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Entries in France (68)

Thursday
Oct072021

Seven new Oscar submissions, French finalists, and a potential Israel/Palestine conflict

by Nathaniel R

LET IT BE MORNING

The announcements of Oscar submissions from various countries are rolling in fast now. If you've missed previous posts we've already covered the submissions from Cambodia, Ecuador, Morocco, Poland, Serbia, Switzerland,  Albania, Ireland, Kyrgzstan, Slovenia, UkraineArmenia, Canada, Colombia, Peru, Germany, and Spain and have reviewed three of the films. In today's huge update we have finalists lists from Chile, France, and Sweden as well as official submissions from Greece, Hungary, The Netherlands, Somalia, South Korea, and Taiwan. But let's start with Israel as we foresee complications.

ISRAEL
Each year Israel's own Oscar style prize "The Ophir" is held around this time and whichever film wins becomes the automatic submission. They've only run into trouble with this system twice in the past (once for a film that had too much English and the other time with a tie so they had to vote again for Oscar purposes). But this year might be another. Let It Be Morning, with a largely Palestinian cast from source material by a Palestinian author, was the big winner at the Ophirs so it became the Israeli submission. While the director Erin Kolirin (of The Band's Visit fame) is Israeli, the film is about Palestinians and earlier this summer, the cast refused to attend the Cannes premiere because the festival labelled the film as an Israeli film. One imagines they'll object to this film representing Israel at the Oscars, for the same reason. Potentially complicating matters further is that Palestine also submits to the Oscars...

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Wednesday
Jul072021

Cannes Diary #1: Adam Driver singing, journalists spitting, and other minor inconveniences

TFE is thrilled to have a correspondent on the ground in Cannes this year. Please welcome back Elisa Giudici.

by Elisa Guidici

It's my first day of my first year as a press pass holder at Cannes Film Festival. Let me tell you that as an Italian, I am so proud of how Venice Mostra handled their Covid-19 edition last season. Cannes had an extra year to plan how to be efficient, safe and as Covid-free as possible. How did the organisation spent these months?.The ticketing system to avoid long queues before screenings? A hot mess. The website? Almost always down. Covid tests? Bizzarre, but at least free for pass holders...

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Sunday
Jan242021

Best International Feature: France, Portugal, Spain

by Cláudio Alves

Europe is the most represented continent in the history of the Best International Feature Oscar. However, while some of its countries are regularly honored, others have been submitting for decades without luck. France, for instance, is the reigning champion of the category, having been nominated forty times. In contrast, Portugal - my country – holds the record for the most submissions without a single nod. For this chapter in our trip through world cinema, we arrive at these two nations' 2020 submissions as well as Spain's Netflix contender…

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Wednesday
Jan132021

Almost There: Juliette Binoche in "Three Colors: Blue"

by Cláudio Alves

With Pieces of a Woman having premiered on Netflix, Vanessa Kirby becomes one of the big contenders in this year's Best Actress race. She previously won the Volpi Cup, joining a selection of other actresses who managed to turn a win at Venice into genuine Oscar buzz. However, not every Volpi champion is as lucky as to get a nomination. In 1993, Juliette Binoche managed to earn the Cup for her studies of loss in the first part of Krzysztof Kieslowski's trilogy about Europe and the French Revolutionary ideals. Still, when Oscar nomination morning arrived, Binoche's searing work in Three Colors: Blue was not found amid AMPAS' choices…

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Sunday
Nov292020

How Had I Never Seen... "Beau Travail"?

by Cláudio Alves

People cope with stress in different ways. Earlier this month, when the US presidential election was unfolding and the world held its breath, I turned to Twitter to reminisce about 2020 cinematic excellence and try to calm my nerves. I also scoured the internet for good deals on physical media, a bit of retail therapy, adding more DVDs and Blu-Rays to a collection that has long ago surpassed a thousand films. Part of the new additions were my first ever Criterion editions! 

All this to say that the discs arrived this week and, since the Criterion Channel has a new collection of Claire Denis films, I decided to finally watch the much-lauded Beau Travail and write about the experience. And what an experience it was…

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