Link Mommy, Link!

Vanity Fair interviews director John Hillcoat (Lawless, The Road) on his controversial Superbowl ad for Coke. I personally loved it. The right-wingers hate its reminder of America as melting pot.
NPR Jehane Noujaim's The Square, nominated for Best Documentary, is having trouble getting screened at home in Egypt 
Theater Mania interviews the great Charles Busch (Die Mommy, Die!) about his career and new play "The Tribute Artist" in which he does impressions of Marilyn, Bette Davis, and Katharine Hepburn among others. (I met Mr Busch at the anniversary Cabaret screening last year and he was so sweet)

Gothamist Alfonso Cuarón's Oscar campaign hits Lincoln Center soon for screenings and discussions of Children of Men and Gravity here in NYC. Ah c'mon Lincoln Center. Throw in Y Tu Mama Tambíen (still his best picture) and we'll totally be talking!
Pajiba on the whitewashing of Egyptian mythology on screen. Why not cast people of color. Joel Edgerton as Ramses? Gerard Butler as an Egyptian god? Ummmm
LA Times Spike Jonze acceptance speech at the WGA's for Her 

Coming Soon.
Mookie provides us with a list of the most exciting Chinese films coming this year. Lots of auteur epics and stars: Chang Chen, Tang Wei, Gong Li, and Takeshi Kaneshiro
Empire Russell Crowe's next drama Fathers and Daughters is from Italian director Gabriele Muccino (The Pursuit of Happyness) is loading up on starpower.Also cast: Amanda Seyfried, Aaron Paul, Quvenzhane Wallis, Octavia Spencer and Diane Kruger. 
THR Matthew McConaughey and Ken Watanabe will costar in Gus Van Sant's Sea of Trees about two suicidal men
Empire Alicia Vikander (yaaaasss) and Kit Harrington (well, he pretty) to co-star in World War I drama The Testament of Youth directed by James Kent. Incidentally Kent has had a long career in TV films but this will be his first feature.
Deadline an update on Yorgos Lanthimos (Dogtooth) and his third film The Lobster 

 Finally...
You have undoubtedly read in several places that Jonah Hill & Leonardo DiCaprio are both now attached to a film about the Olympics bombings of 1996. This time Hill will play Lead and Leo supports. It's based on this Vanity Fair article American Nightmare: The Ballad of Richard Jewell so we assume it will be called American Nightmare in release (or something else) since that's more generic and that they'll pretend it's not based on anything if the Original Screenplay category looks like an easy get in 2015. (Why am I so cynical?). Certainly the two worked well together in WoWS. Can they recapture the magic and double Oscar nods again? The Wire wonders which movie duo they're aiming to be. 

And in case you missed it at Funny or Die... here is "Jesse Eisenberg's" leaked audition tape for Lex Luthor in Batman vs. Superman. I LOL'ed the most at the little pantomime of breaking Batma... well, I'll let you watch it.  

Leaked Jesse Eisenberg Lex Luthor Audition from Funny Or Die

TIFF: Boogie Nights Revisited as Radio Show

Jason Reitman's Live Reads have long since gained "event" status on the West Coast and occasionally here in Toronto. Last year's TIFF event, a live reading of  American Beauty won so many raves that I knew I had to be there for the live read of Boogie Nights, another 90s classic and one much dearer to my heart. ... My crotch? Somehow Boogie Nights played much dirtier read aloud which got me to appreciate the unbelievable balancing act of the movie all the more. Somehow Mark Wahlberg's dumb sweetness, Julianne Moore's eager-beaver maternal warmth, Melora Walters and Don Cheadle's lost soul puppy love and the entire cast's totally committed work in Paul Thomas Anderson's classic elevate the material (already great to begin with of course) into something both stylized and authentic and totally endearing.

This time through without the visuals what I appreciated most was the comic glories of its dimwitted poetry.  Like this from Dirk:

You don't know what I can do! You don't know what I can do, what I'm gonna do, or what I'm gonna be! I'm good! I have good things that you don't know about! I'm gonna be something! I am! And don't fucking tell me I'm not!

Or literal dimwitted poetry like this from Reed...

