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Entries in Horror (386)

Tuesday
Jul232019

YNMS: "It: Chapter Two"

by Jason Adams

Slip into your yellow rain-slickers and come play with me down in the gutter, as the final trailer for director Andy Muschietti's It: Chapter Two arrived last week and we're taking a belated gander. While I preferred the shorter teaser that primarily focused in on a single creepy scene with Jessica Chastain, (taking over the role of Beverly from the terrific Sophia Lillis) and an old lady who's clearly not the old lady she seems to be, this full trailer delivers plenty of the pitch-black shocks we expect from these hard R-rated sojourns into what some consider Stephen King's most terrifying tale...

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Monday
Jul222019

Great Moments in Horror Actressing

by Jason Adams

Howdy folks and say howdy-do to my brand new series here at TFE, "Great Moments in Horror Actressing". I'll be smashing together my favorite things (horror movies) with your favorite things (actresses). We'll focus in on great women giving the scary movies that little oomph of something extra. I'm just going to be lasering in on little moments, scenes, flourishes that I find especially special -- the pieces that make the big scary whole all the sweeter. Or sourer, as the case will probably more often be, given the genre. 

First up, Vera Farmiga in Orphan (2009). Jaume Collet-Serra's horror film about an orphan (Isabelle Furhman) just looking for a home, no matter the cost, is celebrating its 10th anniversary this week. It's a truly astounding box of shocks that's managed to retain its ability to jaw-drop a full decade later. But for all its third act reveals that I still can't believe they got away with, and the titular mind-blowing performance, the film packs such a visceral punch as its bottom drops out because of the sound emotional foundation Vera Farmiga set up in its opening scenes...

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Tuesday
Jul162019

Saturn Nominations 2019: Endgame

by Nathaniel R

Avengers Endgame dominated with 14 nominations

The Saturn Awards, which used to be held in June each year are moving to September which means the nominations have been delayed for some time now and the eligibility period for the 2019 nominations covers a 16 month period from March 1st, 2018 through to July 7th, 2019. Moving forward, the eligibility should revert to a July to June basis with the ceremony in September (September 13th this year). They're also soon announcing a streaming partner so it will become a televised ceremony starting this year.

We love the Saturn Awards in concept -- it's a worthy goal to honor genre films (fantasy, horror, action, thrillers, and sci-fi are the pet causes) because any genre is capable of greatness -- but they've never quite been able to get their act together and each year's nominations are always agonizing or inexplicable in some way or another...

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Monday
Jul152019

MidSommar is more fun to relive than to watch

Every time we begin to doubt A24's ability to remain the freshest and funnest and most reliably high quality distributor, they remind us to continue in the faith. Look, for example, at this brilliant insanity they've cooked up to promote MidSommar...

You may have seen that already but we're sharing it as an excuse to discuss the movie again.

Though it's no secret that your host here at The Film Experience is not a fan of the movie (hear the podcast discussion) Murtada was correct in his assertion that the film has inspired some great critical writing. Whether you love the movie like our own Chris Feil or dislike it, like me, it's quite easy to enjoy after the fact. It's already inspiring great fan art, silly memes, and fine critical writing. CONSIDER....

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Sunday
Jul142019

Review: "Crawl"

by Tony Ruggio

Alexandre Aja is a filmmaker who doesn’t get enough credit for the grimy thrillers he’s been putting out since High Tension in 2003. Piranha 3D is modern camp at its finest and his remake of The Hills Have Eyes is the rare remake to outdo the original. His latest, Crawl, is yet another example of his way with water-bound horror, an imperfect creature feature that takes itself a wee bit too seriously, but nevertheless delivers the gory fun goods that have defined his work...

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