Clueless @ 25: The Best Costumes!

by Cláudio Alves

As previously mentioned in my "Emmas of Yore" miniseries, Clueless is one of the best cinematic adaptations of a Jane Austen novel. By modernizing the core narrative of Emma and stripping it of historical detail, Amy Heckerling was able to create a teen movie classic whose biting satire exists hand-in-hand with a sense of overwhelming affection for every character on-screen. Humor and romance are well-balanced, with the comedic element always taking precedence over the love story – as it should be when tackling one of Austen's prickliest and funniest novels.

That being said, to celebrate the 25th anniversary of Clueless' release, we're not going to focus so much on its genius screenplay or how it updates Regency-era social commentary to the Beverly Hills of the 1990s. Fashion is our concern this time around or, more accurately, we're exploring the costume design of Clueless. Since 1995, Mona May's colorful stylings have become as iconic as the screenplay's witty dialogues and, in a fair world, they might have even won the designer some well-deserved Oscar gold… 

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Hepburn, Givenchy and "Funny Face": A Match Made in Heaven

by Cláudio Alves

Throughout the histories of cinema and fashion, there has seldom existed a more glorious collaboration than that of Audrey Hepburn and Hubert de Givenchy. The English actress and the French couturier first worked together in the 1954 movie Sabrina, a costuming masterpiece whose iconic fashions and contentious crediting have been previously written about at The Film Experience by abstew. After his uncredited contribution to that Billy Wilder classic, Givenchy would go on to dress Hepburn on and off-screen many more times, though he always got the credit he deserved after the Sabrina kerfuffle.

That was wise of him since, in 1957, he received an Academy-Award nomination for what is one of Audrey Hepburn's most stylish screen adventures, the indelible Funny Face… 

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Phantom Thread: When bad fashion is good costume design

by Cláudio Alves

There are many ways to talk about Phantom Thread. My favorite Paul Thomas Anderson production is, among other things, one of the best films about romantic love I've ever seen, looking at the way that loving another person is to willingly become vulnerable to them. To love is, in essence, to open ourselves up to the possibility of mutually assured destruction. The picture is also a canny dissection of the muse/artist relationship, one that illuminates matters of obsession, dynamics between the sexes, the luxuriant pleasure of touching silk, and gazing upon that which is beautiful. It's all that and much more, a multifaceted jewel of cinema about which I could write endless rhapsodies of passionate praise.

Still, for this piece, let's look at the aspect of the movie that earned one of its makers an Oscar (and a jet ski). I invite you all to peruse the costumes Mark Bridges created for Phantom Thread, a film which proves that lackluster fashion can be masterful costume design…

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A Decade of Oscar Fashion: Top 10 Looks

by Cláudio Alves

Despite dwindling ratings and ever-growing criticisms, the Academy Awards ceremony is still one of Hollywood's grandest nights. For Oscar enthusiasts, it's like Christmas. For fashion lovers, it's a glamour fest like few others. As we look back at a decade of past ceremonies, we can't help but be dazzled again by the stylish wonders we saw parading through the red carpet each golden night. Since we love list-making, it seems fit to consider such a topic through the lenses of a top 10, elaborating on what were the most memorable and beautiful outfits of Oscar's last decade.

Before we get to the very best, we must celebrate some honorable mentions. From Billy Porter's take on a classic tuxedo to Quvenzhané Wallis' puppy purse, the last ten years were made more glamourous by these Hollywood beauties…

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Natalie Portman and Waad al-Kateab Make Fashion Statements

 by Murtada Elfadl

The Oscars global stage is always good for bold statements and some chose to convey their messages by what they wore. Natalie Portman continued her side eye to Hollywood for not recognizing female directors by wearing them on her dress...

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