I love you, you love me | Going down the sugar tree |  We'll go down the sugar tree, and see lots of bees: playing, playing |  But the bees won't sting, because you love me

more

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Box Office: Little Willie Style

Absence doesn't always make the heart grow fonder. Will Smith quit headlining movies very abruptly 5 years ago. He stuck a toe back in box office waters last year for another Men in Black but the one-time king of summer movie blockbusters couldn't even beat a Jesse Eisenberg ensemble picture or a 6th edition of a long-in-the-tooth franchise with no bankable stars outside of that franchise? That's some sort of wake-up call but to whom and for what? Will? The Smith Family Players? M Night?

For his next trick, he'll make Will Smith giant-sized bankability disappear

BOX OFFICE TOP TEN
01 FAST & FURIOUS 6 $34.5 (cum. $170.3)
02 NOW YOU SEE ME  $28.5 *NEW* 
03 AFTER EARTH  $27 *NEW* M Night Shyamalan's Fall
04 STAR TREK INTO DARKNESS  $16.4 (cum. $181.1) The Dumbing Down of Star Trek
05 EPIC $16.4 (cum. $65.1)
06 THE HANGOVER PART III $15.9 (cum. $88)
07 IRON MAN THREE $8 (cum. $384.7) Reviewed & Podcasted
08 THE GREAT GATSBY $6.2 (cum. $128.2) Reviewed & Dreamt About
09 MUD  $1.2 (cum. $16.8)
10 THE CROODS $.6 (cum. $180.5)

In limited release Frances Ha nearly cracked the top ten in its third week and will pass Margot at the Wedding's gross quickly. The real test will be if it can break through to Squid and the Whale levels without the aid of awards buzz since we're not in the season.  Meanwhile, Before Midnight, which in a perfect world would be a $100 million blockbuster, wasn't very aggressive in expansion in its second week. I wonder what the future will hold for it?

What did you see this weekend?
I binged (hence the lack of posting) with two oldies having big anniversaries Adventures in Robin Hood and Cleopatra - good christ but that movie is a slog to watch in one sitting! - and three 2013 offerings (The East, Mud, and What Maisie Knew) so I should write something about something soon, shouldn't I?

Vintage 1983

With nothing new in theaters worth getting excited about my head has been all over the (time) map of cinema. I picked this year somewhat arbitrarily to discuss.

Were you alive in 1983? Even if you weren't do you think of it fondly? To give you a little context for the year: Ronald Reagan was POTUS and Nancy had just contributed "Just Say No" to the vernacular; M*A*S*H ended its lengthy run on television; Michael Jackson's "Thriller" was all anybody listened to; Cheers and Hill Street Blues were the Emmy champs.

Let's savor 1983's cinematic crop for a moment. Are these movies (and people) and things aging well? Is there much left to savor? 

Best Movies According To...
Oscar: The Big Chill, The Dresser, Tender Mercies, Terms of Endearment, and The Right Stuff were the best pictures nominees but they also loved Cross Creek, Fanny & Alexander, Educating Rita, Silkwood and Zelig
Golden Globe: (drama) Reuben Reuben, The Right Stuff, Silkwood, Tender Mercies, and Terms of Endearment* (comedy/musical) The Big Chill, Flashdance, Trading Places, Yentl*, and Zelig
Cannes: The Ballad of Narayama
Box Office: 1) Return of the Jedi 2) Terms of Endearment 3) Flashdance 4) Trading Places 5) War Games 6) Octopussy 7) Sudden Impact 8) Staying Alive 9) Mr Mom 10) Risky Business
Nathaniel: The King of Comedy, Monty Python's The Meaning of Life, Pauline at the Beach, The Return of the Jedi, The Right Stuff, Silkwood, Terms of Endearment, The Year of Living Dangerously and Yentl. I'm holding a spot in my top ten open for Fanny & Alexander or Zelig which are weirdly movies I never get around to seeing even though I am likely to worship both given the time frame in their auteur's filmography in which they land...

Adorable '83 Babies after the jump...

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Yes, No, Maybe So: "To Rome With Love"

Jose here with a new edition of Yes, No, Maybe So. After the success of the Oscar-winning Midnight in Paris, all eyes were set on Woody Allen's next movie. First the movie caused a tiny outrage because of its "unimaginative" title, later we got a look at an underwhelming poster that had people once more complaining and accusing Woody of "losing his touch".

However, this has become the norm with his work. He's unarguably the most productive artist in moviemaking and people always have very strong reactions towards him and his movies. For all the people who loved Midnight in Paris there were a few who hated it because it wasn't Annie Hall or refused to watch it because they oppose Woody morally.

Here's the first trailer. Help us decide if it's Yes, No or Maybe So...

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