Almost There: Ida Lupino in 'The Hard Way'

by Cláudio Alves

Last week in the Almost There series, we took a look at Cher's performance in Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean. That film's part of a new Criterion Channel collection in celebration of Mother's Day. Beyond that program, the channel is bursting at the seams with enticing new offerings. So much so that we'll choose all of our May subjects from the streamer. Today we're talking Ida Lupino, whose career is featured in a selection of 13 movies spanning from 1935 to 1956. Though she was a popular Hollywood actress and even found success as a director, the British-born thespian was never nominated for an Oscar.

She got relatively close a couple of times, though. Regarding the Best Actress Academy Award, Ida Lupino's best bet was surely 1943's The Hard Way…

Click to read more ...

Almost There: Cher in "Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean"

by Cláudio Alves

What are you doing for Mother’s Day? The Criterion Channel marks the occasion with a collection inspired by Michael Koresky's Films of Endearment. In his book, the film critic details how he and his mother revisited the 1980s movies that she introduced to him, igniting a passion for cinema. The resulting selection comprises a varied offering of that decade's prestige cinema starring an array of acclaimed actresses, from Ellen Burstyn to Meryl Streep. One of the collection's most exciting titles is Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean, an underrated Robert Altman effort that gave Cher her first serious big-screen role. If not for this flick, her ascendance to movie stardom might have never happened, much less a Best Actress Oscar victory.

As one looks back at the 1982 play adaptation, the beginning of Cher's path towards acting gold is evident. Indeed, she almost got an Academy Award nomination right then and there…

Click to read more ...

Monica Vitti (1931-2022) What makes a great actor?

by Timothy Lyons

This year’s Best Actress discussion / post-BAFTA nomination shake-up has reached a new height of confused scrambling. Things have, for now, refocused on the single consistent presence throughout precursor season: Lady Gaga as the murderous Patrizia Reggiani in House of Gucci. When watching the film, it became clear to me how much Gaga’s distinctive visage bears striking resemblance to that of the great Italian star Monica Vitti. This came into sad focus today on my learning of the legend’s passing on Wednesday at the age of ninety from complications related to Alzheimer’s.

I will get quickly back to the subject at hand but to help in drawing out Vitti’s unique gifts, a little more on Gaga in Gucci as a comparison…

Click to read more ...

When Thelma Ritter should have won

by Cláudio Alves

Before "Noirvember" ends, it's imperative to explore some examples of the shadowy underbelly of Classic Hollywood. The Criterion Channel has programmed a vast array of film noir offerings, from Robert Mitchum's early successes to a cornucopia of Twentieth Century-Fox delights. You will find many a classic within the latter, including the Samuel Fuller masterpiece that should have earned one of the industry's hardest-working character actresses an overdue Academy Award. Throughout her career, Thelma Ritter was Oscar-nominated six times, always in the Best Supporting Actress category (an all time record), but always lost. 1953's perfect Pickup On South Street should have been her time to win…

Click to read more ...

Almost There: Robert Mitchum in "Heaven Knows, Mr. Allison" and "The Sundowners"

by Cláudio Alves

This month, the Criterion Channel has programmed a collection called "Robert Mitchum: Playing It Cool," dedicated to the star of classics like Out of the Past and The Night of the Hunter. This movie star wasn't always the easiest person to work with – he was even declared the Least Cooperative Actor by the Golden Apple Awards – but his talent was undeniable, as was his screen presence. That quality would make him an iconic face of postwar film noir and, consequently, a perfect fit for 'Noirvember'. However, we're not here to discuss that part of his filmography. Unfortunately, those flicks seldom got awards traction, and the Almost There series is about performances with Oscar buzz but no nomination. 

Instead, the focus shall be on a couple of Deborah Kerr vehicles that costarred Mitchum and resulted in multiple Oscar nods. They were John Huston's Heaven Knows, Mr. Allison, and Fred Zinnemann's The Sundowners…

Click to read more ...