My Miyazaki Ranking: Part One - CastleMania

by Cláudio Alves

After its triumph on Oscar night, The Boy and the Heron is returning to cinemas all over the world. To commemorate this theatrical re-release and start closing my chapter of the 2023 film year, I took this opportunity to review Hayao Miyazaki's entire oeuvre. And so, we find ourselves standing before one of the greatest filmographies in the medium's history - animated or otherwise - ready to rank the master's twelve features. I'd love to share my thoughts on Miyazaki's shorts, but sadly, most of them are exclusively shown at the Ghibli Park and Museum. Maybe someday I'll be able to witness their beauty - one can dream.

From times when Studio Ghibli was naught but a dream to its twilight years, spanning half a dozen retirements and the loss of countless colleagues, Miyazaki's gift to cinema is a sprawling wonder. This shall be my personal ranking, not definitive by any means as it's a love letter, an expression of the utmost awe. Ask me in a week, and I'll order the films differently. Today, this is how I see them…

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Trivia Collection for the 96th Academy Awards

Here's what we came up with as the dust settles from Oscar night. Let us know in the comments if there's any other interesting trivia bits you noticed from this season. 

PICTURE / DIRECTOR

• Oppenheimer is the third consecutive movie to be released before fall film festival season to win the Best Picture Oscar (after Coda and Everything Everywhere All At Once)... so perhaps distributors can learn to start trusting that movies can be released at any time and still factor into awards season? It's also the first movie to go straight to theaters (no festivals) to win Best Picture in ages (well, since The Departed in 2006)

• Three female-directed films Anatomy of a Fall, Barbie, and Past Lives were nominated in Best Picture which is an all time record...

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NYFCC Winners: "Killers," Nolan, Rogowski, and more!

by Cláudio Alves

The first major critics award of the season is upon us in the form of the New York Film Critics Circle. Killers of the Flower Moon was the big favorite, scoring two wins in Best Film and Actress, while a couple of other productions also won themselves a pair of prizes. Oppenheimer and May December were warmly embraced by the New York set, as was Franz Rogowski, whose Best Actor victory is this year's biggest surprise. The multiple winners and lack of disclosed runners-up means many of the season's hottest titles were left empty-handed. They include Maestro, Poor Things, Barbie, and The Zone of Interest, which many pegged as likely darlings among critics. Time will tell if other groups take the NYFCC's lead.

Though these things aim to celebrate cinema, one must recognize their fame as Oscar predictors. With that in mind, let's delve into numbers and trivia, history and percentages galore, as one explores this year's complete list of winners…

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TIFF '23: "The Boy and the Heron" goes into the unknown

by Cláudio Alves

Miyazaki's "The Boy and the Heron"

Hayao Miyazaki's last last picture before his latest last picture – already being discredited as such by Studio Ghibli VP Junichi Nishioka – saw him take on the model of a relatively conventional biopic. Despite its wavering between reality and dream, the now and the before, The Wind Rises represented one of the director's most straightforward efforts, doing away with the fantasy elements that defined most of his career. Had it stayed his swan song, it would have made for a career's closing chapter shaped like an intersection of culminating obsessions and stylistic disruption. The Boy and the Heron, previously known as How Do You Live?, posits a inversion of those paradigms. Oft-repeated ideas are invoked only to be collapsed, while tone and style return to the land of fantasy and dream logic.

Before reading ahead, A WARNING. This film will probably be best enjoyed by those who go into it blind, similarly to how Japanese audiences received it. If you want that experience, be satiated in the knowledge this is another masterpiece by Miyazaki. If you yearn for more, come with me down to a place that's no place within a time without time…

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How Had I Never Seen... "The Wind Rises"?

by Cláudio Alves

Hayao Miyazaki has been announcing his retirement for over a quarter century, each new project since Princess Mononoke received like a potential swan song. Such is the case of his latest flick, the enigmatic How Do You Live?, retitled The Boy and the Heron for the Anglophone market. After a lead-up to release that saw no promo beyond the poster, the film was finally seen by the Japanese public, enjoying its big opening last week. And yet, few folks are keen on sharing details about the animated project, including the narrative's basic premise. While the rest of the world waits for an opportunity to glimpse Miyazaki's latest "last" picture, it's an excellent time to watch the not-so-final career-capper that came before, which, to my great shame, I had never seen. 

This July, The Wind Rises celebrates its 10th anniversary, something worth celebrating as we prepare to see another auteur's exploration of an inventor whose efforts resulted in mass death during WWII. Not that Miyazaki's biopic of engineer Jiro Horikoshi, whose fighter designs defined Japanese air force in the 30s and 40s, is attempting the same IMAX-sized scale as Nolan's Oppenheimer…

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