all.
As it turns out the theatrical and farcical antics of this family play better on stage...
Wednesday, August 27, 2014 at 12:30PM First Things First: at Movie City News the "Gurus of Gold" have begun (yes, I'm a part of it again) and as David Poland points out there are seven films that made almost every list: Birdman, Gone Girl, Boyhood, and Unbroken tied at 1st place with Foxcatcher, Selma, and Interstellar just behind them. Most pundits are feeling these as Best Picture threats. Look at the whole chart though to see how everything fared. The highest ranking films that were not on my list (we were asked to submit 15 films) are Wild and Inherent Vice.
Birdman Flies
Early rave reviews at the Venice Film Festival from The Telegraph, Variety and THR and a couple positive but not ecstatic reviews from The Guardian and The Film Stage are up and surely bode well for the film. I'm holding off on reading them as I want the movie fresh when I see it. But others may want to dive right in.
Anger Making
Yahoo talks to Tyler Perry. The Madea franchise star/director claims he didn't know who David Fincher was when he signed on to Gone Girl and he wouldn't have done it if he knew how "mainstream" he was. What the F'in hell? Yes, Tyler Perry a bastion of "edgy" cinema. He's also been a voting member of the Director's branch of the Academy since 2009 which means he's been asked to judge and vote on Fincher's work twice. Way to be a conscientous voter!
Other Linkage
The Playlist 10 overlooked greats from the 1970s. I gladly support the inclusion of Girlfriends (1978) but I haven't seen the others
HitFix Deborah Ann Woll talks about moving on to Daredevil and the difficulty of leaving True Blood's Jessica behind
Pajiba Ridley Scott is 76 years-old but his plate is super full. How many more films is he planning to make exactly?
Cinematically Insane will layoffs and monetization at Turner Broadcasting affect TCM?
My New Plaid Pants Superman takes the ice bucket challenge
The Dissolve Mike D'Angelo looks back at "Best Actress" of 1989 -- we all know that shoulda been Michelle Pfeiffer but others are discussed, too.
VF Neil Marshall (The Descent) wants to direct a Black Widow movie. Also talks Game of Thrones
Emmy Hangover
The Nib Liza Donnelly's caricatures from the evening
Pajiba's liveblog with Courtney Enlow icymi
We Recycle Movie's "lateblog" with Anne Marie and Margaret
Towleroad icymi it on Emmy night, Billy on the Street's Emmy dash was the most hilarious of few hilarious things that night
Showtracker wonders if Game of Thrones can rise in Emmy estimation with Breaking Bad moving out of the way
Salon what the Emmys revealed about the broadcast vs cable war on television
ICYMI
Vulture Mark Harris has a long read on "The Making of Foxcatcher" - so much Mark Harris to read. (I'm reading "Five Came Back" very slowly because I am learning so much about late 30s/early 40s Hollywood on every page.)
Funny Or Die Mark Duplass and Ted Danson go to couples therapy over Prince's Purple Rain suit
Fun Interview
Assignment X talks to one of our favorite British thespians, Olivia Williams about her new series, films (very briefly), makes fun of her own accent work and this, my favorite part, on her stellar role in Joss Whedon's Dollhouse:
Joss legendarily starts to adapt your character as the series goes on to how you really are, and I started off as sort of a calculating bitch and ended up being rather motherly and a bit of an alcoholic, and I can’t think where he got that from.
Ha!
