Review: The Midnight Sky

by Tony Ruggio

The Midnight Sky is a mild return to form for director George Cloonney. It’s simultaneously a greatest-hits album of science fiction filmmaking of the last ten years and a beautiful, melancholic story about regret. In the midst of a global pandemic, with more proof arriving every year of what danger might await us in our planet’s future (or even right now), we’re all more aware than ever of what terrible things are possible in this world. Somehow, decades of apocalyptic cinema did not prepare us.

Clooney is Augustine Lofthouse, a scientist who has spent his life finding habitable planets at the expense of his personal life, pushing away those closest to him to devote his life to saving our future...

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The Astronaut Dramas of the 2010s

by Juan Carlos Ojano

Two-time Oscar winner Goerge Clooney directs and stars in Netflix’s final awards contender to drop to streaming during this calendar year, the science fiction drama The Midnight Sky. Based on a novel by Lily Brooks-Dalton, the film follows a lone scientist (Clooney) in the Arctic who must contact a group of astronauts to stop them from returning to earth. This is Clooney’s first film as an actor since 2016’s Money Monster and his first as a director since 2017’s Suburbicon. The film will join a curiously large cinematic trend of 2010s Hollywood: the astronaut drama...

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Emmy FYC Doc Corner: 'Country Music' and 'The Last Dance'

By Glenn Dunks

As a lover of non-fiction, you would probably assume that I naturally gravitate towards documentary series. That’s not always the case, though. In fact, as they gain more popularity, I often find myself struggling with them. Expanded running times make big omissions more frustrating, and just as elsewhere, some shows don't know when to stop. On top of that, Netflix has narrowed its house style to such a degree that it has become something of a private joke when the streaming service sends one of those “we’ve added a series we think you may like” emails.

In terms of 2020 Emmy contenders for the Nonfiction Series Emmy, we have already looked at several: I hated Netflix’s Tiger King, wavered on Hulu’s Hillary, and while I liked PBS’ Asian Americans a lot, I don’t think it made the eligibility deadline. Hopefully next year! Elsewhere, I gave up on the likes of The Trials of Gabriel Fernandez and How to Fix a Drug Scandal pretty early. However, there are bright spots among some of the other contenders: Ken Burns' Country Music and Jason Hehir's The Last Dance...

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Sunday in the Park with George(s)

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The New Classics - Michael Clayton

Michael Cusumano here to christen my new series on future classics of the 21st Century with Tony Gilroy's 2007 legal thriller. In each episode we'll be discussing one great scene. 

The Scene: Karen Crowder’s Downfall 

How does the final scene of Tony Gilroy’s Michael Clayton work so well despite the wheezy cliché at its center? Secretly recording the villain’s confession is right up there with the Monologuing Killer on the list of tired plot devices. Yet when Clooney coerces Swinton into exposing her sins it doesn’t feel the least bit lazy. On the contrary: it’s electrifying...

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