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Entries in Drive (35)

Tuesday
Sep272011

Curio: The Driver

Alexa here.  After seeing Drive this past weekend I am now one of the legions of obsessives screaming about how cool it is all over the internet.  So, of course, I found myself on a search for some original poster designs for the film.  To me, its 80s stylings and rich atmosphere scream for visual homage (it even got Nathaniel sketching again!).  

Here are some recent designs I spotted.  I'm hoping to see more soon.

Poster by Cory Schmitz and Maré Odomo.


Two more from the series.

CLICK TO SEE MORE

Click to read more ...

Monday
Sep262011

Link Basket

La Daily Musto turns out Lourdes is in her mamma's movie W.E.
Deadline does a post-mortem on Drive's box office failure. Young men didn't show up. Can we all agree that I'm a genius for my sure to be prophetic "people will love it ten years from now" post? Get back to me in 2021. 
Movie|Line talks to director Jose Padilha about his Brazilian Oscar entry Elite Squad 2 and the rumors of Michael Fassbender becoming Robocop

HF Magazine talks to Miles Teller (Footloose). Kidman & John Cameron Mitchell have high praise from Rabbit Hole.
Tom Shone Ten great things about Moneyball
Frankly My Dear Jamie Foxx sending Will Smith a fruit basket for pulling out of Django Unchained
Hark! a Vagrant, my favorite web comic, begins a Wuthering Heights adaptation just in time for the revival of Brontë Sisters fever in the film world. P.S. what's that about exactly? The renewed fever I mean. I know what Wuthering Heights is about ;)

Bizarre Caption Alert!
I'd seen the new Anne Hathaway as Catwoman photo a few times around the net and didn't think to share it (you've already seen it no doubt) but for whatever reason I actually read the caption at Daily Mail...

Um... Catwoman was famous before most of us were alive and before La Pfeiffer was even a tween. Just sayin'. (Don't think Julie Newmar or the ghost of Eartha Kitt would be pleased.)

Thursday
Sep222011

Never Compromise, The Iron Linky

Feast your eyes on the first poster for The Iron Lady... [via]


I admire the concept of this poster but I think more of her face should have been showing for aesthetic reasons before it began to bled into the Parliament.  As it is it's weirdly torn up.  But perhaps you'll feel differently. You'll tell me, won't you?

Links
Antagony & Ecstasy Nick started a real trend with those 'year so far' awards
My New Plaid Pants "Thursdays Ways Not To Die" takes on Disney's Finding Nemo and you can't argue with that pie chart.
Mr Hipp Strikes! Remember when I said that Drive is one of those movies that will eventually inspire cult devotion. It's already obviously begun.
GQ Natasha VC (whose tumblr i just lurve) on Terminator 2: Judgment Day (one of my favs). Though... apparently she's pissing off some cinephiles with this.

TV Break
Gold Derby Remember how weird it was when Mad Men lost everything but Best Drama at the Emmys on Sunday. Turns out it's not so weird. 
The Critical Condition loves the new drama Revenge which features the return of the wonderful Madeleine Stowe. So do I and I only watched it to see Stowe again. Interesting that he brings up Ringer in his review because the whole time I was thinking: how come Sarah Michelle Gellar couldn't get a decent expensive show like this to headline? Ringer is just a mess and she's a much bigger star than Emily VanCamp. 

Finally...
You can head on over to Towleroad to read my interview with writer/director Andrew Haigh. His debut (scripted) feature Weekend, is a real wow, beautifully observed, well acted, consistently engaging and expressively shot... all the things that no-budget gay cinema usually lacks. There's more to this interview since our conversation spilled over past our alloted time so I might share a few more nuggets later on if I see cause. I'm hoping the film does well on the coasts and prompts further expansion. It's very good.  

 

Tuesday
Sep202011

Links: 2011 Lists, Avatar Rides, W.E. Edits, Drive Colors, 

The Wrap have you heard this big news? Florida is getting an Avatar theme park. Florida is just overrun with theme parks, yes? How can they work in the hair sex thing? 
Movie|Line Madonna's W.E. will be reedited following festival savaging.
In Contention Now officially moved to the HitFix family. Check it out.
Movie|Line the movie Brad Pitt wants to be remembered for is... ??? Really? A personal pick I see.
Fuck Yeah Dementia I loled at this reworked moment from The Shining. [via]
Ultra Culture on Crazy, Stupid, Love. It's okay to want to f*** Ryan Gosling. Society says so! 

