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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Love Affair (1994) - as "A Year With Kate" nears its conclusion

A YEAR WITH KATE... 2 episodes left

 "A really beautiful look into the careers of one of my favorite actors, but it's made me consider the careers of so many different actors and how the great ones adapt to eras while still staying true to themselves. This is a special, lovely series. I both cannot wait for and am so sad for the end next week.-John T

 

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Entries in Directors (119)

Tuesday
Jun032014

Ant-Man Shrinks, and Other Lukewarm Stories

I don't always get around to stories when they hit. Join me in the catch-up comments...

Fan made poster (if I knew who made it I would credit them, but so many blogs are bad about giving creditAnt-Man Shrinks
By now you've heard and digested or, more likely given this crowd (you didn't even comment on that juicy misogynistic She-Hulk debacle!), ignored the drama surrounding Disney/Marvel's Ant-Man movie. The long and short of it: Edgar Wright, of Shaun of the Dead / Scott Pilgrim fame who is unarguably adept and inventive about action-comedy (a unique skill given how unfunny action 'comedies' usually are), abruptly left over creative differences. Now from the roster of potential replacements (none of them even ⅕ as interesting as Wright), one has already fallen away. Leaving us sad for Paul Rudd (probably locked into the role for a decade) and Joss Whedon's Avengers: The Age of Ultron (doesn't Joss need Ant-Man to have his story work since Ant-Man created Ultron?) 

The probable answer as to why is that Disney/Marvel, now that they've won all the moneys in the world and are surely empowered by the knowledge that audiences are lemming-like about these things and will turn out in droves for even dud superhero movies  (Thor: The Dark World, Amazing Spider-Man 2, Iron Man 2), can afford to dump directors with artistic vision and focus on generic bosses who will just keep the assembly line running with less "ideas" / back-talking. Capitalism eventually ruins everything. Marvel sadly didn't learn the inspiring lesson they could have from hiring Joss Whedon. He made The Avengers the success it was, basically rescuing The Black Widow entirely, understanding how tiresome Iron Man had become and how to limit the dose, finding a way to make Thor and Hulk work in a team format even when they've never worked on their own. You need an artist to accomplish these kinds of juggling miracles and feats of resuscitation, not hired hands. 

The silver lining? This Ant-Man debacle did inspire the parody Michael Haneke twitter account to chime in...

 

 

 

Who Stopped Roger Rabbit 2?
It's a story that never quite dies. It is... undead. The Dissolve performs the oft performed reanimation of that story corpse wondering why the sequel never happened and if it might happen now since the original people all still want it to. Who Framed Roger Rabbit (1988) is the Movie of the Week over there which is why they're asking.

In a Hollywood culture that prizes franchises and recognizable characters above all else it is a still a SHOCK in all caps that this sequel never came to be. In many ways this movie is the movie that proved to Hollywood that people would go nuts for a mix of new envelope pushing visual effects mixed with old school nostalgia. Which you could argue led to Toy Story which you could argue led to everything. I am ultra fond of that movie (I'd have easily nominated it for Best Picture that year) but I also have a not-so secret amount of affection for the fact that it never produced a sequel.

Why would I not want a sequel to something I love that much? Well, sequels are in so many ways our collective junk food and in an era where movies produce not only sequels but reboots and straight-to-dvd spinoffs and other forms of money-grubbing self-cannibalizing, Roger Rabbit feels comparatively monumental in its mystic standalone purity.

Finally...

Big Hero 6 Teaser
I meant to share this last week and completely forgot. I don't have much to say about it other than that it is adorable despite doing nothing other than ripping off The Incredibles (2004) for its "too fat for this suit" slapstick teaser but people have very short memories about these things so everyone can LOL anew

 

Sunday
Jun012014

First Oscar Predictions of the Year, Complete!

The April Foolish predictions for 2014 are complete! In record time* for June 1st.

