Nicole on the runway...




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After over 100 write-ups about performers that came close to Oscar glory but failed to secure a nomination, it's time to discuss Emily Blunt in the Almost There series. Perpetually snubbed, the English actress has been part of the awards conversation since the mid-00s, but the Academy refuses to pay her any attention to this day. Even when her projects are otherwise embraced, Blunt's name is never there on Oscar nomination morning. Though this is her first time in this series, it's certainly not her last. There were at least five other occasions when she was in serious contention for Hollywood's most coveted trophy– going as far as winning the SAG and nabbing nods for all the important precursors. Since there's no better place to start than the beginning, let's delve into Blunt's first brush with Oscar buzz.
Back in 2006, The Devil Wears Prada was a smash hit with audiences and critics alike. Playing a character with her first name, Emily Blunt proved herself a comedic scene-stealer. And just like that, a star was born…
As the Oscars returned to their home, the Dolby Theater, so did the red carpet rediscover a sense of grandeur. We're not back to a pre-pandemic world by any means, but last night's glamour proved a nice distraction. Indeed, the fashion was a high point in what might have been the worst Academy Awards of my lifetime. In any case, this piece is about celebrating sartorial beauty, not dwelling on a ceremony that was lackluster when it wasn't actively disastrous. And so, let's peruse the night's several red carpet looks, examine their visual impact and sense of elegance, bold risks, and classic tailoring. In the end, I'll present my top 10 favorite outfits…
Despite the dynastic title, House of Gucci isn't a movie about fashion. Ridley Scott's no Bertrand Bonello when it comes to shooting beautiful designs, keeping his focus on the human intrigue happening around the clothes, reducing them to an attention-pulling ornament. But, of course, that doesn't mean the costumes aren't gorgeous or anything less than perfect. Reuniting with Scott, costume designer Janty Yates constructed an epic movie wardrobe made up of vintage Gucci, pieces from its lead actress's archival collection, countless custom fits, a cornucopia of deadly glamour. Amid the luxury, Lady Gaga stands out in the role of Patrizia Reggiani, shining like an Elizabeth Taylor diamond, dressed to kill.
Because lists are fun and everyone loves a ranking, let's explore Lady Gaga's extensive wardrobe in House of Gucci by looking at her top 10 looks…
Unintentionally, this year's Horror Costuming miniseries has featured a lot of designers' partnerships. In both Hellraiser and The Cell, we explored how one person created a fantasy world while another cared for the mundane existence and its subtler evils. Those films showed how exemplary collaboration could produce unforgettable movie wardrobes. Now, with Black Swan, we arrive at a more disharmonious sort of alliance, one that fell apart after the fact, as the media celebrated some designers' work while ignoring the other, and the awards bodies did the reverse. It's a pity how much the controversy came to dominate conversations on the film's costumes. But, beyond the acrimony and scandal, Black Swan is a superbly designed horror movie whose costumes deserve analysis, applause, awards too…