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Entries in Great Moments In... (53)

Wednesday
Feb132019

Great Moments in Screen Kissing: "Love, Simon"

We asked Team Experience to share favourite screen kisses this week. Here's Dancin' Dan...

Love, Simon isn't the first film to be made about LGBTQ teens. There's Beautiful ThingBut I'm a CheerleaderCampEdge of Seventeen (not the Hailee Steinfeld one), Get Real... the list goes on and on. It certainly won't be the last film to be made about LGBTQ teens, either. But it is the first one produced and distributed in wide release by a major Hollywood studio. Because of that, yes, there is an air of polished mediocrity and safety to the whole enterprise. And yet, it's hard to deny the film's effectiveness.

I don't know if, when I was a teenager, I would have had the courage to buy a ticket to see Love, Simon by myself. I do know, however, that if I had, it would have made my teenage years that much better...

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Tuesday
Feb122019

Great Moments in Kissing: "The Notebook"

Team Experience was asked to share their favourite screen kisses for Valentine's Day. Here's a longtime actress friend of TFE, new contributor Kim Rogers...

When Nathaniel put out the call for favorite movie kisses, my mind immediately went to The Notebook’s iconic kiss in the rain. The movie is full of great kisses, but the entire movie is building towards the scene where Noah and Allie kiss in the rain. There’s a reason it’s on the poster, y’all.

The entire lake adventure is tinged with a bittersweet sense of melancholy as Noah takes a now engaged Allie out to see a flock of swans that have taken up residence on his lake. Allie is every bit the proper woman her mother always wanted her to be with her perfect hair, red lipstick, and string of pearls. Allie and Noah have a loaded conversation about the swans (“They’ll go back to where they came from”) and they observe the differences in each other after seven years apart...

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Sunday
Feb102019

Great Moments in Screen Kissing: Notorious (1946)

For the next few days Team Experience will be sharing favourite screen kisses. Here's Seán...

Seán here in Berlin, saying hallo! to you with the adequate amount of Prussian warmth. I'll be filling you in with all my hot takes on only a handful of the myriad of films premiering at the Festspiele. But first a quick wink to one of my favourite on-screen kisses (the whole lot of them).

Alfred Hitchcock was a master of genre and form, leaving behind a body of work admired by scholars and movie lovers alike. Aside from being a good, old, problematic trickster on set, he also knew how to do it within the confines of the screen. The Production Code which outlined what was decent and indecent on film had a long list of cuttable offenses. Even toilets were verboten. But what if the inclusion of one was essential to the story, as it was when Marion Crane disposes of a letter in Psycho? Hitchcock knew how to skirt the rules and Notorious (1946) is one of the best examples of this...

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Monday
Jan282019

That controversial ending to "The Favourite"

by Mark Brinkerhoff

Happy post-Oscar nominations week! Despite a fair amount of rubbish (*cough* Bohemian Rhapsody), the Academy has blessed The Favourite with a deservedly (co-)leading 10 nominations. Bravo! Well done. On that note, it’s high time we talk about the film’s—shall we say—polarizing ending. Are you ready? Let’s go… (Warning: Spoilers ahead.)

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Thursday
Jan242019

Blueprints: Memorable Scenes from Your "Best Original Screenplay" Nominees

by Jorge Molina

We all rose at the crack of dawn on Tuesday morning to hear Kumail Nanjiani and Tracee Ellis Ross banter in a way that we won’t see anyone do on the actual Oscar stage. While we were all bracing for catastrophe (and yes, Bohemian Rhapsody is a Best Picture nominee), the nods balance between expected precursors and delightful surprises (still high on the Marina de Tavira wave). As for Best Original Screenplay, there were no surprises. Four out of the five nominees were pretty locked from very early on. It was the fifth slot that was the question mark. While I was hoping for Bo Burnham’s distillation on teen angst, Paul Schrader’s distillation on environmental nihilism works just fine as well.

After the jump the writers, their history with Oscar, and what scene we think landed them that nomination...

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