INDEXPICTURE | DIRECTOR
ACTRESS | ACTOR  
SUPPORTING ACTRESS | SUPPORTING ACTOR 
FOREIGN FILMS | ANIMATED FILMS
SCREENPLAYS | VISUALS | SCORE & SOUND 

BULLISH: I've predicted that Foxcatcher and Interstellar will lead the nominations with 8 nods each with Gone Girl, Mr Turner and Birdman not far behind. I also have high Oscar hunch hopes for Theory of Everything and The Imitation Game.

BEARISH: Though I will readily concede that Unbroken might be a juggernaut, I'm not yet feeling it's as as sure of a thing as many pundits are likely to given the extraordinary amount of Oscar boxes it checks off on paper.  My bearishness is largely because you can argue that Oscar has become less enamored of "traditional / inspirational" material in the past several years - even skipping inspirational Holocaust movies like The Book Thief -- and are quicker to embrace thornier auteurism than they have since the 70s. It's also because Angelina Jolie is a largely untested director whose first feature had a good measure of pre-release media attention only to be totally ignored once it arrived (and I don't mean in terms of Oscar nominations, though that was the case as well). That said if everyone agrees that Unbroken is quite good (nobody has to think it's great) it'll do very well for itself in the nominations. [more...]

Click to read more ...

Friday
May232014

Posterized: Xavier Dolan

Mommy, which spurred spirited conversation at Cannes (and really wowed our woman on the ground, Diana) and could walk away with a prize this weekend (as literally all of director Xavier Dolan's previous features have but for Tom at the Farm, which went the Venice/Toronto route instead).

Xavier Dolan at the photocall for "Mommy" at Cannes, 2014

I remain perplexed that an international star with this much critical cachet and this many easily marketable elements (young, hot, queer) hasn't found a deep pocketed patron in the world of US distribution, in the way many auteurs do. Think of how Miramax used to favor certain directors or the way Sony Pictures Classics really invested in building the Pedro Almodovar brand. I keep hoping a younger edgier disribution company (my dream: A24) will fall in love with him because with the right promotion and cultivation, he'd have a devout following Stateside. For now, if only here, he'll have to make do with critics and really hard-working cinephiles who attend festivals regularly.  

The Canadian wunderkind just turned 25 and Mommy is his fifth feature in five years. If he keeps up this pace he could have a filmography that's impossible to be a completist about later on. Get in early and sample the goods. They're yummy. Distributors might not have made it easy for you wherever you live, but at least Netflix has been kind. How many of his previous features have you seen?

 

I Killed My Mother (2009)
Dolan's debut won much acclaim at Cannes including two prizes and became Canada's Oscar submission (it was not nominated). Much film festival chatter and an international release in major cities around the world, EXCEPT THE US, kept the buzz going for another year. Supposedly it hit US theaters this past March (yes, in 2013, four years after taking international cinephilia by storm) but I want proof that it actually happened because it seems like every year since 2009 we were told it was opening. [Available on Netflix Instant Watch]

Heartbeats / Imaginary Lovers (2010)
This unrequited love triangle, available on Netflix Instant Watch, won the "Regards Jeunes" at Cannes and was released in the US briefly in 2011 under its new boring title. [Nathaniel's Review at Towleroad]

Laurence Anyways
(2012)
This trans epic, Netflix to the rescue again, ran nearly 3 hours, and was the first that Dolan didn't star in himself. It took another two prizes at Cannes ("Queer Palm" and "Best Actress") and a brief US release in 2013. [Glenn's love for this movie is huge.]

Tom at the Farm
(2013) 
This thriller about a young man (Dolan) attending his lover's funeral in the country, only to discover that the lover was closeted and the family virulently homophobic, is still awaiting US release. [Nathaniel's TIFF Review]

HOW MANY HAVE YOU SEEN?

 

Monday
Apr282014

Jane Campion's Gorgeous Cannes Jury

Cannes is but 17 days away and we'll have a TFE team member there this year! Alas it's not me so I'll have to be envious of Diana as she jets off to France in two weeks. We already knew that the brilliant auteur Jane Campion, who regained some cultural caché recently with Top of the Lake (she never lost it with us: Bright Star, hello!) would preside over the jury but this morning the full nine member panel was announced.