My New Plaid Pants discovers the Evil Gay (Rob James Collier) in the Emmy winning Dowton Abbey. And loves him.
Han Cinema we've been wondering if we'd see any foreign animated films in Oscar's weak animated eligible pool this year? Wonder if this could be one King of Pigs from South Korea. 
The AV Club and PopWatch both wonder if it isn't time that we all let go of Star Wars. As someone who grew up with them, seeing them in first release, I understand this issue too well.
Low Resolution, taking Nick's Flick Picks cue, is making a best of the first 50 he saw this year. Interesting and fine choices for acting honors including my Higher Ground gals (see previous interview
Some Came Running on Cronenberg's A Dangerous Method and the notion of what's cinematic. Interesting read for sure though I quit halfway through as it'll be better once i've seen the movie in question. My online reading is increasingly developing this pattern so my link lists are becoming cataloguing lists given that bloggers tend to write about movies so far in advance of your ability to actually see them.

Finally... since we're obsessed with Drive this week

Her breasts aren't real! Just sayin'.

Scanners I was just about to post this very framegrab from the Drive trailer. I hadn't noticed it until I accidently freeze-framed at this moment the other day and saw all the blurry breasts. LOL. It's a very breasty setpiece in the movie (and one of my favorite scenes; the strippers collective zombie like performances are perfection) But here it kicks off a host of observations about the color palette of Drive: teals, pinks, oranges and its orgasmic but nonsexual relationship with red.

Tuesday
Sep202011

Christina Hendricks on "Drive", Acting During Car Chases and That Scene

Michael C. here. I missed Margo Martindale's work on Justified, but judging by the response to her Emmy win, and by the consistently stellar level of her work, the award was no doubt well-deserved. All the same, it was hard not to mutter a curse under your breath when a name other than Christina Hendricks was called out. For four seasons on Mad Men Hendricks has been the epitome of a what a great supporting performance can accomplish. Her nuanced, deeply felt performance as Joan Holloway prevented the character from being the period caricature it could have been in lesser hands, and raised the bar for the rest of the show.

Christina Hendricks as "Blanche" in DRIVE (2011)

Now with Drive, in the small but crucial role of Blanche, Hendricks is taking that skill for finding the heart underneath flashy surfaces to the big screen. I got to chat with Hendricks recently at a press event where she arrived bright and enthusiastic fresh from the set of Mad Men. Here are some of the highlights from the event where I was able to get a few questions in:

On her confrontation with Ryan Gosling…

Christina Hendricks: We shot that very intense scene the very first day of shooting. None of really knew each other, and we were in this hundred degree creepy little hotel room. And so Nicolas came up to us and said, “I’m the kind of director - I will shoot and shoot and shoot until you tell me not to shoot. So be vocal with me and let me know if you feel comfortable with what we’ve already got” No director ever does this. It’s really a nice thing to hear.

He was just very collaborative and very understanding; because it was really intense stuff we were shooting. And because I really didn’t know Ryan yet, it was this very real feeling of fear in this very uncomfortable hot room. So it was intense to shoot, but I think it lead to a successful scene. We all got to know each other by the end of the day [laughs] All sweating together.

Michael: How much of that intensity were you ready for and how much did you experience for the first time on the day?

Christina Hendricks: I think the night before we rehearsed it so we could get the blocking down but we didn’t rehearse it emotionally. We knew where we were going to be standing. Cause we knew it was going to be a long day and we knew it was going to be hard with the entire crew in there. So we all got together the night before and said, “We’ll walk here and here and then you’ll go down and the money bag will be here.” So I wasn’t quite ready for this strong leather glove on my face and I remember my heart being like “Ba-boom! Ba-boom!” He [Gosling] is such an extraordinary actor it felt real and very much in the moment. We did that scene over and over and over, so I was an emotional wreck by the end of the day. I was crying for twelve hours straight.

Michael: It comes across. Just watching it is draining.

Christina Hendricks: It was heavy. Nicolas would be like, “Can you do one more?” and I would be like “[gasping sobs] Hold on.” And Ryan was like, “Who are you? How can you keep doing this?”

 On choosing Drive...

Christina Hendricks: I choose a project based on who’s involved and my faith in them and the script and the rest you just let go. I’d seen Nicolas’s film Bronson before we met and I was so impressed by it and so excited by it that I was like, “This guy’s going to do something cool." The end result was kind of what I imagined he would do. It was stylish and rich in color and scary and heartfelt and all these different things that I knew that he would do. I had a lot of confidence in him.

(From this point forward we could not avoid getting into SPOILERS -so read on if you've seen the movie)

Click to read more ...