Happy Bastille Day!

by Cláudio Alves

On this day, 233 years ago, revolutionaries stormed the Bastille, seizing control of the medieval fortress turned political prison, a symbol of royal authority over the people. The event is often thought of as the inciting incident of the French Revolution. This time of radical societal change, which lasted until 1799, represents one of the most critical points in human history, the endpoint to the early modern period. To mark the occasion, since 1790, France has celebrated the Fête de la Fédération, a national holiday commonly known as Bastille Day. As a self-described French Revolution nerd who's been obsessing over the subject since middle school, it's a pleasure to combine that passion with another immortal love of mine - cinema. What better way for a cinephile to celebrate the date?

So, without further ado, let's explore how filmmakers have looked at this chapter in history. There are countless approaches, of course, but I shall focus on ten examples, including THE FRENCH REVOLUTION AS...

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Almost There: Glenda Jackson in "Mary, Queen of Scots"

by Cláudio Alves

Eva Husson's Mothering Sunday arrives in American theaters in February. If you are in the UK, you can already stream or rent the movie online. This period drama marks the return of Glenda Jackson to the big-screen after years in Parliament and brief stints on stage. So it seems logical to celebrate this tremendous thespian now, who remains one of the strangest Oscar favorites in Academy history. I've written about her 1970 victory for Women in Love before, but Jackson's career is vaster than the fruitful collaboration with Ken Russell. For instance, on TV, she played the definitive dramatization of Elizabeth I in the BBC's 1971 miniseries Elizabeth R and won two Emmys for her efforts. Concurrently, the actress also played the 16th-century monarch on film.

Charles Jarrott's Mary, Queen of Scots saw her consider the role in a less historical context, performing the Virgin Queen in romanticized opposition to Vanessa Redgrave in the part of her doomed Scottish cousin…

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Almost There: Paul Bettany in "Master & Commander: The Far Side of the World"

by Cláudio Alves

Paul Bettany's one of those actors who feels like an Oscar nominee despite having never received love from the Academy. Since the late 90s, the British thespian has starred in various awards-friendly titles, including a Best Picture winner, and is regularly praised by critics even when his projects disappoint. Nonetheless, AMPAS always ignores him. His best shot came in 2003 when his supporting turn in Peter Weir's Master & Commander: The Far Side of the World earned him some well-deserved buzz. Since the actor just celebrated his 50th birthday, I chose to celebrate the occasion by looking back at that performance in a special entry to the Almost There series…

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Michael O'Connor and the costumes of “Ammonite”

by Cláudio Alves

As L. P. Hartley famously wrote, "The past is a foreign country; they do things differently there." When looking back at times gone by, filmmakers often find themselves as the intermediates between the audience and that strange land. Most try, in some regard, to be interpreters, translating foreign tongues to recognizable idioms, adapting what came before to contemporary sensibilities.

Others, like Michael O'Connor are more pedagogue than translator. In his work the oddities of the past are shown naked, and it's the audience that learns how to comprehend a new language. The British costume designer has made a name for himself with great feats of period couture. While purposefully austere, the Victorian wardrobe of Francis Lee's Ammonite is one of O'Connor's best creations yet…

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Review: "The Great" on Hulu

by Cláudio Alves

Most dramatizations of history have a difficult, often unbalanced, relationship with facts. Reality is notoriously devoid of narrative structure, which makes taking departures and creative license into an essential crime. The troubles arise when the parameters of adaptation aren't clear, when fiction dresses itself as truth, and confusion blooms from pretension. Hulu's biographical series about the early years of Catherine the Great in Russia is unencumbered by such issues, sidestepping them with irreverence. At the start of each episode, a title card points out that this miniseries is only occasionally based on things that really happened.

The rest of it is hilarious fantasy, a play on history that turns the rise of Russia's empress and reformer into the stuff of romantic comedy. It's a black-hearted farce that's unafraid and unashamed of being silly…

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