Joining Campion this year is a great mix of onscreen talent that happens to include a few people The Film Experience is generally just gaga for from left to right: TFE's favorite Mexican actor ever since Amores Perros, Gael García Bernal;  the future reinterpreter of The Little Mermaid, one of our favorite ladies Sofia Coppola (USA);  former Bond Girl Carole Bouquet will represent the hometeam of France; A Touch of Sin/Platform director Jia Zhangke (China) who I was literally just talking about at brunch yesterday; TFE's favorite Korean actress Jeon Do-Yeon (Secret Sunshine, The Housemaid); the other Mad Dane Drive's Nicolas Winding Refn (Denmark); Hollywood star, experimental indie fixture, and Wes Anderson repertory company player Willem Dafoe (USA); and Leila Hatami, the beautiful Iranian star of A Separation.

 I am in a puddle for this jury. LOVE. 

Wednesday
Apr232014

'six links forward and five links back, I got -- I got an angry link'

Vulture Jeff Tetreault, the screenwriter of Bad Johnson, is a go-go boy by night. This is an amusing article
Defamer Lupita Nyong'o chosen to headline this year's People "50 Most Beautiful" issue. Yeah yeah. But can we hear about some new roles? Seriously? What is this insane wait. Why isn't she buried in offers?
Vanity Fair's Hollywood turns out that Naomi Watts Marily movie Blonde is back on... only now it will star Jessica Chastain. Basically every actress is rumored to or will play Marilyn Monroe at some point in her life
USA Today congratulations to Jodie Foster. The actress just married her girlfriend after a year of dating
Variety Cannes by the numbers with directors from 25 (Xavier Dolan) to 83 (Jean Luc-Godard) in two women in competition this year
THR oh jesus Christ. Hollywood can't leave any franchise alone. They're talking about reviving Flash Gordon now.

Playbill Opening night of the Hedwig revival on Broadway with Neil Patrick Harris
Towleroad Andy Towle was also there in the first row

NEIL PATRICK HARRIS SAT ON MY FACE LAST NIGHT AND I LOVED IT

Variety it's really happening. They're remaking Ben-Hur (1959) which won 11 Oscars. No film is safe! (That said, Ben-Hur was also a remake of a silent epic so...)
Mark Ruffalo is tweeting photos from the set of Avengers: The Age of Ultron
Coming Soon weird news: Meg Ryan will be the voice of future Greta Gerwig on How I Met Your Dad

Tonight's Watch
Screen Junkies gets really cheeky supercutting all the F words in The Wolf of Wall Street. But not those F words

Sunday
Apr202014

Easter Podcast: Noah, Under the Skin, Budapest Hotel

SEASON PREMIERE
Ready for another year of the podcast? The gang is back: Nathaniel R, (The Film Experience), Joe Reid (The Wire), Katey Rich (Vanity Fair) and Nick Davis (Nick's Flick Picks) reunite to discuss this unusually robust auteur spring at the movies. 

This week's topics: Darren Aronofsky's peculiar muddy vision for Noah starring Russell Crowe, Jennifer Connelly & Emma Watson; Jonathan Glazer (Birth) and Scarlett Johansson's Under the Skin; and Wes Anderson's biggest hit The Grand Budapest Hotel. Did we want to check in and stay?

Under Noah's Skin at the Budapest Hotel
00:00 Noah (story diversion, auteur vision, character work)
18:45 Under the Skin (visual storytelling, interpretation, Scarlett)
29:00 Noah and Under the Skin (in communication)
36:30 The Grand Budapest Hotel (inside & outside friction, accepting Wes, art direction)
44:30 Ralph Fiennes and the movies Oscar buzz
49:00 Other movie recommendations: Le Week-end and Blue Ruin.

You can listen to the podcast at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.me, I Heart Huckabees, Taxi Driver, King of Comedy, Goodfellas, Cape Fear, Children of Men, Y Tu Mama Tambíen, 

Under Noah's Skin at the Budapest Hotel

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