Vintage 1983

With nothing new in theaters worth getting excited about my head has been all over the (time) map of cinema. I picked this year somewhat arbitrarily to discuss.

Were you alive in 1983? Even if you weren't do you think of it fondly? To give you a little context for the year: Ronald Reagan was POTUS and Nancy had just contributed "Just Say No" to the vernacular; M*A*S*H ended its lengthy run on television; Michael Jackson's "Thriller" was all anybody listened to; Cheers and Hill Street Blues were the Emmy champs.

Let's savor 1983's cinematic crop for a moment. Are these movies (and people) and things aging well? Is there much left to savor? 

Best Movies According To...
Oscar: The Big Chill, The Dresser, Tender Mercies, Terms of Endearment, and The Right Stuff were the best pictures nominees but they also loved Cross Creek, Fanny & Alexander, Educating Rita, Silkwood and Zelig
Golden Globe: (drama) Reuben Reuben, The Right Stuff, Silkwood, Tender Mercies, and Terms of Endearment* (comedy/musical) The Big Chill, Flashdance, Trading Places, Yentl*, and Zelig
Cannes: The Ballad of Narayama
Box Office: 1) Return of the Jedi 2) Terms of Endearment 3) Flashdance 4) Trading Places 5) War Games 6) Octopussy 7) Sudden Impact 8) Staying Alive 9) Mr Mom 10) Risky Business
Nathaniel: The King of Comedy, Monty Python's The Meaning of Life, Pauline at the Beach, The Return of the Jedi, The Right Stuff, Silkwood, Terms of Endearment, The Year of Living Dangerously and Yentl. I'm holding a spot in my top ten open for Fanny & Alexander or Zelig which are weirdly movies I never get around to seeing even though I am likely to worship both given the time frame in their auteur's filmography in which they land...

Adorable '83 Babies after the jump...

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Yes, No, Maybe So: "To Rome With Love"

Jose here with a new edition of Yes, No, Maybe So. After the success of the Oscar-winning Midnight in Paris, all eyes were set on Woody Allen's next movie. First the movie caused a tiny outrage because of its "unimaginative" title, later we got a look at an underwhelming poster that had people once more complaining and accusing Woody of "losing his touch".

However, this has become the norm with his work. He's unarguably the most productive artist in moviemaking and people always have very strong reactions towards him and his movies. For all the people who loved Midnight in Paris there were a few who hated it because it wasn't Annie Hall or refused to watch it because they oppose Woody morally.

Here's the first trailer. Help us decide if it's Yes, No or Maybe So...

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FB Awards Flashback 2002 ~ Viola Davis Wins "Breakthrough"

I was looking up old Film Bitch Awards the other day, to verify that I had awarded Viola Davis a prize once before, because when she took home the SAG prize I felt like shouting "I SAW HER FIRST!". Turns out I gave her two gold medals the first year I "met" her. For kicks, and because I haven't finished the First Ten Years book for purchase, here is a little flashback for you exactly as they appeared (typos and all)! Viola won the following two prizes "Best Actress in a Cameo or Limited Role" and "Breakthrough"... I had totally forgotten most of these details.

CAMEO OR LIMITED ROLE, 2002

Viola only had one scene in Antwone Fisher so I guess I never found a photo of her. LOL. I remember a teensy bit of Viola and Mary Lynn Rajskub's performances. Toni Collette's cameo on the other hand is super vivid  as most things The Hours are, nine years on.  Tilda Swinton and Geraldine Chaplin's roles are much fuzzier memories. In fact, I didn't remember until looking at this that Tilda was even in Adaptation (the bulk of my memories from that one are Streep's -- particularly the famous dial tone sequence -- with a little side dish of Chris Cooper). 

BREAKTHROUGH AWARD, 2002
[Note: The year before I had given the medals to Naomi Watts, Gael García Bernal and Kerry Washington]

Remember when Maggie Gyllenhaal was Jessica Chastain?

I'm lol'ing at my "Give her a lead role instantly" command about Viola Davis. Meryl Streep would issue the same command at the SAG Awards several years later. It only took Hollywood nine years to get back to me on that with The Help. The other thing that's amusing to me about this flashback is Jesse Eisenberg as a semi-finalist. I didn't seem to have much faith that micro-budgeted indie Roger Dodger would lead anywhere for him but I thought he was great in it. 

Does this bring back any memories of 2002 movies for you?

I know I've been slow going on finishing the Film Bitch Awards this year, and even slower to bring you all the promised book of "The First Ten Years". When I finally finish it I hope you'll all purchase to support the site's continued life. [In the meantime a "subscription" on the right hand sidebar -- That's like 8 cents a day -- is a great way to make sure we keep typing at you for yet another year].

Who will win breakthrough and cameo prizes this year? And will we laugh about who was highlighted and who wasn't nine years later? The answer to the first question is coming soon but obviously there's a long wait before we can answer the second.

Podcast: Return Engagements, 2010 Memories

It's part 2 of the last pre-Oscar podcast. Nick, Nathaniel, Katey and Joe complete their role swap conversation. Other features include.

• "Range" does Jesse Eisenberg have it?
• Melissa Leo's filmography
• Sofia Coppola, John Cameron Mitchell, Nicole Holofcener
• Matt Reeves and other directors to watch
• What directors learn from success or failure
• Mark Harris' GQ piece on Inception's box office
• Tilda & Luca
• Christian Bale and Oscar nominees in superhero films
• Statistics about 2nd nominations
• When does Amy Adams become "overdue"?

Join in the conversations in the comments. Which young directors will one day be occupying the Aronofsky/Fincher spots of "finally breaking through" with Oscar? Which of this year's newbies will come back for second nominations?

Podcast: 2010 Memories, Return Engagements

Leon, Angel, Adam, Edward and Andrew

This post is titled by the middle names of Oscar's BEST ACTOR nominees because here at The Film Experience we are always trying to find ways to keep things interesting. It would be much easier to title this blog post "Javier Bardem, Jeff Bridges, Jesse Eisenberg, James Franco and Colin Firth" but where's the fun in that? If you enjoy a challenge, try to guess which middle name goes with which best actor, before you click over to the BEST ACTOR PAGE.

I include the trivia (and more) because this race is a done deal yet we have to stay interested for nine more days. Colin Firth's Coronation is proceeding exactly like Helen Mirren's a few years back, isn't it? It's like I was saying in that Tribeca Film article, each year there's generally one candidate who is granted immunity about whom no one ever bitches and who just sails through like it was always meant to be their year and their prize.

UPDATED: Includes Reader Poll "Who Should Win?"