Top of the Lake's Silver Through-Line

As you have undoubtedly heard since it was announced on the internet about 1,000 different times over the course of about six months (as if each meeting was the official official, 'no really official this time!' news, Nicole Kidman will co-star in Top of the Lake season 2 (with Elisabeth Moss returning to her leading role) . It's her first reunion with her Portrait of a Lady director Jane Campion from back before she was fully NICOLE KIDMAN but basically getting there if you know what I mean.

What we didn't know until now is that she will be sporting Jane Campion's favorite hair color just like Holly Hunter did in Season 1 way back in 2013...

Nicole Kidman in Top of the Lake (S2)Jane Campion and Holly Hunter on the set of Top of the Lake (S1)

Can this be a thing for each season? A gorgeous Oscar winning actress suddenly sporting grey hair even though she's only in her mid 40s to mid 50s? Why should men get all the silver fox action? 

Let's pray for Top of the Lake to be renewed in perpetuity (that first season was straight up amazing) and even though they're slow with them -- once every three years? weird, but okay -- might we suggest: 

Season 3 (2019) Juliette Binoche at 55
Season 4 (2022) Gwyneth Paltrow at 49
Season 5 (2025) Cate Blanchett at 56
Season 6 (2028) Anne Hathaway at 46 
Season 7 (2031) Anna Paquin at 49 (Piano reunion!)
Season 8 (2034) Kirsten Dunst at 52 (we'll just assume she's won the Oscar by then, shut up!)
Season 9 (2037) Alicia Vikander at 49
Season 10 (2040) Elle Fanning at 42 (see: Dunst reasoning)

Sorry. I'll stop now! 

Movie v Its Ensemble

Spoilers Ahead - Many of you have surely taken in the large spectacle clashing of Zack Snyder’s Batman v. Superman: Dawn of Justice for either popcorn fun or schadenfreude curiosity after the critical drubbing. Even the film’s fans and apologists have to admit that substantial missteps were made.

One of the most gruesome of the film’s plentiful sins is how it hangs its enviable cast completely out to dry. This is a cast of Oscar winners, legends, and future greats (poor Scoot McNairy!) giving it their all, but still completely out to sea. The luckiest are the ones that are still used too sparingly: Laurence Fishburne and Diane Lane don’t have time to make a mark, despite giving the grim actioner its only laughs.

But the film has a huge actor problem. There are many moments of its cast being underserved, undervalued, or placed into outright embarrassing situations. And there’s one glaring example I just can’t get past...

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YNMS: Holly Hunter vs. Superman: Dawn of Wonder Woman

It would be a lie to say that The Film Experience has been anxiously awaiting the latest trailer from Zach Snyder. But life can surprise you and the newly released Batman vs Superman: Dawn of Justice promo literally begins with this image of Oscar Winning Diva Holly Hunter!

Today is a day for truth."

And her line reading is so over-the-top IMPORTANT that I want it on a Vine loop. Like Jessica Lange screaming "Knotty Pine" or something. Is it too much to ask that Holly's Senator is like Cristal/Showgirls self aware of what kind of movie she is in?

For now we are free to imagine that this movie is actually an action drama about Senator Holly Hunter's vendetta against Superman wherein she cosplays Wonder Woman (briefly glimpsed though it's never clear who she is fighting in her cutaways) to lay waste to him. Featuring Oscar nominees Diane Lane and Amy Adams! (Those grim self-important steroid warriors are just there to sell tickets to fanboys and muscle-queens!)

So let's Yes No and Maybe So it this thing (okay the real thing - sigh) after the jump...

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Superman v Batman v Fantastic Four v Spider-Man v Indifference

Tom Holland for Spider-Man?We all know that eventually the superhero bubble will burst. But until then, they will dominate cinema. Still, even in their new golden age of popularity, there is a growing semi-intangible resistance out there to caring about each and every one of the films. I've been feeling that about Batman v Superman Dawn of Justice especially and it's a little strange that the Fantastic Four reboot has been so non-buzzy since the internet loves talking superheroes like little else. (Both films recently got new trailers, t'was time to discuss)

Spider-Man
Not that this indifference or in some cases outright hostility affects the box office mind you. Everyone seemed to hate The Amazing Spider-Man 2 last summer but it didn't stop the movie from making $708 million globally and it certainly hasn't dampened enthusiasm at Sony or Marvel for Spider-Man as a cash cow. They're already busy recasting Spider-man for the third time in less than 14 years. They've supposedly narrowed it down to five actors...

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Women's Pictures - Jane Campion's The Piano

The Piano contains many stories. It is a love story between two outsiders: a mute woman, and an uneducated man. It is an allegory about oppression: a white landowner in New Zealand treats his wife and the Maori people like children or property. It is a study of conflicted characters: a repressed, oppressive landowner; his passionate, mute wife; the lower class man who falls in love with her; and her wild, intelligent daughter. It is a warning about the hazards of refusing to listen: a failed marriage, a soured initial seduction, and the climax of the film are all spurred by lacking communication.  The Piano also has its roots in the fairy tale “Bluebeard;” a sinister story about a newlywed who discovers that her husband murders his wives. But as we’ve seen, Jane Campion doesn’t do easy fairy tale morality.

Campion’s story opens with the only words we will hear its main character speak:

The voice you hear is not my speaking voice - but my mind's voice. I have not spoken since I was six years old. No one knows why - not even me...

Ada (Holly Hunter) is a mute Scottish woman shipped to Victorian New Zealand to marry a stranger, Alisdair (Sam Neill). Ada carries with her the two possessions that make up her voice: her headstrong daughter (Anna Paquin), and her piano. Alisdair leaves the piano, to Ada’s dismay, but a former whaler named George (Harvey Keitel) senses the piano’s importance, and shelters it in his house. He uses it to start an affair with Ada. Considering that this is a story set in the Victorian era, it is a welcome surprise that Campion refuses to make Ada a victim of anything (except maybe circumstance). But that initial image, the piano on the beach, lingers. The incongruous image of a piano on a beach sets the theme for the film - melancholy, and tinged with magical realism.

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